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W.A.S.P.|The Neon God - The Demise, Pt. 2

The Neon God - The Demise, Pt. 2

W.A.S.P.

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Idioma disponible: inglés

W.A.S.P. circa 2004 was clearly "the Blackie Lawless show," as Lawless remains the only original member left in attendance (in addition to -- as always -- handling the lion's share of the songwriting). A mere five months after the appearance of The Neon God, Pt. 1 comes The Neon God, Pt. 2: The Demise, an album that explores similar sonic terrain as its predecessor. Although W.A.S.P. is best known for its theatricality and sleaze metal anthems -- after all, this was the group that gave us "Animal (F*ck Like a Beast)" -- leader Lawless tends to think on a grand scale. And besides, this isn't the first time he's explored the concept album domain, as evidenced by such previous efforts as 1988's The Headless Children and 1993's The Crimson Idol. The Neon God, Pt. 2 tends to work best on the tracks where Lawless manages to incorporate the expected W.A.S.P. ingredients -- while also working in the story line -- especially the hard rockers "Resurrector" and "Clockwork Mary." While it's admirable that Lawless flexes his songwriting muscles on concept works like this, most W.A.S.P. fans would probably agree that he's best off when he's cranking out anthems about "love machines" and "being blind in Texas."

© Greg Prato /TiVo

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The Neon God - The Demise, Pt. 2

W.A.S.P.

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1
Never Say Die
00:04:40

W.A.S.P., Composer, Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

2
Resurrector
00:04:25

W.A.S.P., Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

3
The Demise
00:03:59

W.A.S.P., Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

4
Clockwork Mary
00:04:19

W.A.S.P., Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

5
Tear Down the Walls
00:03:40

W.A.S.P., Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

6
Come Back to Black
00:04:47

W.A.S.P., Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

7
All My Life Explicit
00:02:35

W.A.S.P., Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

8
Destinies to Come (Neon Dion)
00:04:34

W.A.S.P., Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

9
The Last Redemption Explicit
00:13:39

W.A.S.P., Performance, MainArtist

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

Presentación del Álbum

W.A.S.P. circa 2004 was clearly "the Blackie Lawless show," as Lawless remains the only original member left in attendance (in addition to -- as always -- handling the lion's share of the songwriting). A mere five months after the appearance of The Neon God, Pt. 1 comes The Neon God, Pt. 2: The Demise, an album that explores similar sonic terrain as its predecessor. Although W.A.S.P. is best known for its theatricality and sleaze metal anthems -- after all, this was the group that gave us "Animal (F*ck Like a Beast)" -- leader Lawless tends to think on a grand scale. And besides, this isn't the first time he's explored the concept album domain, as evidenced by such previous efforts as 1988's The Headless Children and 1993's The Crimson Idol. The Neon God, Pt. 2 tends to work best on the tracks where Lawless manages to incorporate the expected W.A.S.P. ingredients -- while also working in the story line -- especially the hard rockers "Resurrector" and "Clockwork Mary." While it's admirable that Lawless flexes his songwriting muscles on concept works like this, most W.A.S.P. fans would probably agree that he's best off when he's cranking out anthems about "love machines" and "being blind in Texas."

© Greg Prato /TiVo

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