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The Mavericks|Music For All Occasions

Music For All Occasions

The Mavericks

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After the commercial and critical success of What a Cryin' Shame, the Mavericks were given a bit more creative latitude while making their fourth album, 1995's Music for All Occasions; lead vocalist Raul Malo co-produced the disc, and the '50s pop accents that were bubbling under the surface on their previous set began to rise to the surface, both in their music and in the wink-and-nudge camp of the album's artwork. Malo's deeply emotive tenor voice was made to order for polished supper-club pop tunes like "Foolish Heart" and "Missing You," and while the production and arrangements here possess an appropriate degree of high gloss, the band still finds room to let their own personalities shine though, especially guitarist Nick Kane, who makes with some fine hipster jazz picking. The Mavericks do inject a little classic country into this set, most notably the potent two-step of "The Writing on the Wall," and they were able to have their cake and eat it too with the melodramatic "Here Comes the Rain" and the lively Tex-Mex rave-up "All You Ever Do Is Bring Me Down" (featuring Flaco Jimenez on accordion), both of which were major hits. While What a Cryin' Shame was a slam dunk of an album, Music for All Occasions is a slyer, more subtle affair, and the polished cool of its surfaces aren't as immediately inviting, but the record's abundant pleasures become clear upon repeated listenings, and its one of the group's best and most accomplished studio sets.

© Mark Deming /TiVo

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Music For All Occasions

The Mavericks

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1
Foolish Heart
00:03:37

Nick Lowe, Producer - JERRY DALE MCFADDEN, Keyboards, AssociatedPerformer - Raul Malo, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - The Mavericks, MainArtist - Paul Deakin, Drums, AssociatedPerformer - Nick Kane, Guitar, AssociatedPerformer - Robert Reynolds, Bass Guitar, AssociatedPerformer - Evan York, ComposerLyricist - Don Kirby Cook, Producer

℗ 1995 UMG Recordings, Inc.

2
One Step Away
00:02:54

James House, ComposerLyricist - Raul Malo, Producer, ComposerLyricist - The Mavericks, MainArtist - Don Kirby Cook, Producer

℗ 1995 MCA Nashville

3
Here Comes The Rain
00:03:48

Raul Malo, Producer, ComposerLyricist - Kostas Lazarides, ComposerLyricist - The Mavericks, MainArtist - Don Kirby Cook, Producer

℗ 1995 UMG Recordings, Inc.

4
Missing You
00:03:29

Al Anderson, ComposerLyricist - Nick Lowe, Producer - JERRY DALE MCFADDEN, Keyboards, AssociatedPerformer - Raul Malo, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - The Mavericks, MainArtist - Paul Deakin, Drums, AssociatedPerformer - Nick Kane, Guitar, AssociatedPerformer - Robert Reynolds, Bass Guitar, AssociatedPerformer - Don Kirby Cook, Producer

℗ 1995 UMG Recordings, Inc.

5
All You Ever Do Is Bring Me Down (Album Version)
00:04:21

Al Anderson, ComposerLyricist - Raul Malo, Producer, ComposerLyricist - Flaco Jimenez, FeaturedArtist - The Mavericks, MainArtist - Don Kirby Cook, Producer

℗ 1995 UMG Recordings, Inc.

6
My Secret Flame
00:03:27

Rafe VanHoy, ComposerLyricist - Raul Malo, Producer - The Mavericks, MainArtist - Don Kirby Cook, Producer

℗ 1995 MCA Nashville

7
The Writing On The Wall
00:03:21

Al Anderson, ComposerLyricist - Raul Malo, Producer, ComposerLyricist - The Mavericks, MainArtist - Don Kirby Cook, Producer

℗ 1995 UMG Recordings, Inc.

8
Loving You
00:04:19

Al Anderson, ComposerLyricist - Raul Malo, Producer, ComposerLyricist - The Mavericks, MainArtist - Don Kirby Cook, Producer

℗ 1995 UMG Recordings, Inc.

9
If You Only Knew
00:02:55

Raul Malo, Producer, ComposerLyricist - Kostas, ComposerLyricist - The Mavericks, MainArtist - Don Kirby Cook, Producer

℗ 1995 MCA Nashville

10
I'm Not Gonna Cry For You
00:03:41

Raul Malo, Producer, ComposerLyricist - The Mavericks, MainArtist - Don Kirby Cook, Producer

℗ 1995 UMG Recordings, Inc.

11
Something Stupid (Album Version)
00:02:59

JERRY DALE MCFADDEN, Keyboards, AssociatedPerformer - Trisha Yearwood, MainArtist - Raul Malo, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Carson C. Parks, ComposerLyricist - The Mavericks, MainArtist - Paul Deakin, Drums, AssociatedPerformer - Nick Kane, Guitar, AssociatedPerformer - Robert Reynolds, Bass Guitar, AssociatedPerformer - Don Kirby Cook, Producer

℗ 1995 MCA Nashville

12
Blue Moon
00:04:07

Nick Lowe, Producer - Richard Rodgers, Composer - Lorenz Hart, Author - James Horner, Producer - JERRY DALE MCFADDEN, Keyboards, AssociatedPerformer - Raul Malo, Guitar, Vocals, AssociatedPerformer - KATHY NELSON, Producer, Executive Producer - Brian Grazer, Producer, Executive Producer - The Mavericks, MainArtist - Paul Deakin, Drums, AssociatedPerformer - Nick Kane, Guitar, AssociatedPerformer - Robert Reynolds, Bass Guitar, AssociatedPerformer - Ron Howard, Producer, Executive Producer - Todd Hallowell, Producer, Executive Producer

℗ 1995 Geffen Records

Presentación del Álbum

After the commercial and critical success of What a Cryin' Shame, the Mavericks were given a bit more creative latitude while making their fourth album, 1995's Music for All Occasions; lead vocalist Raul Malo co-produced the disc, and the '50s pop accents that were bubbling under the surface on their previous set began to rise to the surface, both in their music and in the wink-and-nudge camp of the album's artwork. Malo's deeply emotive tenor voice was made to order for polished supper-club pop tunes like "Foolish Heart" and "Missing You," and while the production and arrangements here possess an appropriate degree of high gloss, the band still finds room to let their own personalities shine though, especially guitarist Nick Kane, who makes with some fine hipster jazz picking. The Mavericks do inject a little classic country into this set, most notably the potent two-step of "The Writing on the Wall," and they were able to have their cake and eat it too with the melodramatic "Here Comes the Rain" and the lively Tex-Mex rave-up "All You Ever Do Is Bring Me Down" (featuring Flaco Jimenez on accordion), both of which were major hits. While What a Cryin' Shame was a slam dunk of an album, Music for All Occasions is a slyer, more subtle affair, and the polished cool of its surfaces aren't as immediately inviting, but the record's abundant pleasures become clear upon repeated listenings, and its one of the group's best and most accomplished studio sets.

© Mark Deming /TiVo

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