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Shirley Collins|Sweet England

Sweet England

Shirley Collins

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The first CD reissue of Shirley Collins' debut album, recorded when she was 23, and still uncertain of herself. The album received a critical walloping on release, and it took another few years before Collins felt ready to record again (successfully, this time, in tandem with Davey Graham). It took a good decade before Sweet England itself began to be accepted as a key recording in the folk revival. It's easy to understand why the record struck an unsympathetic note -- Collins' vocal approach has a fragile, almost maudlin quality to it, presenting a raw sadness even when the songs themselves are light-hearted. Combine that with the bare arrangements, which depend on simple five-string banjo, and the result is a difficult listen -- the immediacy of much of the work being done in the folk revival is missing; Sweet England demands repeated listening, which becomes hard work indeed. Ironically, however, Collins' approach has more in keeping with folk tradition than many of the folk revival performers (one of the closer comparisons might well be A.L. Lloyd, another performer who was often not immediate in his impact.) Topic has cleaned up the master recordings as best they can; listeners will notice some flaws, and a very small degree of distortion on Collins' vocals.

© Steven E. McDonald /TiVo

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Sweet England

Shirley Collins

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1
Sweet England
00:02:40

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

2
Hares on the Mountain
00:01:36

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

3
Hori-Horo
00:01:42

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

4
The Bonny Irish Boy
00:01:36

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

5
The Tailor & The Mouse
00:02:01

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

6
The Lady & The Swine
00:01:34

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

7
Turpin Hero
00:02:37

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

8
The Cuckoo
00:01:47

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

9
The Bonny Labouring Boy
00:04:19

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

10
The Cherry Tree Carol
00:03:45

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

11
Sweet William
00:03:23

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

12
Omie Wise
00:03:58

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

13
Blackbirds & Thrushes
00:01:40

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

14
A Keeper Went Hunting
00:01:49

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

15
Polly Vaughan
00:02:41

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

16
Pretty Saro
00:02:05

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

17
Barbara Allen
00:03:20

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

18
Charlie
00:02:36

Shirley Collins, MainArtist

(C) 2013 Classic Records (P) 2013 Classic Records

Presentación del Álbum

The first CD reissue of Shirley Collins' debut album, recorded when she was 23, and still uncertain of herself. The album received a critical walloping on release, and it took another few years before Collins felt ready to record again (successfully, this time, in tandem with Davey Graham). It took a good decade before Sweet England itself began to be accepted as a key recording in the folk revival. It's easy to understand why the record struck an unsympathetic note -- Collins' vocal approach has a fragile, almost maudlin quality to it, presenting a raw sadness even when the songs themselves are light-hearted. Combine that with the bare arrangements, which depend on simple five-string banjo, and the result is a difficult listen -- the immediacy of much of the work being done in the folk revival is missing; Sweet England demands repeated listening, which becomes hard work indeed. Ironically, however, Collins' approach has more in keeping with folk tradition than many of the folk revival performers (one of the closer comparisons might well be A.L. Lloyd, another performer who was often not immediate in his impact.) Topic has cleaned up the master recordings as best they can; listeners will notice some flaws, and a very small degree of distortion on Collins' vocals.

© Steven E. McDonald /TiVo

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