Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
Over the course of their albums and EPs, Numbers have slowly colored in their sketchy, high-contrast electro-punk, adding more depth and breadth to their sound with each release. We're Animals is no exception -- in fact, its blend of new wave, psychedelic drones, and homages to early-'90s dream pop makes it the band's most eclectic and accomplished album yet. On songs like "Black Crow Heart of Gold," the band sounds almost unrecognizable: Indra Dunis sings instead of shouts, and Eric Landmark's keyboards provide atmospheric washes instead of spiky outbursts. Actually, Numbers sound a little like a scuzzy, low-res version of early Stereolab on several songs, especially the naïvely beautiful "Funny But Sad" and the downright pretty final track, "Party's Over." Still, as the album's title implies, the band is far from tame, even if it has slowed down and cleaned up its sound a bit. "Beast Life" and "I'll Love You 'til I Don't" are fizzy and melodic with unpredictable stops, starts, and dynamic shifts, while the dense, lumbering "Desert Life" arguably rocks harder, or at least heavier, than anything they've released before. "The Fuck You Garage" sound like one of the band's older songs played at half speed, giving Dunis' drums a loping, almost sexy swing. A radical -- but successful -- departure, We're Animals might have slightly fewer instantly memorable songs than In My Mind All the Time, but it shows that Numbers are continuing to develop and experiment in ways that make this album exciting in a completely different way than their previous work.
© Heather Phares /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde USD 4,19/mes
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Numbers, Composer, MainArtist - Kill Rock Stars, MusicPublisher
2005 Kill Rock Stars 2005 Kill Rock Stars
Presentación del Álbum
Over the course of their albums and EPs, Numbers have slowly colored in their sketchy, high-contrast electro-punk, adding more depth and breadth to their sound with each release. We're Animals is no exception -- in fact, its blend of new wave, psychedelic drones, and homages to early-'90s dream pop makes it the band's most eclectic and accomplished album yet. On songs like "Black Crow Heart of Gold," the band sounds almost unrecognizable: Indra Dunis sings instead of shouts, and Eric Landmark's keyboards provide atmospheric washes instead of spiky outbursts. Actually, Numbers sound a little like a scuzzy, low-res version of early Stereolab on several songs, especially the naïvely beautiful "Funny But Sad" and the downright pretty final track, "Party's Over." Still, as the album's title implies, the band is far from tame, even if it has slowed down and cleaned up its sound a bit. "Beast Life" and "I'll Love You 'til I Don't" are fizzy and melodic with unpredictable stops, starts, and dynamic shifts, while the dense, lumbering "Desert Life" arguably rocks harder, or at least heavier, than anything they've released before. "The Fuck You Garage" sound like one of the band's older songs played at half speed, giving Dunis' drums a loping, almost sexy swing. A radical -- but successful -- departure, We're Animals might have slightly fewer instantly memorable songs than In My Mind All the Time, but it shows that Numbers are continuing to develop and experiment in ways that make this album exciting in a completely different way than their previous work.
© Heather Phares /TiVo
Acerca del álbum
- 1 disco(s) - 11 pista(s)
- Duración total: 00:43:37
- Artistas principales: Numbers
- Compositor: Numbers
- Sello: Kill Rock Stars
- Género Pop/Rock Pop
2005 Kill Rock Stars 2005 Kill Rock Stars
Mejorar la información del álbum