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Bergen Barokk|Trio Sonatas

Trio Sonatas

Georg von Bertouch

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This is music from Norway, from Bergen specifically, written in the early eighteenth century. Composer Georg von Bertouch has an interesting biography; a German-born musician of French extraction, he was also a military leader who participated in 22 battles in Denmark (of which Norway was a part), Germany, and France. A bit older than Bach and Telemann, and geographically even farther removed from the fonts of Italian innovation, he did not (on the evidence of the music here) engage with Vivaldi or with Telemann's galant styles. Instead, the keyboard pieces presented here are modest examples of French style, and the trio sonatas, to which the bulk of the album is devoted, are modeled on those of Corelli, with elegant two-part writing featuring rather obsessive use of sequences and long chains of harmonic suspensions. The album's interest lies not only in its rediscovery of a forgotten composer but also in the variety of ways the trio sonatas are presented. Recorder player and annotator Frode Thorsen identifies four possible modes of playing a trio sonata: with two similar melody instruments, with two different ones, with one melody instrument and keyboard part incorporating the second melody line, and on an organ or harpsichord by itself (as with Bach's trio sonatas for organ). The program gives examples of all four, resulting in an unusually varied sonic palette and a program that might easily have been given by a virtuoso complement of musicians at a noble establishment in the eighteenth century. The music isn't brilliantly compelling, and Thorsen's recorder doesn't always have the smooth organ-like quality that's desirable, but this disc offers enjoyable listening for anyone from commuters to Baroque specialists.
© TiVo

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Trio Sonatas

Bergen Barokk

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Trio Sonata No. 8 in G Major (Georg von Bertouch)

1
I. Vivace
00:01:34

Peter Spissky, violin - Bjarte Eike, violin - Markku Luolajan-Mikkola, cello - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

2
II. Adagio
00:01:43

Peter Spissky, violin - Bjarte Eike, violin - Markku Luolajan-Mikkola, cello - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

3
III. Andante
00:03:41

Peter Spissky, violin - Bjarte Eike, violin - Markku Luolajan-Mikkola, cello - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

The Music-Book of Jacob Mestmacher: No. 106. March (Anonymous)

4
The Music-Book of Jacob Mestmacher: CVI. March
Bergen Baroque
00:01:35

Markku Luolajan-Mikkola, viola de gamba - Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

The Music-Book of Jacob Mestmacher: No. 248. Aria (with variations by Bergen Barokk) (Anonymous)

5
The Music-Book of Jacob Mestmacher: CCXLVIII. Aria (with variations by Bergen Barokk)
Bergen Baroque
00:02:40

Markku Luolajan-Mikkola, viola de gamba - Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

Trio Sonata No. 15 in F Minor (Georg von Bertouch)

6
I. Canona: Allegro
00:01:48

Peter Spissky, violin - Bjarte Eike, violin - Markku Luolajan-Mikkola, cello - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

7
II. Adagio
00:01:53

Peter Spissky, violin - Bjarte Eike, violin - Markku Luolajan-Mikkola, cello - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

8
IV. Andante
00:02:30

Peter Spissky, violin - Bjarte Eike, violin - Markku Luolajan-Mikkola, cello - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

The Music-Book of Jacob Mestmacher: No. 75. Paspie de la Compertanje (Anonymous)

9
The Music-Book of Jacob Mestmacher: LXXV. Paspie de la Compertanje
Bergen Baroque
00:02:12

Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

Trio Sonata No. 11 in F major (Georg von Bertouch)

10
I. Vivace
00:01:28

Peter Spissky, violin - Markku Luolajan-Mikkola, cello - Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

11
II. Allegro
00:02:08

Peter Spissky, violin - Markku Luolajan-Mikkola, cello - Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

12
III. Adagio
00:01:46

Peter Spissky, violin - Markku Luolajan-Mikkola, cello - Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

13
IV. Allegro
00:01:58

Peter Spissky, violin - Markku Luolajan-Mikkola, cello - Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

The Music-Book of Jacob Mestmacher: No. 8. Menuetto (Anonymous)

