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Ahmad Jamal|Ahmad's Blues (Live At Spolite Club - Washington, September 6, 1958)

Ahmad's Blues (Live At Spolite Club - Washington, September 6, 1958)

Ahmad Jamal Trio

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One of Miles Davis's favorite musicians, Ahmad Jamal has a unique approach as a pianist, composer, and arranger that is highly influential and distinctive. Possessed of a light, almost classical touch, and a purveyor of negative space and minimal phrasing (his influence on Davis can certainly be seen here), Jamal worked largely in trio settings, and used his conceptions of space and subtlety to create dynamic tensions within the group. At the same time, the artist's work is rooted firmly in the blues and swings intently, without fail. Ahmad's Blues, the trio's 1958 live date in Washington D.C., demonstrates all of these qualities in spades. Supremely attentive playing by bassist Israel Crosby and drummer Vernel Fournier (his brush work on the intricate, gear-shifting "Autumn Leaves" is especially noteworthy) provides groundwork, foil, and shifting frames for Jamal's virtuoso explorations. The ensemble's work brings new ideas -- the musicians often incorporate understated mambo, fractured swing rhythms, or airy, abstract structures -- to standards ("Stompin' at the Savoy;" "Cheek to Cheek") and to Jamal's own compositions (the delicate "Seleritus"). Ahmad's Blues allows us to eavesdrop on the sophisticated, innovative artist and company at work.
© Rovi Staff /TiVo

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Ahmad's Blues (Live At Spolite Club - Washington, September 6, 1958)

Ahmad Jamal

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1
Ahmad's Blues
00:04:06

Ahmad Jamal Trio, Performer - Ahmad Jamal, Composer, Writer

Play

2
It Could Happen to You
00:04:15

Ahmad Jamal Trio, Performer - Johnny Burke, Composer, Writer - Jimmy Van Heusen, Composer, Writer

Play

3
I Wish I Knew
00:03:45

Ahmad Jamal Trio, Performer - Mark Gordon, Composer, Writer - Harry Warren, Composer, Writer

Play

4
Autumn Leaves
00:07:40

Ahmad Jamal Trio, Performer - Jaques Prevert, Composer, Writer - Johnny Mercer, Composer, Writer - Joseph Kosma, Composer, Writer

Play

5
Stompin' At the Savoy
00:04:15

Ahmad Jamal Trio, Performer - Benny Goodman, Composer, Writer - Chick Webb, Composer, Writer - Edgar Sampson, Composer, Writer

Play

6
Check to Check
00:04:47

Ahmad Jamal Trio, Performer - Irving Berlin, Composer, Writer

Play

7
The Girl Next Door
00:03:26

Ahmad Jamal Trio, Performer - Ralph Blane, Composer, Writer - Hugh Martin, Composer, Writer

Play

8
Secret Love
00:03:51

Ahmad Jamal Trio, Performer - Paul Frencis Webster, Composer, Writer - Sammy Fain, Composer, Writer

Play

9
Squatty Roo
00:02:18

Ahmad Jamal Trio, Performer - Johnny Hodges, Composer, Writer

Play

10
Taboo
00:04:01

Ahmad Jamal Trio, Performer - Ahmad Jamal, Composer, Writer

Play

11
Autumn in New York
00:03:18

Ahmad Jamal Trio, Performer - Vernon Duke, Composer, Writer

Play

12
A Gal in Calico
00:04:44

Ahmad Jamal Trio, Performer - Leo Robin, Composer, Writer - Arthur Schwatz, Composer, Writer

Play

13
That's All
00:02:38

Ahmad Jamal Trio, Performer - Allen Brandt, Composer, Writer - Bob Haymes, Composer, Writer

Play

14
Should I?
00:03:39

Ahmad Jamal Trio, Performer - Arthur Freed, Composer, Writer - Nacio Herb Brown, Composer, Writer

Play

15
Seleritus
00:03:12

Ahmad Jamal Trio, Performer - Ahmad Jamal, Composer, Writer

Play

16
Let's Fall in Love
00:05:06

Ahmad Jamal Trio, Performer - Ted Koehler, Composer, Writer - Arold Arlen, Composer, Writer

Play

Albumbeschreibung

One of Miles Davis's favorite musicians, Ahmad Jamal has a unique approach as a pianist, composer, and arranger that is highly influential and distinctive. Possessed of a light, almost classical touch, and a purveyor of negative space and minimal phrasing (his influence on Davis can certainly be seen here), Jamal worked largely in trio settings, and used his conceptions of space and subtlety to create dynamic tensions within the group. At the same time, the artist's work is rooted firmly in the blues and swings intently, without fail. Ahmad's Blues, the trio's 1958 live date in Washington D.C., demonstrates all of these qualities in spades. Supremely attentive playing by bassist Israel Crosby and drummer Vernel Fournier (his brush work on the intricate, gear-shifting "Autumn Leaves" is especially noteworthy) provides groundwork, foil, and shifting frames for Jamal's virtuoso explorations. The ensemble's work brings new ideas -- the musicians often incorporate understated mambo, fractured swing rhythms, or airy, abstract structures -- to standards ("Stompin' at the Savoy;" "Cheek to Cheek") and to Jamal's own compositions (the delicate "Seleritus"). Ahmad's Blues allows us to eavesdrop on the sophisticated, innovative artist and company at work.
© Rovi Staff /TiVo

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