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Gürzenich-Orchester Köln|Prokofiev: The Symphonies

Prokofiev: The Symphonies

Gürzenich-Orchester Köln, Dmitri Kitayenko

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Though there have been other complete cycles of the seven symphonies of Sergey Prokofiev over the years, the most obvious comparison for this 2007 cycle with Dimitrji Kitajenko leading the Gürzenich-Orchester Köln is Valery Gergiev's 2004 cycle with the London Symphony. Both sets feature Russian conductors with Western orchestras and include the original and the revised versions of the Fourth Symphony. But though it might initially be suspected that the charismatic Gergiev would take the prize, Kitajenko comes out on top in a direct comparison. Both are talented and experienced conductors and both seem comfortable with Prokofiev's unique blend of warm lyricism and harsh modernism, but Kitajenko consistently goes further into the Soviet modernist's music than Gergiev. Where Gergiev's First Symphony is simply a cheerful pastiche, Kitajenko's is a slyly witty send-up of Classical conventions. Where Gergiev's Second, Third, and original Fourth are long on modernist energy and short on symphonic structure, Kitajenko's, while no less energetic, are far more formally balanced and structurally convincing. Where Gergiev's revised Fourth, Fifth, and Sixth are grandiloquent examples of social realism, Kitajenko's are grandly moving examples of twentieth century symphonism. And where Gergiev treats the highly ambivalent Seventh as a light and lively piece of late-in-life whimsy, Kitajenko grants it the depth and emotional ambiguity it deserves. This is not to say that Gergiev's cycle lacks merits. It is superbly played and conducted and Philips' digital recording is big, brawny, and colorful. But Kitajenko's cycle seems to speak with more authority on more profound issues, and Phoenix Edition's digital sound is cleaner, clearer and detailed. Though committed Prokofiev enthusiasts will want to hear both, they may find themselves more often returning to Kitajenko's cycle.

© TiVo

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Prokofiev: The Symphonies

Gürzenich-Orchester Köln

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Symphony No. 1 in D Major, Op. 25 "Classical" (Sergei Prokofiev)

1
I. Allegro
00:04:24

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

2
II. Larghetto
00:04:29

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

3
III. Gavotte. Non troppo allegro
00:01:34

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

4
IV. Finale. Molto vivace
00:04:29

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

Symphony No. 7 in C-Sharp Minor, Op. 131 (Sergei Prokofiev)

5
I. Moderato
00:09:54

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

6
II. Allegretto
00:09:01

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

7
III. Andante espressivo
00:06:04

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

8
IV. Vivace
00:08:37

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

DISCO 2

Symphony No. 2 in D minor, Op. 40 (Sergei Prokofiev)

1
I. Allegro ben articolato
00:13:09

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

2
IIa. Theme -
00:02:19

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

3
IIb. Var. I -
00:02:47

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

4
IIc. Var. II -
00:02:49

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

5
IId. Var. III -
00:02:08

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

6
IIe. Var. IV -
00:05:47

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

7
IIf. Var. V -
00:02:50

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

8
IIg. Var. VI - Theme
00:07:52

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

Symphony No. 3 in C minor, Op. 44 (Sergei Prokofiev)

9
I. Moderato
00:14:12

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

10
II. Andante
00:07:02

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

11
III. Allegro agitato - Allegretto
00:08:38

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

12
IV. Andante mosso - Allegro moderato
00:06:57

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

DISCO 3

Symphony No. 4 in C major, Op. 47 (original 1930 version) (Sergei Prokofiev)

1
I. Andante assai - Allegro eroico
00:06:55

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

2
II. Andante tranquillo
00:07:45

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

3
III. Moderato, quasi allegretto
00:04:42

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

4
IV. Allegro risoluto
00:07:50

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

Symphony No. 4 in C Major, Op. 112 (Revised 1947 Version) (Sergei Prokofiev)

5
I. Andante - Allegro eroico - Allegretto
00:13:40

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

6
II. Andante tranquillo
00:10:15

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

7
III. Moderato quasi allegretto
00:06:04

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

8
IV. Allegro risoluto
00:10:02

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

DISCO 4

Symphony No. 5 In B-flat Major, Op. 100 (Sergei Prokofiev)

1
I. Andante
00:13:47

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

2
II. Allegro marcato
00:09:11

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

3
III. Adagio
00:12:41

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

4
IV. Allegro giocoso
00:09:41

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

DISCO 5

Symphony No. 6 in E-Flat Minor, Op. 111 (Sergei Prokofiev)

1
I. Allegro moderato
00:15:35

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

2
II. Largo
00:17:20

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

3
III. Vivace
00:12:13

Sergei Prokofiev, Composer - Dmitri Kitayenko, Conductor - Gürzenich-Orchester Köln, Orchestra, MainArtist

(C) 2015 Capriccio (P) 2015 Capriccio

Presentación del Álbum

Though there have been other complete cycles of the seven symphonies of Sergey Prokofiev over the years, the most obvious comparison for this 2007 cycle with Dimitrji Kitajenko leading the Gürzenich-Orchester Köln is Valery Gergiev's 2004 cycle with the London Symphony. Both sets feature Russian conductors with Western orchestras and include the original and the revised versions of the Fourth Symphony. But though it might initially be suspected that the charismatic Gergiev would take the prize, Kitajenko comes out on top in a direct comparison. Both are talented and experienced conductors and both seem comfortable with Prokofiev's unique blend of warm lyricism and harsh modernism, but Kitajenko consistently goes further into the Soviet modernist's music than Gergiev. Where Gergiev's First Symphony is simply a cheerful pastiche, Kitajenko's is a slyly witty send-up of Classical conventions. Where Gergiev's Second, Third, and original Fourth are long on modernist energy and short on symphonic structure, Kitajenko's, while no less energetic, are far more formally balanced and structurally convincing. Where Gergiev's revised Fourth, Fifth, and Sixth are grandiloquent examples of social realism, Kitajenko's are grandly moving examples of twentieth century symphonism. And where Gergiev treats the highly ambivalent Seventh as a light and lively piece of late-in-life whimsy, Kitajenko grants it the depth and emotional ambiguity it deserves. This is not to say that Gergiev's cycle lacks merits. It is superbly played and conducted and Philips' digital recording is big, brawny, and colorful. But Kitajenko's cycle seems to speak with more authority on more profound issues, and Phoenix Edition's digital sound is cleaner, clearer and detailed. Though committed Prokofiev enthusiasts will want to hear both, they may find themselves more often returning to Kitajenko's cycle.

© TiVo

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