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Cowboy Junkies|Open

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Cowboy Junkies

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Cowboy Junkies have a sound, a vibe. There's no denying it. You can tell it's them within a few notes and each successive record seems to pick up right where the last one left off. Some, like The Trinity Sessions, are dark, moody, and mellow, like being coated in honey and draped in velvet. Others, take Pale Sun, Crescent Moon for example, seem downright energetic in comparison. Open is more in line with the first batch, though it has moments of near-enthusiastic revelry. With Alan Anton's plump (rather than phat) basslines, Peter Timmins' laid-back drumming, and Michael Timmins' dirty guitars to ride on, Margo Timmins contributes her trademark sensual, yet understated vocal performances. The whole gang sounds as good as ever. And, although he may be called a songwriter, Michael Timmins is more a true poet with musical inclinations. Full of wonder and romance, fear and passion, Open is simply the next chapter in his sublime book of heartfelt verse. The compassionate tenderness of "Thousand Year Prayer" contrasts nicely with the harmonica and feedback duel of "Dragging Hooks." And darn if "I'm So Open" doesn't bounce right along on a little groove. They've got it all here. If nothing else, this band is one of the most consistent around. Though album sales may not always reflect it, they continually deliver strong records that refuse to be faulted for anything other than being non-mainstream.
© Kelly McCartney /TiVo

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Cowboy Junkies

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1
I Did It All for You
00:05:07

Cowboy Junkies, MainArtist

(C) 2001 Cooking Vinyl under exclusive license from Latent Recordings (P) 2001 Latent Recordings under exclusive license to Cooking Vinyl

2
Dragging Hooks (River Song Trilogy, Part III)
00:07:49

Cowboy Junkies, MainArtist

(C) 2001 Cooking Vinyl under exclusive license from Latent Recordings (P) 2001 Latent Recordings under exclusive license to Cooking Vinyl

3
Upon Still Waters
00:03:23

Cowboy Junkies, MainArtist

(C) 2001 Cooking Vinyl under exclusive license from Latent Recordings (P) 2001 Latent Recordings under exclusive license to Cooking Vinyl

4
Bread and Wine
00:04:36

Cowboy Junkies, MainArtist

(C) 2001 Cooking Vinyl under exclusive license from Latent Recordings (P) 2001 Latent Recordings under exclusive license to Cooking Vinyl

5
Dark Hole Again
00:07:43

Cowboy Junkies, MainArtist

(C) 2001 Cooking Vinyl under exclusive license from Latent Recordings (P) 2001 Latent Recordings under exclusive license to Cooking Vinyl

6
Thousand Year Prayer
00:04:17

Cowboy Junkies, MainArtist

(C) 2001 Cooking Vinyl under exclusive license from Latent Recordings (P) 2001 Latent Recordings under exclusive license to Cooking Vinyl

7
I'm so Open
00:04:10

Cowboy Junkies, MainArtist

(C) 2001 Cooking Vinyl under exclusive license from Latent Recordings (P) 2001 Latent Recordings under exclusive license to Cooking Vinyl

8
Small Swift Birds
00:03:47

Cowboy Junkies, MainArtist

(C) 2001 Cooking Vinyl under exclusive license from Latent Recordings (P) 2001 Latent Recordings under exclusive license to Cooking Vinyl

9
Beneath the Gate
00:04:08

Cowboy Junkies, MainArtist

(C) 2001 Cooking Vinyl under exclusive license from Latent Recordings (P) 2001 Latent Recordings under exclusive license to Cooking Vinyl

10
Close My Eyes
00:04:20

Cowboy Junkies, MainArtist

(C) 2001 Cooking Vinyl under exclusive license from Latent Recordings (P) 2001 Latent Recordings under exclusive license to Cooking Vinyl

Presentación del Álbum

Cowboy Junkies have a sound, a vibe. There's no denying it. You can tell it's them within a few notes and each successive record seems to pick up right where the last one left off. Some, like The Trinity Sessions, are dark, moody, and mellow, like being coated in honey and draped in velvet. Others, take Pale Sun, Crescent Moon for example, seem downright energetic in comparison. Open is more in line with the first batch, though it has moments of near-enthusiastic revelry. With Alan Anton's plump (rather than phat) basslines, Peter Timmins' laid-back drumming, and Michael Timmins' dirty guitars to ride on, Margo Timmins contributes her trademark sensual, yet understated vocal performances. The whole gang sounds as good as ever. And, although he may be called a songwriter, Michael Timmins is more a true poet with musical inclinations. Full of wonder and romance, fear and passion, Open is simply the next chapter in his sublime book of heartfelt verse. The compassionate tenderness of "Thousand Year Prayer" contrasts nicely with the harmonica and feedback duel of "Dragging Hooks." And darn if "I'm So Open" doesn't bounce right along on a little groove. They've got it all here. If nothing else, this band is one of the most consistent around. Though album sales may not always reflect it, they continually deliver strong records that refuse to be faulted for anything other than being non-mainstream.
© Kelly McCartney /TiVo

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