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Joss Stone|The Soul Sessions, Vol. 2  (Deluxe Edition)

The Soul Sessions, Vol. 2 (Deluxe Edition)

Joss Stone

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Joss Stone launched her career by singing soul standards so when it came time for a reboot she went back to the beginning, dusting off the old blueprint for The Soul Sessions and following it to a T, right down to replicating its title and giving a contemporary alt-rock hit a soul makeover. First time around, the intent was to prove that teenage Joss had soul bona fides, but in 2012 the purpose of The Soul Sessions, Vol. 2 is to signal how she's done messing around with fleeting fashions and is getting back down to the real business. Stone doesn't dig deep into the crates this time around, nor does she stick to deep soul; she chooses to mine hits from the early '70s, favoring songs by the Dells, the Chi-Lites, and Sylvia, giving these smooth tunes a bit of a polished Southern spin. And "professional" is the operative word here: this is the work of seasoned veterans who play with every note falling neatly into place, stretching just enough to show off their chops but never enough to alter the DNA of a song. The exception to the rule is, of course, "The High Road," a Broken Bells song refashioned to sound old, thereby occupying the same space as Joss' White Stripes "Fell in Love with a Boy" cover did on the first Soul Sessions. This is the song to prove that Stone isn't living in the past but rather she's seeing the future through a retro prism that turns everything into something that feels classic. That Stone remains a bit too theatrical a singer, overemphasizing every phrase, is almost besides the point, as she's a diva and is expected to sing with more gusto than the song requires just as long as the overall package feels right. And, for the most part, The Soul Sessions, Vol. 2 does feel right: it has the form and sound of classic soul while never acknowledging that R&B continued to develop past, say, 1972. For an audience that agrees with that thesis, this is fun.

© Stephen Thomas Erlewine /TiVo

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The Soul Sessions, Vol. 2 (Deluxe Edition)

Joss Stone

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1
I Got The...
00:04:59

Ernie Isley, Guitar - Clayton Ivey, Wurlitzer - Steve Greenberg, Produced by, ExecutiveProducer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Brian Nelson, ExecutiveProducer - Labi Siffre, Composer, Writer - Steve Greenwell, Mixer, Engineer, Produced by - John Angier, Strings - Pete Iannacone, Bass - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums - Marko Ivanovic, Conductor - FILMharmonic Orchestra, Strings - Nathan Kelly, Strings

© 2012 S-Curve Records ℗ 2012 S-Curve Records

2
(For God's Sake) Give More Power To The People
00:03:44

Eugene Record, Composer, Writer - Clayton Ivey, Piano - Steve Greenberg, Produced by, ExecutiveProducer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Delbert McClinton, Harmonica - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums - William McFarlane, Guitar

© 2012 S-Curve Records ℗ 2012 S-Curve Records

3
While You're Out Looking For Sugar
00:03:28

Ernie Isley, Guitar - Edith Wayne, Composer - RONALD DUNBAR, Composer, Writer - Steve Greenberg, Produced by, ExecutiveProducer - Brian Burton, Composer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - James Alexander, Bass - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Latimore, Piano - Edythe Wayne, Writer - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums - James Russel Mercer, Composer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

4
Sideway Shuffle
00:03:37

Linda Lewis, Composer, Writer - Ernie Isley, Guitar - Clayton Ivey, Wurlitzer - Steve Greenberg, Produced by, ExecutiveProducer - Raymond Angry, Clavinet - Chris Gehringer, Masterer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Eric Darken, Percussion - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Hollie Farris, Trumpet - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums

© 2012 S-Curve Records ℗ 2012 S-Curve Records

5
I Don't Want To Be With Nobody But You
00:05:00

Ernie Isley, Guitar - Clayton Ivey, Wurlitzer - Steve Greenberg, Produced by, ExecutiveProducer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Eddie Floyd, Composer, Writer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Jeff Watkins, Saxophone - Joe Shamwell, Composer, Writer - Chris Dunn, Trombone - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Hollie Farris, Trumpet - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums

© 2012 S-Curve Records ℗ 2012 S-Curve Records

6
Teardrops
00:05:55

Ernie Isley, Guitar - Cecil Womack, Composer, Writer - Linda Womack, Writer - Clayton Ivey, Wurlitzer - Steve Greenberg, Produced by, ExecutiveProducer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Eric Darken, Percussion - Brian Nelson, ExecutiveProducer - Linda Cooke Womack, Composer - Steve Greenwell, Mixer, Engineer, Produced by - John Angier, Strings - Pete Iannacone, Bass - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums - Marko Ivanovic, Conductor - FILMharmonic Orchestra, Strings

© 2012 S-Curve Records ℗ 2012 S-Curve Records

7
Stoned Out Of My Mind
00:03:12

Ernie Isley, Guitar - Eugene Record, Composer, Writer - Clayton Ivey, Hammond Organ - Steve Greenberg, Produced by, ExecutiveProducer - Barbara Acklin, Composer, Writer - Raymond Angry, Wurlitzer - Chris Gehringer, Masterer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Jeff Watkins, Saxophone - Chris Dunn, Trombone - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Hollie Farris, Trumpet - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums

© 2012 S-Curve Records ℗ 2012 S-Curve Records

8
The Love We Had (Stays On My Mind)
00:04:42

Clayton Ivey, Piano - Steve Greenberg, Produced by, ExecutiveProducer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Larry Wade, Composer, Writer - Terry Callier, Composer, Writer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Unkown, Composer - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums - William McFarlane, Guitar

