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Peter Tosh|The Gold Collection

The Gold Collection

Peter Tosh

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Idioma disponible: inglés

Two years after the fact, the European Disky label gave a budget release to the EMI Gold Collection set. In a sad kind of way, Gold was the perfect fodder for the casual U.S. reggae fan. Obviously it was going to hone in on No Nuclear War, the set that won Tosh a posthumous Grammy, but tossing in the entire album, bar "Fight Apartheid," does seem a little much. Which means, the rest of his EMI albums don't get much of a look-in. In fact, Captured Live is omitted entirely, Mystic Man is dismissed with a single track, and Wanted Dread & Alive and Mama Africa rate a measly two numbers each. A far from even-handed overview, then.
Of course, Tosh had been a relatively new artist in the States when EMI signed him, for by the time Americans picked up on the Wailers both he and Bunny Livingston were gone. Europeans knew better and were familiar with his overall career and, more importantly, his radical views and rough persona. Little of that is evident on this set, though; there's no "I'm the Toughest" or "Dem Ha Fe Get a Beating," no controversial songs like "Oh Bumbo Klaat" or "Buk-in-Hamm Palace," while such biting (excuse the pun) numbers as "Vampire" and "Maga Dog" are the later, more insipid remakes, not the growling Jamaican originals.
Instead, listeners are introduced to the pop idol of "Reggaemylitis" and the introspective, emotive artist behind Nuclear War. They get the hits, but not the heft that made Tosh the toughest and the greatest; but at a budget price this set surely brought in the punters. And hey, EMI was so impressed with their own efforts that they reissued the album in the States the following year. But don't believe for a second that this was the best Tosh had to offer.

© Jo-Ann Greene /TiVo

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The Gold Collection

Peter Tosh

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Desde USD 4,19/mes

1
Johnny B. Goode
00:04:02

Chuck Berry, Composer - Peter Tosh, Vocals, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1983 Parlophone Records Limited

2
Bush Doctor
00:04:04

Peter Tosh, Composer, Lyricist, Vocals, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1978 Parlophone Records Limited

3
(You Gotta Walk) Don't Look Back
00:03:42

Ronald White, Writer - SMOKEY ROBINSON, Writer - Peter Tosh, Vocals, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1978 Parlophone Records Limited

4
No Nuclear War
00:07:57

Peter Tosh, Composer, Writer, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1987 Parlophone Records Limited

5
Come Together
00:04:22

Peter Tosh, Composer, Writer, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1987 Parlophone Records Limited

6
Nah Goa Jail
00:04:46

Peter Tosh, Composer, Writer, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1987 Parlophone Records Limited

7
Coming In Hot
00:03:37

Peter Tosh, Composer, Producer, Vocals, Produced by, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Limited

8
Pick Myself Up
00:04:02

Peter Tosh, Composer, Lyricist, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1978 Parlophone Records Limited

9
In My Song
00:04:10

Peter Tosh, Composer, Writer, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1987 Parlophone Records Limited

10
Reggae Mylitis
00:06:33

Peter Tosh, Composer, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Limited

11
Equal Rights
00:06:09

Al Anderson, Guitar - Sly Dunbar, Drums - Tyrone Downie, Keyboards - Peter Tosh, Composer, Lyricist, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Karl Pitterson, Guitar - Robbie Shakespeare, Bass - Abdul Wall, Guitar - Dirty Harry, Saxophone - Bobby Ellis, Trumpet - Skully, Percussion - Bunny Wailer, Vocals - Carlton Barrett, Drums - Earl Lindo, Keyboards - Michael C Collins, Arranger

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1977 The copyright in this sound recording is owned by Island Records Ltd under exclusive licence to Virgin Records Ltd

12
Crystal Ball
00:05:12

Peter Tosh, Composer, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1979 Parlophone Records Limited

13
Vampire
00:03:31

Peter Tosh, Composer, Writer, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1987 Parlophone Records Limited

14
Lesson In My Life
00:03:49

Peter Tosh, Composer, Writer, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1987 Parlophone Records Limited

15
Testify
00:05:26

Peter Tosh, Composer, Writer, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1987 Parlophone Records Limited

16
Maga Dog
00:04:27

Peter Tosh, Composer, Vocals, MainArtist

© 1996 Parlophone Records Ltd, a Warner Music Group Company ℗ 1983 Parlophone Records Limited

Presentación del Álbum

Two years after the fact, the European Disky label gave a budget release to the EMI Gold Collection set. In a sad kind of way, Gold was the perfect fodder for the casual U.S. reggae fan. Obviously it was going to hone in on No Nuclear War, the set that won Tosh a posthumous Grammy, but tossing in the entire album, bar "Fight Apartheid," does seem a little much. Which means, the rest of his EMI albums don't get much of a look-in. In fact, Captured Live is omitted entirely, Mystic Man is dismissed with a single track, and Wanted Dread & Alive and Mama Africa rate a measly two numbers each. A far from even-handed overview, then.
Of course, Tosh had been a relatively new artist in the States when EMI signed him, for by the time Americans picked up on the Wailers both he and Bunny Livingston were gone. Europeans knew better and were familiar with his overall career and, more importantly, his radical views and rough persona. Little of that is evident on this set, though; there's no "I'm the Toughest" or "Dem Ha Fe Get a Beating," no controversial songs like "Oh Bumbo Klaat" or "Buk-in-Hamm Palace," while such biting (excuse the pun) numbers as "Vampire" and "Maga Dog" are the later, more insipid remakes, not the growling Jamaican originals.
Instead, listeners are introduced to the pop idol of "Reggaemylitis" and the introspective, emotive artist behind Nuclear War. They get the hits, but not the heft that made Tosh the toughest and the greatest; but at a budget price this set surely brought in the punters. And hey, EMI was so impressed with their own efforts that they reissued the album in the States the following year. But don't believe for a second that this was the best Tosh had to offer.

© Jo-Ann Greene /TiVo

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