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Slava Balasanov spent the first 12 years of his life in Moscow prior to moving to Chicago. He devoted a few years to playing jazz guitar, abandoned the instrument, and immersed himself in electronic music. He was a quick study. By 2008, he was releasing his own productions on a label he co-founded. In 2012, he issued an impressive EP on Daniel Lopatin's Software label; Soft Control showed him to be an omnivorous aesthete with a keen ability to synthesize heady, ambient, buoyant house and U.K. bass while putting his own spin on the intricate footwork sound birthed in his second hometown. Raw Solutions, also issued on Software, is a smooth and occasionally stirring continuation that switches tacks with such frequency that pigeon-hole evasion seems like a conscious goal. Like Soft Control's "I've Got Feelings Too," "I Know" samples Britney Spears' spoken intro to "I'm a Slave 4 U" and is a low-profile track with hypnotic textures and knocking/rattling bass, almost as sleek as 2000F & J Kamata's "You Don't Know What Love Is." "Girl Like Me" weaves a forward Ciara quote into one of the album's most intense and enveloping tracks, full of low-end frequencies that can be felt in the chest. The footwork-inspired tracks, duly stuffed with tightly wound percussion that alternately patters and batters, are neither as bracing nor as memorable. Surprisingly, there's only one ambient cut, the closing "Wit U" -- a dizzying sequence of vocal fragments that lacks the emotive quality of the preceding EP's "Whirlpool" and "Swan."
© Andy Kellman /TiVo
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Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Slava, MainArtist
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
Presentación del Álbum
Slava Balasanov spent the first 12 years of his life in Moscow prior to moving to Chicago. He devoted a few years to playing jazz guitar, abandoned the instrument, and immersed himself in electronic music. He was a quick study. By 2008, he was releasing his own productions on a label he co-founded. In 2012, he issued an impressive EP on Daniel Lopatin's Software label; Soft Control showed him to be an omnivorous aesthete with a keen ability to synthesize heady, ambient, buoyant house and U.K. bass while putting his own spin on the intricate footwork sound birthed in his second hometown. Raw Solutions, also issued on Software, is a smooth and occasionally stirring continuation that switches tacks with such frequency that pigeon-hole evasion seems like a conscious goal. Like Soft Control's "I've Got Feelings Too," "I Know" samples Britney Spears' spoken intro to "I'm a Slave 4 U" and is a low-profile track with hypnotic textures and knocking/rattling bass, almost as sleek as 2000F & J Kamata's "You Don't Know What Love Is." "Girl Like Me" weaves a forward Ciara quote into one of the album's most intense and enveloping tracks, full of low-end frequencies that can be felt in the chest. The footwork-inspired tracks, duly stuffed with tightly wound percussion that alternately patters and batters, are neither as bracing nor as memorable. Surprisingly, there's only one ambient cut, the closing "Wit U" -- a dizzying sequence of vocal fragments that lacks the emotive quality of the preceding EP's "Whirlpool" and "Swan."
© Andy Kellman /TiVo
Acerca del álbum
- 1 disco(s) - 12 pista(s)
- Duración total: 00:44:12
- Artistas principales: Slava
- Sello: Software Recording Co.
- Género Electrónica Techno
(C) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer (P) 2013 Software under exclusive license to Kemado Records, Inc., d/b/a Mexican Summer
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