© 2012 S-Curve Records ℗ 2012 S-Curve Records

9
The High Road
00:04:39

Ernie Isley, Guitar - James Mercer, Writer - Steve Greenberg, Produced by, ExecutiveProducer - Brian Burton, Composer, Writer - Raymond Angry, Hammond Organ, Piano - Chris Gehringer, Masterer - Betty Wright, Background Vocals - Joss Stone, Lead Vocals, Background Vocals, Produced by, MainArtist, ExecutiveProducer - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums - James Russel Mercer, Composer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

10
Pillow Talk
00:04:41

Ernie Isley, Guitar - Clayton Ivey, Rhodes Solo - Sylvia Robinson, Composer, Writer - Michael Burton, Composer, Writer - Steve Greenberg, Produced by, ExecutiveProducer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums - Steve Bryant, Guitar

© 2012 S-Curve Records ℗ 2012 S-Curve Records

11
Then You Can Tell Me Goodbye
00:03:51

John D. Loudermilk, Writer - Steve Greenberg, Produced by, ExecutiveProducer - Chris Gehringer, Masterer - Betty Wright, Background Vocals - Joss Stone, Lead Vocals, Background Vocals, Produced by, MainArtist, ExecutiveProducer - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - John Angier, Strings - Pete Iannacone, Bass - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums - Marko Ivanovic, Conductor - FILMharmonic Orchestra, Strings - Steve Bryant, Guitar

© 2012 S-Curve Records ℗ 2012 S-Curve Records

12
First Taste Of Hurt
00:03:38

Clayton Ivey, Piano - Steve Greenberg, Produced by, ExecutiveProducer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Eric Darken, Tambourine - Jeff Watkins, Saxophone - Chris Dunn, Trombone - Brian Nelson, ExecutiveProducer - Wilson Turbinton, Composer, Writer - Will McFarlane, Guitar - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Hollie Farris, Trumpet - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums

© 2012 S-Curve Records ℗ 2012 S-Curve Records

13
One Love In My Lifetime
00:03:48

Ernie Isley, Guitar - Clayton Ivey, Piano - Steve Greenberg, Produced by, ExecutiveProducer - Leonard Perry, Composer, Writer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Lawrence Brown, Composer, Writer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - John Angier, Strings - Pete Iannacone, Bass - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums - Marko Ivanovic, Conductor - FILMharmonic Orchestra, Strings - Theresa G. McFaddin, Composer, Writer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

14
Nothing Takes The Place Of You
00:03:24

Ernie Isley, Guitar - Clayton Ivey, Piano - Steve Greenberg, Produced by, ExecutiveProducer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Joss Stone, Vocals, Produced by, MainArtist, ExecutiveProducer - Alan Robinson, Composer - Brian Nelson, ExecutiveProducer - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Toussaint McCall, Composer - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums

© 2012 S-Curve Records ℗ 2012 S-Curve Records

15
(1-2-3-4-5-6-7) Count The Days
00:03:44

Jr., Composer - Ernie Isley, Guitar - Jerry Williams, Composer - Clayton Ivey, Wurlitzer - Steve Greenberg, Produced by, ExecutiveProducer - Raymond Angry, Hammond Organ - Chris Gehringer, Masterer - Joss Stone, Glockenspiel, Lead Vocals, Background Vocals, Produced by, MainArtist, ExecutiveProducer - Eric Darken, Percussion - Jerry Williams Jr., Writer - Brian Nelson, ExecutiveProducer - Yvonne Williams, Composer, Writer - Charlie Foxx, Composer, Writer - Steve Greenwell, Mixer, Engineer, Produced by - Pete Iannacone, Bass - Latimore, Piano - Blackbird Studio; Nashville. Sear Sound; NYC., Recorded by - Janeen Hovnanian, AssistantProducer - Lowell Reynolds at Blackbird Studio, AssistantEngineer - Sono Studios; Prague, Recorded by - Stevestudio; NYC., Recorded by - Ted Tuthill at Sear Sound, AssistantEngineer - Tony Royster, Jr., Drums - Brooks O'Dell Johnson, Composer, Writer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

Presentación del Álbum

Joss Stone launched her career by singing soul standards so when it came time for a reboot she went back to the beginning, dusting off the old blueprint for The Soul Sessions and following it to a T, right down to replicating its title and giving a contemporary alt-rock hit a soul makeover. First time around, the intent was to prove that teenage Joss had soul bona fides, but in 2012 the purpose of The Soul Sessions, Vol. 2 is to signal how she's done messing around with fleeting fashions and is getting back down to the real business. Stone doesn't dig deep into the crates this time around, nor does she stick to deep soul; she chooses to mine hits from the early '70s, favoring songs by the Dells, the Chi-Lites, and Sylvia, giving these smooth tunes a bit of a polished Southern spin. And "professional" is the operative word here: this is the work of seasoned veterans who play with every note falling neatly into place, stretching just enough to show off their chops but never enough to alter the DNA of a song. The exception to the rule is, of course, "The High Road," a Broken Bells song refashioned to sound old, thereby occupying the same space as Joss' White Stripes "Fell in Love with a Boy" cover did on the first Soul Sessions. This is the song to prove that Stone isn't living in the past but rather she's seeing the future through a retro prism that turns everything into something that feels classic. That Stone remains a bit too theatrical a singer, overemphasizing every phrase, is almost besides the point, as she's a diva and is expected to sing with more gusto than the song requires just as long as the overall package feels right. And, for the most part, The Soul Sessions, Vol. 2 does feel right: it has the form and sound of classic soul while never acknowledging that R&B continued to develop past, say, 1972. For an audience that agrees with that thesis, this is fun.

© Stephen Thomas Erlewine /TiVo

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