Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
These two compositions from the late '80s explore reverberations and various looping techniques, while musing thematically on religious music and church acoustics. "Three Penitential Visions" begins with the heavily processed sound of a saxophone in a church -- like his "Fog Tropes," these deep, dark sounds come out of a mist of sound, disconnected to melody. The last section, "Fugitive Vision," is a sonata for "vibrating keyboards," sounding like Conlon Nancarrow in heaven. "Hidden Voices," from 1989, cuts and chops various funeral hymns, soprano voices, and plaintive spirituals, blending them with processed church bells and other ethereal sounds. Though quite experimental, its emotion is far from cold.
© Ted Mills /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde USD 4,19/mes
Kris Solem, Masterer - Paul Zinman, RecordingEngineer - Ingram Marshall, Composer, Music, MainArtist - Peter Randlette, Mixer, Engineer
© 2005 Rhino Entertainment ℗ 1990 Elektra Entertainment
Kris Solem, Masterer - Paul Zinman, RecordingEngineer - Ingram Marshall, Composer, Music, MainArtist - Peter Randlette, Mixer, Engineer
© 2005 Rhino Entertainment ℗ 1990 Elektra Entertainment
Kris Solem, Masterer - Paul Zinman, Engineer - Ingram Marshall, Composer, Music, MainArtist - Peter Randlette, Mixer, Engineer
© 2005 Rhino Entertainment ℗ 1990 Elektra Entertainment
Paul Zinman, Engineer - Ingram Marshall, Composer, MainArtist - Peter Randlette, Mixer - Cheryl Bensman Rowe, Soprano Vocals
© 2005 Rhino Entertainment ℗ 1990 Elektra Entertainment
Presentación del Álbum
These two compositions from the late '80s explore reverberations and various looping techniques, while musing thematically on religious music and church acoustics. "Three Penitential Visions" begins with the heavily processed sound of a saxophone in a church -- like his "Fog Tropes," these deep, dark sounds come out of a mist of sound, disconnected to melody. The last section, "Fugitive Vision," is a sonata for "vibrating keyboards," sounding like Conlon Nancarrow in heaven. "Hidden Voices," from 1989, cuts and chops various funeral hymns, soprano voices, and plaintive spirituals, blending them with processed church bells and other ethereal sounds. Though quite experimental, its emotion is far from cold.
© Ted Mills /TiVo
Acerca del álbum
- 1 disco(s) - 4 pista(s)
- Duración total: 00:45:43
- Artistas principales: Ingram Marshall
- Compositor: Ingram Marshall
- Sello: Nonesuch
- Género Clásica
© 2005 Rhino Entertainment ℗ 2005 Rhino Entertainment
Mejorar la información del álbum