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Maksim Štšura|Sonatas for Piano and Violin Vol. 2

Sonatas for Piano and Violin Vol. 2

Maksim Štšura & Michael Foyle

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The year 1802 proved to be a year of true challenge for Beethoven, as he finally realised that his decline into deafness was irreversible. However, in this year Beethoven composed some of his most radiant and life-affirming works in that period. Possibly as part of the determination to push the boundaries of his art in pursuit of solace and fulfilment, Beethoven demonstrates a remarkable stylistic shift between the Op. 12 and the Op. 30 Sonatas (written in 1801–2, published in 1803). While the former set was dedicated to Salieri in a nod of appreciation towards his education, the latter was dedicated to Tsar Aleksandr I of Russia, celebrated upon his visits to Vienna in the first part of the 19th Century for his wide-reaching reformist attitude. © Challenge Records

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Sonatas for Piano and Violin Vol. 2

Maksim Štšura

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1
Sonata No. 3 in E flat Major Op. 12, No. 3: I. Allegro con spirito
00:06:29

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

2
Sonata No. 3 in E flat Major Op. 12, No. 3: II. Adagio con molta espressione
00:05:43

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

3
Sonata No. 3 in E flat Major Op. 12, No. 3: III. Rondo: Allegro molto
00:04:45

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

4
Sonata No. 8 in G Major Op. 30, No. 3: I. Allegro assai
00:04:30

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

5
Sonata No. 8 in G Major Op. 30, No. 3: II. Tempo di Minuetto ma molto moderato e grazioso
00:07:08

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

6
Sonata No. 8 in G Major Op. 30, No. 3: III. Allegro vivace
00:03:39

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

7
Sonata No. 6 in A Major Op. 30, No. 1: I. Allegro
00:06:09

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

8
Sonata No. 6 in A Major Op. 30, No. 1: II. Adagio molto espressivo
00:06:40

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

9
Sonata No. 6 in A Major Op. 30, No. 1: III. Allegretto con variazioni
00:08:30

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

10
Sonata No. 7 in C minor Op. 30, No. 2: I. Allegro con brio
00:07:59

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

11
Sonata No. 7 in C minor Op. 30, No. 2: II. Adagio cantabile
00:07:59

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

12
Sonata No. 7 in C minor Op. 30, No. 2: III. Scherzo. Allegro & Trio
00:03:38

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

13
Sonata No. 7 in C minor Op. 30, No. 2: IV. Finale: Allegro & Presto
00:05:21

Ludwig van Beethoven, Composer - Michael Foyle, MainArtist - Maksim Štšura, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

Presentación del Álbum

The year 1802 proved to be a year of true challenge for Beethoven, as he finally realised that his decline into deafness was irreversible. However, in this year Beethoven composed some of his most radiant and life-affirming works in that period. Possibly as part of the determination to push the boundaries of his art in pursuit of solace and fulfilment, Beethoven demonstrates a remarkable stylistic shift between the Op. 12 and the Op. 30 Sonatas (written in 1801–2, published in 1803). While the former set was dedicated to Salieri in a nod of appreciation towards his education, the latter was dedicated to Tsar Aleksandr I of Russia, celebrated upon his visits to Vienna in the first part of the 19th Century for his wide-reaching reformist attitude. © Challenge Records

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