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Walter Wanderley|When It Was Done

When It Was Done

Walter Wanderley

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Walter Wanderley moved over to A&M from Verve with producer Creed Taylor, whose influence dominates this heavily produced yet attractive album of mostly Brazilian material. The Wanderley sound is more carefully terraced than ever on this strikingly packaged album, edited and faded for easy airplay. Especially nice is Jobim's "Surfboard," a sleek miniature tone poem. Besides his usual subdued organ work, Wanderley spends almost as much time on the electric harpsichord, upon which he uses a more legato attack than on the organ, a curious reversal of each instrument's properties. He is not helped by the cottonball-textured vocals from a superfluous female trio, who figure most prominently on the two American tunes, Burt Bacharach's "Reach Out For Me" and Jimmy Webb's title track. A few of the usual CTI suspects turn up -- Hubert Laws on flute, Marvin Stamm on flugelhorn; Don Sebesky provides the overlush string backdrops, with other points in the arrangements entrusted to Eumir Deodato. A young Milton Nascimento makes a cameo appearance on "Open Your Arms," scatting a countermelody that he invented on the spot after awakening from a nap (no, it was jet lag, not a commentary on the session!).

© Richard S. Ginell /TiVo

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When It Was Done

Walter Wanderley

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1
Open Your Arms (Let Me Walk Right In)
00:02:36

Jerry Livingston, ComposerLyricist - RAYMOND B. EVANS, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

2
Surfboard (Album Version)
00:02:34

António Carlos Jobim, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Baiao Da Garoa
00:03:37

Hervê Cordovil, ComposerLyricist - Luiz Gonzaga, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

4
Reach Out For Me
00:02:38

Burt Bacharach, ComposerLyricist - Hal David, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

5
Ole, Ole, Ola
00:02:28

Chico Buarque, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Ponteio
00:02:26

Jose Carlos Capinan, ComposerLyricist - Edu Lobo, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

7
When It Was Done
00:02:20

Jimmy Webb, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

8
On My Mind
00:02:44

Eumir Deodato, ComposerLyricist - Norman Gimbel, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

9
Just My Love And I (Album Version)
00:02:18

Eumir Deodato, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Judy Spencer, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

10
Capoeira
00:04:19

Eumir Deodato, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

11
Truth In Peace
00:02:35

Durval Ferreira, ComposerLyricist - Walter Wanderley, MainArtist - Creed Taylor, Producer

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

Presentación del Álbum

Walter Wanderley moved over to A&M from Verve with producer Creed Taylor, whose influence dominates this heavily produced yet attractive album of mostly Brazilian material. The Wanderley sound is more carefully terraced than ever on this strikingly packaged album, edited and faded for easy airplay. Especially nice is Jobim's "Surfboard," a sleek miniature tone poem. Besides his usual subdued organ work, Wanderley spends almost as much time on the electric harpsichord, upon which he uses a more legato attack than on the organ, a curious reversal of each instrument's properties. He is not helped by the cottonball-textured vocals from a superfluous female trio, who figure most prominently on the two American tunes, Burt Bacharach's "Reach Out For Me" and Jimmy Webb's title track. A few of the usual CTI suspects turn up -- Hubert Laws on flute, Marvin Stamm on flugelhorn; Don Sebesky provides the overlush string backdrops, with other points in the arrangements entrusted to Eumir Deodato. A young Milton Nascimento makes a cameo appearance on "Open Your Arms," scatting a countermelody that he invented on the spot after awakening from a nap (no, it was jet lag, not a commentary on the session!).

© Richard S. Ginell /TiVo

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