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Game Theory|The Big Shot Chronicles

The Big Shot Chronicles

Game Theory

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Scott Miller broke in a new Game Theory lineup on their third album, 1986's The Big Shot Chronicles (a revolving-door cast of musicians was something he would get used to over the next decade or so). If the album lacks the narrative cohesion of the group's previous full-length effort, 1985's Real Nighttime, it's obvious from the album's first cut (the joyous and explosive "Here It Is Tomorrow") that the addition of Shelley LaFreniere on keyboards, Suzi Ziegler on bass, and Gil Ray on drums made Game Theory a stronger band in every respect. While Game Theory's attempts to rock out on Real Nighttime sometimes sounded a bit tentative, The Big Shot Chronicles reveals a band that's equally adept at flexing their muscles ("I've Tried Subtlety" and "Make Any Vows") or easing into a song's subtleties ("Regenisraen" and "Like a Girl Jesus"). Real Nighttime had a more ambitious concept in its tales of the perils of young adulthood, but The Big Shot Chronicles was meant to document a great band with a stack of top-notch tunes at the ready, and on that level it's even more exciting and engaging than Game Theory's breakthrough effort. As a songwriter, Scott Miller continued to grow ("Erica's Word" and "Don't Look Too Closely" are both smart-pop Heaven on Earth), and though he was fond of referring to his voice as a "miserable whine," he sure knew how to make it communicate. Finally, Mitch Easter's production guides the record through moody neo-psychedelia and uptempo hard pop with an equally sure hand; the record sounds just as good as the band plays. A superb set from one of the best (and most underappreciated) bands of the '80s, The Big Shot Chronicle may not have been their best album -- that honor would go to the wildly ambitious double set Lolita Nation -- but as a set of songs and performances, it's practically unbeatable.

© Mark Deming /TiVo

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The Big Shot Chronicles

Game Theory

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1
Here It Is Tomorrow
00:02:17

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

2
Where You Going Northern
00:03:01

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

3
I've Tried Subtlety
00:04:30

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

4
Erica's Word
00:03:54

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

5
Make Any Vows
00:02:19

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

6
Regenisraen
00:03:29

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

7
Crash Into June
00:02:57

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

8
Book Of Millionaires
00:02:21

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

9
The Only Lesson Learned
00:02:17

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

10
Too Closely
00:03:19

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

11
Never Mind
00:02:52

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

12
Like A Girl Jesus
00:02:37

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

13
Linus And Lucy
00:01:48

Vince Gauraldi, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

14
Couldn't I Just Tell You
00:02:54

Todd Rundgren, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

15
Seattle
00:02:25

Hugo Montenegro, Writer - Ernie Sheldon, Writer - Jack Keller, Writer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

16
Sweet Jane (Live)
00:05:28

Lou Reed, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

17
The Only Lesson (2-Track Demo)
00:02:23

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

18
Make Any Vows (Live)
00:02:27

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

19
Erica's Word (Rough Mix)
00:03:51

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

20
Jesus Christ (Solo Demo)
00:02:34

Alex Chilton, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

21
Like A Girl Jesus (Rough Mix)
00:02:33

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

22
Re-Make/Re-Model (Live)
00:03:45

Bryan Ferry, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

23
If And When It Falls Apart (Rehearsal)
00:04:12

Scott Miller, Composer, Writer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

24
Friend Of The Family (Live)
00:06:51

Scott Miller, Composer, Writer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

25
Come Home With Me
00:02:41

Scott Miller, Composer - Game Theory, MainArtist

© 2016 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1986, 1993 Scott Vanderbilt, 2016 The Estate of Scott Miller and Scott Miller Archives, under exclusive license to Omnivore Recordings

Presentación del Álbum

Scott Miller broke in a new Game Theory lineup on their third album, 1986's The Big Shot Chronicles (a revolving-door cast of musicians was something he would get used to over the next decade or so). If the album lacks the narrative cohesion of the group's previous full-length effort, 1985's Real Nighttime, it's obvious from the album's first cut (the joyous and explosive "Here It Is Tomorrow") that the addition of Shelley LaFreniere on keyboards, Suzi Ziegler on bass, and Gil Ray on drums made Game Theory a stronger band in every respect. While Game Theory's attempts to rock out on Real Nighttime sometimes sounded a bit tentative, The Big Shot Chronicles reveals a band that's equally adept at flexing their muscles ("I've Tried Subtlety" and "Make Any Vows") or easing into a song's subtleties ("Regenisraen" and "Like a Girl Jesus"). Real Nighttime had a more ambitious concept in its tales of the perils of young adulthood, but The Big Shot Chronicles was meant to document a great band with a stack of top-notch tunes at the ready, and on that level it's even more exciting and engaging than Game Theory's breakthrough effort. As a songwriter, Scott Miller continued to grow ("Erica's Word" and "Don't Look Too Closely" are both smart-pop Heaven on Earth), and though he was fond of referring to his voice as a "miserable whine," he sure knew how to make it communicate. Finally, Mitch Easter's production guides the record through moody neo-psychedelia and uptempo hard pop with an equally sure hand; the record sounds just as good as the band plays. A superb set from one of the best (and most underappreciated) bands of the '80s, The Big Shot Chronicle may not have been their best album -- that honor would go to the wildly ambitious double set Lolita Nation -- but as a set of songs and performances, it's practically unbeatable.

© Mark Deming /TiVo

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