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Red Norvo Trio|The Savoy Sessions: The Red Norvo Trio

The Savoy Sessions: The Red Norvo Trio

Red Norvo Trio, Tal Farlow, Charles Mingus

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One of the first great improvisers on the xylophone and marimba, Red Norvo was also one of the few swing-era stars to make a successful transition to the harmonic and rhythmic challenges of bebop (he recorded with Charlie Parker and Dizzy Gillespie in 1945). By that time he had switched up to a vibraphone--a more versatile instrument with its amplified sound and sustain pedal--but his steely rhythmic articulation always reflected his experiences as an acoustic mallet player.

THE RED NORVO TRIO WITH TAL FARLOW AND CHARLES MINGUS chronicles his 1950-51 recordings with the innovative guitarist and bass player, and are among the most influential examples of what has come to be known as chamber jazz. When economic conditions made touring with a sextet impossible, Norvo decided to dispense with a rhythm section. In Farlow and Mingus he found players who shared his fascination with sophisticated harmonies, and were able to hang with him at the brisk tempos he favored.

Thanks to their elaborately crafted arrangements, the trio created a full orchestral dimension and a powerful rhythmic thrust. On "Prelude To A Kiss," Mingus' rich arco work triggers several cunning thematic variations, while Norvo's tart dissonances behind Farlow's solo create a harmonic tension which is only resolved during his own improvisation--together, they create a series of fanciful motifs behind Mingus' solo. Denzel Best's "Move" is driven along by Mingus' articulate, up-tempo melodic variations, as Norvo and Farlow navigate his equestrian changes with imperturbable refinement. Farlow's witty percussive effects on "Night And Day" and Mingus' flamboyant bowing on "Time And Tide" make it seem as if the musicians are playing with roses between their teeth. From the classical grandeur of "I'll Remember April" to the boppish drive "Godchild" and "Swedish Pastry," the wit and technical range of this band is phenomenal.

© TiVo

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The Savoy Sessions: The Red Norvo Trio

Red Norvo Trio

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1
I Can't Believe That You're In Love With Me
00:02:53

Jimmy McHugh, ComposerLyricist - Clarence Gaskill, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

2
Time And Tide
00:02:33

Red Norvo Trio, MainArtist - Robert Bilder, ComposerLyricist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

3
Little White Lies
00:03:45

Walter Donaldson, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

4
Prelude To A Kiss
00:04:05

Duke Ellington, ComposerLyricist - Irving Mills, ComposerLyricist - Irving Gordon, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

5
Move
00:02:37

Denzil Best, Composer - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

6
September Song
00:03:32

Kurt Weill, ComposerLyricist - Maxwell Anderson, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

7
I'm Yours
00:04:02

Johnny Green, ComposerLyricist - E.Y. HARBURG, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

8
I Get A Kick Out Of You
00:02:26

Cole Porter, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

9
Zing! Went The Strings Of My Heart
00:03:27

James F. Hanley, ComposerLyricist - Red Norvo Trio, MainArtist - J. Stephenson III, ComposerLyricist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

10
Cheek To Cheek
00:02:39

Irving Berlin, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

11
Night And Day
00:04:07

J. Price, ComposerLyricist - Cole Porter, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

12
Godchild
00:04:11

George Wallington, Composer - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

13
Mood Indigo
00:03:30

Barney Bigard, Composer - Duke Ellington, Composer - Irving Mills, Author - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

14
If I Had You
00:04:08

Red Norvo Trio, MainArtist - Donna Hughes, ComposerLyricist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

15
Deed I Do
00:01:52

FRED ROSE, ComposerLyricist - Walter Hirsch, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

16
I'll Remember April
00:03:20

Gene DePaul, ComposerLyricist - Don Raye, ComposerLyricist - Patricia Johnston, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

17
This Can't Be Love
00:02:30

Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

18
I've Got You Under My Skin
00:02:23

J. Price, ComposerLyricist - Cole Porter, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

19
Swedish Pastry
00:02:27

Barney Kessel, ComposerLyricist - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

20
Have You Met Miss Jones
00:03:03

Richard Rodgers, ComposerLyricist - Lorenz Hart, Author - Red Norvo Trio, MainArtist

℗ 1976 Savoy Records, a division of Concord Music Group, Inc.

Presentación del Álbum

One of the first great improvisers on the xylophone and marimba, Red Norvo was also one of the few swing-era stars to make a successful transition to the harmonic and rhythmic challenges of bebop (he recorded with Charlie Parker and Dizzy Gillespie in 1945). By that time he had switched up to a vibraphone--a more versatile instrument with its amplified sound and sustain pedal--but his steely rhythmic articulation always reflected his experiences as an acoustic mallet player.

THE RED NORVO TRIO WITH TAL FARLOW AND CHARLES MINGUS chronicles his 1950-51 recordings with the innovative guitarist and bass player, and are among the most influential examples of what has come to be known as chamber jazz. When economic conditions made touring with a sextet impossible, Norvo decided to dispense with a rhythm section. In Farlow and Mingus he found players who shared his fascination with sophisticated harmonies, and were able to hang with him at the brisk tempos he favored.

Thanks to their elaborately crafted arrangements, the trio created a full orchestral dimension and a powerful rhythmic thrust. On "Prelude To A Kiss," Mingus' rich arco work triggers several cunning thematic variations, while Norvo's tart dissonances behind Farlow's solo create a harmonic tension which is only resolved during his own improvisation--together, they create a series of fanciful motifs behind Mingus' solo. Denzel Best's "Move" is driven along by Mingus' articulate, up-tempo melodic variations, as Norvo and Farlow navigate his equestrian changes with imperturbable refinement. Farlow's witty percussive effects on "Night And Day" and Mingus' flamboyant bowing on "Time And Tide" make it seem as if the musicians are playing with roses between their teeth. From the classical grandeur of "I'll Remember April" to the boppish drive "Godchild" and "Swedish Pastry," the wit and technical range of this band is phenomenal.

© TiVo

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