Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
It took Slade two years and one hits-and-rarities compilation (Sladest) to get around to following up 1972's U.K. chart-topping Slayed?, two years during which the entire complexion of the band had altered dramatically. No longer the rampant yobs out on the stomp of yore, the quartet members placed the rabble-rousing bombast of old far behind them during 1974, and switched their songwriting efforts to more mellow pastures -- the gentle "Everyday," the yearning "Far Far Away," and the decidedly pretty "Miles Out to Sea." Old New Borrowed and Blue was the album that introduced the chrysalis to its audience -- not that you'd know it from the opening bellow. Riding a raw guitar line based, very loosely, around the guttural riffing of the Beatles' "Birthday," "Just a Little Bit" cranks in with almost metallic dynamics, even retaining the in-concert ad-libbing that had long since made it a highlight of the live show. "We're Gonna Raise the Roof," "When the Lights Are Out," and "My Town," too, offer little that Slade wasn't already well renowned for and that, perhaps, was what the bandmembers were thinking as well. The glitter-soaked thunderclap was old news now; they could write those rockers in their sleep. The vaudeville piano-led "Find Yourself a Rainbow," though, was new territory altogether, while the country-rock-inflected "How Can It Be" posited a direction that Holder himself admitted had long been a regular on his home turntable. It was "Everyday," however, that held the secret of the band's future, a crowd-swaying singalong of such scarf-waving majesty that it might well be single-handedly responsible for every great record U2 has ever made. It was certainly Slade's most memorable new single in a while and, as the cue for further airborne anthems, it became one of the most crucial songs in the group's entire repertoire. On an album that, at best, can be described as patchy, "Everyday" is a new day altogether.
© Dave Thompson /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde USD 4,19/mes
Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - John Thornton, Composer - Slade, MainArtist - Dave Hill, Guitar - Earl Washington, Composer - RALPH BASS, Composer - Sylvester Thompson, Composer - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar, Violin - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer, Bass Guitar, Violin - Neville Holder, Composer, Guitar, Vocals - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - David Hill, Guitar - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1973 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
James Lea, Composer - Neville Holder, Composer - Jimmy Lea, Bass Guitar - Noddy Holder, Guitar, Vocals - CHAS CHANDLER, Producer - Slade, MainArtist - Dave Hill, Guitar - Don Powell, Drums
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1974 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
Jimmy Lea, Vocals - Noddy Holder, Vocals - Slade, MainArtist - Dave Hill, Vocals - Don Powell, Vocals - Non-Musical Work, Composer
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 1975 Whild John Music Limited, under exclusive license to Union Square Music Limited, a BMG Company
Presentación del Álbum
It took Slade two years and one hits-and-rarities compilation (Sladest) to get around to following up 1972's U.K. chart-topping Slayed?, two years during which the entire complexion of the band had altered dramatically. No longer the rampant yobs out on the stomp of yore, the quartet members placed the rabble-rousing bombast of old far behind them during 1974, and switched their songwriting efforts to more mellow pastures -- the gentle "Everyday," the yearning "Far Far Away," and the decidedly pretty "Miles Out to Sea." Old New Borrowed and Blue was the album that introduced the chrysalis to its audience -- not that you'd know it from the opening bellow. Riding a raw guitar line based, very loosely, around the guttural riffing of the Beatles' "Birthday," "Just a Little Bit" cranks in with almost metallic dynamics, even retaining the in-concert ad-libbing that had long since made it a highlight of the live show. "We're Gonna Raise the Roof," "When the Lights Are Out," and "My Town," too, offer little that Slade wasn't already well renowned for and that, perhaps, was what the bandmembers were thinking as well. The glitter-soaked thunderclap was old news now; they could write those rockers in their sleep. The vaudeville piano-led "Find Yourself a Rainbow," though, was new territory altogether, while the country-rock-inflected "How Can It Be" posited a direction that Holder himself admitted had long been a regular on his home turntable. It was "Everyday," however, that held the secret of the band's future, a crowd-swaying singalong of such scarf-waving majesty that it might well be single-handedly responsible for every great record U2 has ever made. It was certainly Slade's most memorable new single in a while and, as the cue for further airborne anthems, it became one of the most crucial songs in the group's entire repertoire. On an album that, at best, can be described as patchy, "Everyday" is a new day altogether.
© Dave Thompson /TiVo
Acerca del álbum
- 1 disco(s) - 17 pista(s)
- Duración total: 00:57:28
- Artistas principales: Slade
- Compositor: Various Composers
- Sello: BMG Rights Management (UK) Limited
- Género Pop/Rock Pop
© 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd. ℗ 2006 Whild John Ltd. under exclusive licence to BMG Rights Management (UK) Ltd.
Mejorar la información del álbum