14
The Music-Book of Jacob Mestmacher: XIII. Menuetto
Bergen Baroque
00:01:59

Markku Luolajan-Mikkola, viola de gamba - Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

The Music-Book of Jacob Mestmacher: No. 53. Gavotte Alternativement (Anonymous)

15
The Music-Book of Jacob Mestmacher: LIII. Gavotte Alternativement
Bergen Baroque
00:03:17

Markku Luolajan-Mikkola, viola de gamba - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

Trio Sonata No. 21 in B-Flat Major (Georg von Bertouch)

16
I. Andante
00:02:01

Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

17
II. Vivace
00:02:12

Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

18
III. Adagio
00:01:35

Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

19
IV. [Allegro]
00:01:42

Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

Trio Sonata No. 17 in E-Flat Major (Georg von Bertouch)

20
I. Largo
00:01:55

Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

21
II. Andante
00:03:35

Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

Trio Sonata No. 12 in D Minor (Georg von Bertouch)

22
I. Andante
00:02:19

Peter Spissky, violin - Bjarte Eike, violin - Markku Luolajan-Mikkola, cello - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

23
II. Adagio
00:02:49

Peter Spissky, violin - Bjarte Eike, violin - Markku Luolajan-Mikkola, cello - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

24
III. Allegro
00:01:18

Peter Spissky, violin - Bjarte Eike, violin - Markku Luolajan-Mikkola, cello - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

25
IV. Allegro
00:02:27

Peter Spissky, violin - Bjarte Eike, violin - Markku Luolajan-Mikkola, cello - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

The Music-Book of Jacob Mestmacher: No. 166. Allegro et Trio (Anonymous)

26
The Music-Book of Jacob Mestmacher: CLXVI. Allegro et Trio
Bergen Baroque
00:02:25

Markku Luolajan-Mikkola, viola de gamba - Frode Thorsen, recorder - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

Trio Sonata No. 14 in G Minor (Georg von Bertouch)

27
I. Largo
00:02:47

Markku Luolajan-Mikkola, viola de gamba - Frode Thorsen, recorder - Kjersti Sellevag, traverso - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

28
II. Andante
00:03:29

Markku Luolajan-Mikkola, viola de gamba - Frode Thorsen, recorder - Kjersti Sellevag, traverso - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

29
III. Adagio
00:01:19

Markku Luolajan-Mikkola, viola de gamba - Frode Thorsen, recorder - Kjersti Sellevag, traverso - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

30
IV. Vivace
00:01:27

Markku Luolajan-Mikkola, viola de gamba - Frode Thorsen, recorder - Kjersti Sellevag, traverso - Hans Knut Sveen, harpsichord

2000 Toccata Classics 2000 Toccata Classics

Presentación del Álbum

This is music from Norway, from Bergen specifically, written in the early eighteenth century. Composer Georg von Bertouch has an interesting biography; a German-born musician of French extraction, he was also a military leader who participated in 22 battles in Denmark (of which Norway was a part), Germany, and France. A bit older than Bach and Telemann, and geographically even farther removed from the fonts of Italian innovation, he did not (on the evidence of the music here) engage with Vivaldi or with Telemann's galant styles. Instead, the keyboard pieces presented here are modest examples of French style, and the trio sonatas, to which the bulk of the album is devoted, are modeled on those of Corelli, with elegant two-part writing featuring rather obsessive use of sequences and long chains of harmonic suspensions. The album's interest lies not only in its rediscovery of a forgotten composer but also in the variety of ways the trio sonatas are presented. Recorder player and annotator Frode Thorsen identifies four possible modes of playing a trio sonata: with two similar melody instruments, with two different ones, with one melody instrument and keyboard part incorporating the second melody line, and on an organ or harpsichord by itself (as with Bach's trio sonatas for organ). The program gives examples of all four, resulting in an unusually varied sonic palette and a program that might easily have been given by a virtuoso complement of musicians at a noble establishment in the eighteenth century. The music isn't brilliantly compelling, and Thorsen's recorder doesn't always have the smooth organ-like quality that's desirable, but this disc offers enjoyable listening for anyone from commuters to Baroque specialists.
© TiVo

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