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Nathan Milstein|Nathan Milstein with Markevitch and Sabata in Concert

Nathan Milstein with Markevitch and Sabata in Concert

Nathan Milstein, Schweizer Festpielorchester, New York Philharmonic, Igor Markevitch and Victor De Sabata

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One of the most acclaimed and respected violinists of the last century, Nathan Milstein also had one of the longest-running careers of any classical musician. As such, he has left behind an abundance of recordings documenting his technical prowess, honeyed tone, and superb musicianship. This Archipel disc is but one example of the many Milstein recordings that are just now being reissued on CD. The album opens with a 1953 recording of the Mendelssohn Violin Concerto with the Schweizer Festspielorchester under Igor Markevitch, a time when Milstein was at the height of his technical and interpretive powers. Archipel's remastering does a nice job of removing any excess hiss while maintain the original color of the sound, allowing listeners to hear Milstein's nimble passagework in this perennially favored concerto. The disc also features the Brahms concerto with the New York Philharmonic under Victor de Sabata. The first movement here is strikingly fast, which at times seems to cause some uncharacteristic slides into notes. The remaining two movements are taken at a more appropriate tempo and Milstein's playing again returns to its typical high level of technical and musical excellence. The sound quality in the Brahms (recorded in 1950) is slightly inferior to the Mendelssohn.
© TiVo

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Nathan Milstein with Markevitch and Sabata in Concert

Nathan Milstein

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Concerto for Violin and Orchestra in E minor, Op. 64 (Felix Mendelssohn)

1
I. Allegro molto appassionato
00:12:23

Felix Mendelssohn-Bartholdy, Composer - Nathan Milstein, MainArtist, AssociatedPerformer - Igor Markevitch, Conductor, MainArtist - Schweizer Festpielorchester, Orchestra, MainArtist

2009 Archipel 2009 (P) Archipel

2
Ii. Andante
00:08:11

Felix Mendelssohn-Bartholdy, Composer - Nathan Milstein, MainArtist, AssociatedPerformer - Igor Markevitch, Conductor, MainArtist - Schweizer Festpielorchester, Orchestra, MainArtist

2009 Archipel 2009 (P) Archipel

3
Iii. Allegretto non troppo - Allegro molto vivace
00:07:54

Felix Mendelssohn-Bartholdy, Composer - Nathan Milstein, MainArtist, AssociatedPerformer - Igor Markevitch, Conductor, MainArtist - Schweizer Festpielorchester, Orchestra, MainArtist

2009 Archipel 2009 (P) Archipel

Concerto for Violin and Orchestra in D Major, Op. 77 (Johannes Brahms)

4
I. Allegro non troppo
00:20:19

Johannes Brahms, Composer - New York Philharmonic Orchestra, Orchestra, MainArtist - Nathan Milstein, MainArtist, AssociatedPerformer - Victor De Sabata, Conductor, MainArtist

2009 Archipel 2009 (P) Archipel

5
Ii. Adagio
00:08:39

Johannes Brahms, Composer - New York Philharmonic Orchestra, Orchestra, MainArtist - Nathan Milstein, MainArtist, AssociatedPerformer - Victor De Sabata, Conductor, MainArtist

2009 Archipel 2009 (P) Archipel

6
Iii. Allegro giocoso, man non troppo vivace - Poco più presto
00:07:41

Johannes Brahms, Composer - New York Philharmonic Orchestra, Orchestra, MainArtist - Nathan Milstein, MainArtist, AssociatedPerformer - Victor De Sabata, Conductor, MainArtist

2009 Archipel 2009 (P) Archipel

Presentación del Álbum

One of the most acclaimed and respected violinists of the last century, Nathan Milstein also had one of the longest-running careers of any classical musician. As such, he has left behind an abundance of recordings documenting his technical prowess, honeyed tone, and superb musicianship. This Archipel disc is but one example of the many Milstein recordings that are just now being reissued on CD. The album opens with a 1953 recording of the Mendelssohn Violin Concerto with the Schweizer Festspielorchester under Igor Markevitch, a time when Milstein was at the height of his technical and interpretive powers. Archipel's remastering does a nice job of removing any excess hiss while maintain the original color of the sound, allowing listeners to hear Milstein's nimble passagework in this perennially favored concerto. The disc also features the Brahms concerto with the New York Philharmonic under Victor de Sabata. The first movement here is strikingly fast, which at times seems to cause some uncharacteristic slides into notes. The remaining two movements are taken at a more appropriate tempo and Milstein's playing again returns to its typical high level of technical and musical excellence. The sound quality in the Brahms (recorded in 1950) is slightly inferior to the Mendelssohn.
© TiVo

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