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Birmingham Conservatoire Chamber Choir|Rosa mystica: Musical Portraits of the Blessed Virgin Mary

Rosa mystica: Musical Portraits of the Blessed Virgin Mary

Paul Spicer, Birmingham Conservatoire Chamber Choir

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"Rosa Mystica" takes its title from Benjamin Britten’s passionate setting of Gerard Manley Hopkins and forms the centrepiece of a programme ranging from the glorious Tudor polyphony of Nicholas Ludford’s motet Ave cujus conception via Bruckner’s dramatically contrasted Ave Maria to the Norwegian Ole Gjeilo’s apparently simple but sophisticated Second Eve, composed as recently as 2012.
Two versions of the Magnificat are heard in George Dyson’s bewitchingly peaceful depiction of the Virgin Mary, composed just after the end of the Second World War, and Herbert Howell’s more troubled setting for Chichester Cathedral in 1967. The enduring fascination with and devotion to Mary in the modern era is represented by a diverse array of composers from the austere, hushed, mystical atmospheres of John Tavener’s Mother of God, here I stand, the jazz-Blues-accented Ave Maria of Carl Rütti, rich harmonic and colour palette of Judith Bingham’s Ave Virgo Sanctissima and Trond Kverno’s beautiful, unusual setting of Ave Maris Stella to Cecilia McDowall’s short but highly effective carol, Of a Rose. © SOMM Recordings

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Rosa mystica: Musical Portraits of the Blessed Virgin Mary

Birmingham Conservatoire Chamber Choir

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Mother of God, here I stand (Sir John Tavener)

1
Mother of God, Here I Stand
Birmingham Conservatoire Chamber Choir
00:03:15

Sir John Tavener, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Ave cujus conceptio (Nicholas Ludford)

2
Ave cujus conceptio
Birmingham Conservatoire Chamber Choir
00:08:24

Nicholas Ludford, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Ave Maria, WAB 6 (Anton Bruckner)

3
Ave Maria, WAB 6
Birmingham Conservatoire Chamber Choir
00:02:49

Anton BRUCKNER, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Mater salutaris (Martin Dalby)

4
Mater salutaris
Callum Alger
00:04:42

Martin Dalby, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir - Callum Alger, Artist, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Second Eve (Ola Gjeilo)

5
Second Eve
Birmingham Conservatoire Chamber Choir
00:06:00

Paul Spicer, Conductor - Ola Gjeilo, Composer - Birmingham Conservatoire Chamber Choir, Choir, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Magnificat & Nunc dimittis in F Major (George Dyson)

6
No. 1, Magnificat
Isabella Abbot Parker
00:03:33

George Dyson, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir - Callum Alger, Artist - Isabella Abbot Parker, Artist, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

A.M.D.G. (Ad majorem Dei gloriam) (Benjamin Britten)

7
No. 2, Rosa mystica
Birmingham Conservatoire Chamber Choir
00:04:24

Benjamin Britten, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Magnificat & Nunc dimittis (Chichester Service) (Herbert Howells)

8
No. 1, Magnificat
Callum Alger
00:07:24

Herbert Howells, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir - Callum Alger, Artist, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Ave Maria (Carl Rütti)

9
Ave Maria
Callum Alger
00:03:12

Carl Rutti, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir - Callum Alger, Artist, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

I Beheld Her, Beautiful as a Dove, HWC 312 (Healey Willan)

10
I Beheld Her, Beautiful as a Dove, HWC 312
Birmingham Conservatoire Chamber Choir
00:02:16

Healey Willan, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Ave Virgo Sanctissima (Judith Bingham)

11
Ave virgo sanctissima
Imogen Russell
00:05:08

Judith Bingham, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir - Imogen Russell, Artist, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Hymne à la Vierge (Pierre Villette)

12
Hymne à la vierge
Imogen Russell
00:04:01

Pierre Villette, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir - Imogen Russell, Artist, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Ave maris stella (Trond Kverno)

13
Ave maris stella
Birmingham Conservatoire Chamber Choir
00:05:06

Paul Spicer, Conductor - Trond Kverno, Composer - Birmingham Conservatoire Chamber Choir, Choir, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Of a Rose (Cecilia McDowall)

14
Of a Rose
Birmingham Conservatoire Chamber Choir
00:02:24

Unknown Artist, Artist - Cecilia McDowall, Composer - Paul Spicer, Conductor - Birmingham Conservatoire Chamber Choir, Choir, MainArtist

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Presentación del Álbum

"Rosa Mystica" takes its title from Benjamin Britten’s passionate setting of Gerard Manley Hopkins and forms the centrepiece of a programme ranging from the glorious Tudor polyphony of Nicholas Ludford’s motet Ave cujus conception via Bruckner’s dramatically contrasted Ave Maria to the Norwegian Ole Gjeilo’s apparently simple but sophisticated Second Eve, composed as recently as 2012.
Two versions of the Magnificat are heard in George Dyson’s bewitchingly peaceful depiction of the Virgin Mary, composed just after the end of the Second World War, and Herbert Howell’s more troubled setting for Chichester Cathedral in 1967. The enduring fascination with and devotion to Mary in the modern era is represented by a diverse array of composers from the austere, hushed, mystical atmospheres of John Tavener’s Mother of God, here I stand, the jazz-Blues-accented Ave Maria of Carl Rütti, rich harmonic and colour palette of Judith Bingham’s Ave Virgo Sanctissima and Trond Kverno’s beautiful, unusual setting of Ave Maris Stella to Cecilia McDowall’s short but highly effective carol, Of a Rose. © SOMM Recordings

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