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Pittsburgh Symphony Orchestra|R. Strauss: An Alpine Symphony, Op. 64, TrV 233

R. Strauss: An Alpine Symphony, Op. 64, TrV 233

Pittsburgh Symphony Orchestra, Marek Janowski

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Strauss' early symphonic poems Macbeth and Eine Alpensinfonie are long, loud, and banal, and so are these performances by Marek Janowski and the Pittsburgh Symphony Orchestra. The relatively rarely recorded Macbeth is dark and brooding, with flashes of color and violence, but it sounds both poorly constructed and poorly performed. Janowski's interpretation makes the listener all too aware of the work's discursiveness, and though the Pittsburgh musicians play well enough, they sound distinctly bored and even restless. Even less appealing is the relatively frequently recorded Eine Alpensinfonie. While the Pittsburgh musicians play well enough in this difficult score, the piece sounds interminable in Janowski's interpretation, which lingers over details and rarely summons the kind of energy and fortitude it takes to effectively scale the 50-minute work. The super audio sound is clean, clear, deep, and vivid, and does help distract the listener's attention from the otherwise lackluster music and performances.
© TiVo

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R. Strauss: An Alpine Symphony, Op. 64, TrV 233

Pittsburgh Symphony Orchestra

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Macbeth, Op. 23, TrV 163 (Live) (Richard Strauss)

1
Macbeth, Op. 23, TrV 163 (Live)
00:19:17

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

Eine Alpensinfonie, Op. 64, TrV 233 (Richard Strauss)

2
Nacht (1) [Live]
00:03:29

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

3
Sonnenaufgang (Live)
00:01:30

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

4
Der Anstieg (Live)
00:02:26

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

5
Eintritt in den Wald (Live)
00:05:46

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

6
Am Wasserfall (Live)
00:00:15

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

7
Erscheinung (Live)
00:00:45

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

8
Auf blumigen Wiesen (Live)
00:00:50

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

9
Auf der Alm (Live)
00:02:03

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

10
Durch Dickicht und Gestrüpp auf Irrwegen (Live)
00:01:21

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

11
Auf dem Gletscher (Live)
00:01:03

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

12
Gefahrvolle Augenblicke (Live)
00:01:21

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

13
Auf dem Gipfel (Live)
00:04:21

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

14
Vision (Live)
00:04:02

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

15
Nebel steigen auf (Live)
00:00:23

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

16
Die Sonne verdüstert sich allmählich (Live)
00:00:53

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

17
Elegie (Live)
00:02:23

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

18
Stille vor der Sturm (Live)
00:02:48

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

19
Gewitter und Sturm, Abstieg (Live)
00:03:23

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

20
Sonnenuntergang (Live)
00:02:22

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

21
Ausklang (Live)
00:06:16

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

22
Nacht (2) [Live]
00:02:03

Richard Strauss, Composer - Marek Janowski, Conductor - Pittsburgh Symphony Orchestra, Orchestra, MainArtist

(C) 2009 PENTATONE (P) 2009 PENTATONE

Presentación del Álbum

Strauss' early symphonic poems Macbeth and Eine Alpensinfonie are long, loud, and banal, and so are these performances by Marek Janowski and the Pittsburgh Symphony Orchestra. The relatively rarely recorded Macbeth is dark and brooding, with flashes of color and violence, but it sounds both poorly constructed and poorly performed. Janowski's interpretation makes the listener all too aware of the work's discursiveness, and though the Pittsburgh musicians play well enough, they sound distinctly bored and even restless. Even less appealing is the relatively frequently recorded Eine Alpensinfonie. While the Pittsburgh musicians play well enough in this difficult score, the piece sounds interminable in Janowski's interpretation, which lingers over details and rarely summons the kind of energy and fortitude it takes to effectively scale the 50-minute work. The super audio sound is clean, clear, deep, and vivid, and does help distract the listener's attention from the otherwise lackluster music and performances.
© TiVo

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