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A solitaire in French is a single mounted jewel, a concept that seems less than apt for the rather hefty works recorded here by British pianist Kathryn Stott. But this fine recital holds together in another way: Ravel, who so often provides the temporal endpoint for traditional piano recitals, is here, to a greater or lesser extent, the launching point for the other three composers featured. Stott's reading of the neoclassical Le Tombeau de Couperin is beautifully precise and balanced, catching the economy of this Baroque-style suite to the hilt. That economy carries over into the later works, even the rarely performed Piano Sonata of Henri Dutilleux, a work that deftly fuses Ravel's sense of classical forms with a largely dissonant language. The opening Prelude and Fugue of Jehan Alain, actually two separate works that are reasonably enough combined here, is another seldom-played piece that makes an arresting curtain-raiser, and the final "Le baiser de l'Enfant Jésus" of Messiaen, part of the giant Vingt regards sur l'Enfant Jésus, is the splendid climax of the whole, its spiritual, dreamlike ascent at the end superbly controlled. Better still is the sound, recorded at Hallé St. Peters in Manchester: it creates a hypnotic effect all its own.
© TiVo
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Prélude et fugue, JA 87A (Jehan Alain)
Kathryn Stott, MainArtist, AssociatedPerformer - Jehan ALAIN, Composer
2015 BIS 2015 (P) BIS
Kathryn Stott, MainArtist, AssociatedPerformer - Jehan ALAIN, Composer
2015 BIS 2015 (P) BIS
Piano Sonata (Henri Dutilleux)
Henri Dutilleux, Composer - Kathryn Stott, MainArtist, AssociatedPerformer
2015 BIS 2015 (P) BIS
Henri Dutilleux, Composer - Kathryn Stott, MainArtist, AssociatedPerformer
2015 BIS 2015 (P) BIS
Henri Dutilleux, Composer - Kathryn Stott, MainArtist, AssociatedPerformer
2015 BIS 2015 (P) BIS
Le tombeau de Couperin, M. 68 (Maurice Ravel)
Maurice Ravel, Composer - Kathryn Stott, MainArtist, AssociatedPerformer
2015 BIS 2015 (P) BIS
Maurice Ravel, Composer - Kathryn Stott, MainArtist, AssociatedPerformer
2015 BIS 2015 (P) BIS
Maurice Ravel, Composer - Kathryn Stott, MainArtist, AssociatedPerformer
2015 BIS 2015 (P) BIS
Maurice Ravel, Composer - Kathryn Stott, MainArtist, AssociatedPerformer
2015 BIS 2015 (P) BIS
Maurice Ravel, Composer - Kathryn Stott, MainArtist, AssociatedPerformer
2015 BIS 2015 (P) BIS
Maurice Ravel, Composer - Kathryn Stott, MainArtist, AssociatedPerformer
2015 BIS 2015 (P) BIS
20 Regards sur l'enfant-Jésus (Olivier Messiaen)
Olivier Messiaen, Composer - Kathryn Stott, MainArtist, AssociatedPerformer
2015 BIS 2015 (P) BIS
Presentación del Álbum
A solitaire in French is a single mounted jewel, a concept that seems less than apt for the rather hefty works recorded here by British pianist Kathryn Stott. But this fine recital holds together in another way: Ravel, who so often provides the temporal endpoint for traditional piano recitals, is here, to a greater or lesser extent, the launching point for the other three composers featured. Stott's reading of the neoclassical Le Tombeau de Couperin is beautifully precise and balanced, catching the economy of this Baroque-style suite to the hilt. That economy carries over into the later works, even the rarely performed Piano Sonata of Henri Dutilleux, a work that deftly fuses Ravel's sense of classical forms with a largely dissonant language. The opening Prelude and Fugue of Jehan Alain, actually two separate works that are reasonably enough combined here, is another seldom-played piece that makes an arresting curtain-raiser, and the final "Le baiser de l'Enfant Jésus" of Messiaen, part of the giant Vingt regards sur l'Enfant Jésus, is the splendid climax of the whole, its spiritual, dreamlike ascent at the end superbly controlled. Better still is the sound, recorded at Hallé St. Peters in Manchester: it creates a hypnotic effect all its own.
© TiVo
Acerca del álbum
- 1 disco(s) - 12 pista(s)
- Duración total: 01:08:33
- 1 Libreto digital
- Artistas principales: Kathryn Stott
- Compositor: Various Composers
- Sello: BIS
- Género Clásica
2015 BIS 2015 BIS
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