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Deerhoof|Reveille

Reveille

Deerhoof

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San Francisco's strident Deerhoof is a much-loved deconstructionist art-pop outfit. The band is part no wave skronk, part Yoko Ono meets the B-52's, and part weirdo J-pop, and continues to push the musical envelope on each new recording. Reveille is a pretty good example of what Deerhoof is capable of. Quite a few of its songs are instrumental, for the most part, helter-skelterish flare-ups with primitive Casio-like bloops and bleeps, angular fizz-pop guitars, and epileptic drum freakouts. Those few songs that feature Satomi Matsuzaki's purring falsetto -- her very presence elevates this band above most avant pop groups -- have a simplicity and sugar-soaked sweetness, enticing listeners with charm before boxing their ears with an all-out aural assault. Reveille begins with an unassuming spoken word opening before launching into a variety of sounds. "All Rise" has a baseball stadium-cum-church organ feel, and "Days & Nights in the Forest" starts off with progressive jazz elements before introducing other elements. Though Deerhoof reportedly has to be seen performing live -- when the bandmembers are able to temper and balance the explosive quiet-loud of their tunes -- to be fully appreciated and to get the full effect, this album is as good a place to start your journey as any of the group's recordings.
© Bryan Thomas /TiVo

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Reveille

Deerhoof

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1
Sound the Alarm
00:00:20

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

2
This Magnificent Bird Will Rise
00:03:32

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

3
The Eyebright Bugler
00:00:42

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

4
Punch Buggy Valves
00:01:53

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

5
No One Fed Me So I Stayed
00:00:47

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

6
Frenzied Handsome, Hello!
00:01:48

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

7
Days & Nights in the Forest
00:03:59

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

8
Top Tim Rubies
00:01:56

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

9
Hark the Umpire
00:01:19

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

10
Our Angel's Ululu
00:01:41

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

11
The Last Trumpeter Swan
00:08:10

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

12
Tuning a Stray
00:00:08

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

13
Holy Night Fever
00:01:18

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

14
All Rise
00:01:08

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

15
Cooper
00:02:04

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

16
Hallelujah Chorus
00:03:00

Copyright Control, MusicPublisher - Deerhoof, MainArtist, AssociatedPerformer

2002 Deerhoof under exclusive license to Joyful Noise Recordings 2002 Deerhoof under exclusive license to Joyful Noise Recordings

Presentación del Álbum

San Francisco's strident Deerhoof is a much-loved deconstructionist art-pop outfit. The band is part no wave skronk, part Yoko Ono meets the B-52's, and part weirdo J-pop, and continues to push the musical envelope on each new recording. Reveille is a pretty good example of what Deerhoof is capable of. Quite a few of its songs are instrumental, for the most part, helter-skelterish flare-ups with primitive Casio-like bloops and bleeps, angular fizz-pop guitars, and epileptic drum freakouts. Those few songs that feature Satomi Matsuzaki's purring falsetto -- her very presence elevates this band above most avant pop groups -- have a simplicity and sugar-soaked sweetness, enticing listeners with charm before boxing their ears with an all-out aural assault. Reveille begins with an unassuming spoken word opening before launching into a variety of sounds. "All Rise" has a baseball stadium-cum-church organ feel, and "Days & Nights in the Forest" starts off with progressive jazz elements before introducing other elements. Though Deerhoof reportedly has to be seen performing live -- when the bandmembers are able to temper and balance the explosive quiet-loud of their tunes -- to be fully appreciated and to get the full effect, this album is as good a place to start your journey as any of the group's recordings.
© Bryan Thomas /TiVo

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