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Nikolaus Harnoncourt|Mozart: Zaide (Das Serail), KV 344

Mozart: Zaide (Das Serail), KV 344

Nikolaus Harnoncourt

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It's not like there hadn't been performances and recordings of the music of Zaide, Mozart's first Turkish singspiel, before. Although the work was left unfinished and unperformed in the composer's lifetime, its music has been accepted into the canon as a sort of trial run for The Abduction from the Seraglio from the following year. But performances of the complete Zaide music in context of its singspiel had always been considered essentially impossible since the spoken dialogue along with all traces of the plot were long since lost. Orchestral cellist turned early music conductor turned greatest living Austrian conductor Nikolaus Harnoncourt, having recorded nearly every other sung stage work of Mozart's over the years, turned in the composer's 250th anniversary year of 2006 to the unfinished Zaide. Outfitted with a new "topical" plot and dialogue, the work proves less a lighthearted entrainment and more a heavy-handed parody -- or perhaps it's just the conductor and the narrator. While the singers from soprano Diana Damrau through tenor Michael Schade to bass Anton Scharinger are more or less convincing in their roles, Harnoncourt seems to aim below Mozart's usual celestial level to the more mundane and Zaide's music seems more crude and even vulgar than Mozart's standard graceful and elegant style. Similarly, while Tobias Moretti's delivery is more or less straightforward with little of the dramatic enthusiasm that so often mars the performances of actors in singspiels, the story he spins is so unlike Mozart's music that it creates an insuperable gap between the words and the music, a gap that is as fatal to the success of this performance as Harnoncourt's direction. Deutsche Harmonia Mundi's sound is crisp, clean, and realistic, sometimes, as in the first moments after the overture, disconcertingly so.

© TiVo

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Mozart: Zaide (Das Serail), KV 344

Nikolaus Harnoncourt

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Zaide, K. 344 (Wolfgang Amadeus Mozart)

1
Overture (Symphony in E-Flat Major, K. 184)
Nikolaus Harnoncourt
00:08:10

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Concentus Musicus Wien, Associated Performer - Wolfgang Amadeus Mozart, Composer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

2
Act I: Jetzt hören Sie doch auf! (Einleitung)
Tobias Moretti
00:05:12

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

3
Act I: Brüder lasst uns lustig sein (No. 1 Chor der vier Sklaven)
Nikolaus Harnoncourt
00:00:58

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Concentus Musicus Wien, Associated Performer - Wolfgang Amadeus Mozart, Composer - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

4
Act I: Unerforschliche Fügung (No. 2 Melologo)
Nikolaus Harnoncourt
00:06:46

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Michael Schade, Tenor - Wolfgang Amadeus Mozart, Composer - Concentus Musicus Wien, Associated Performer - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

5
Act I: Dieser ohnmächtige, kraftlose, matte Gomatz (Zwischentext)
Tobias Moretti
00:02:20

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

6
Act I: Ruhe sanft, mein holdes Leben (No. 3 Aria)
Nikolaus Harnoncourt
00:07:15

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Diana Damrau, Soprano - Wolfgang Amadeus Mozart, Composer - Concentus Musicus Wien, Associated Performer - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

7
Act I: Rase, Schicksal, wüte immer (No. 4 Aria)
Nikolaus Harnoncourt
00:04:20

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Wolfgang Amadeus Mozart, Composer - Johann Schachtner, Librettist - Michael Schade, Tenor - Concentus Musicus Wien, Associated Performer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

8
Act I: Zaide hat ihn natürlich heimlich beobachtet (Zwischentext)
Tobias Moretti
00:00:51

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

9
Act I: Meine Seele hüpft vor Freuden (No. 5 Duetto)
Nikolaus Harnoncourt
00:02:35

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Diana Damrau, Soprano - Wolfgang Amadeus Mozart, Composer - Johann Schachtner, Librettist - Michael Schade, Tenor - Concentus Musicus Wien, Associated Performer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

10
Act I: Die beiden haben ein Glück (Zwischentext)
Tobias Moretti
00:01:05

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

11
Act I: Herr und Freund, wie dank ich dir (No. 6 Aria)
Nikolaus Harnoncourt
00:03:43

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Michael Schade, Tenor - Wolfgang Amadeus Mozart, Composer - Concentus Musicus Wien, Associated Performer - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

12
Act I: Und in Allazim entbrennt nun auch ein Kampf (Zwischentext)
Tobias Moretti
00:00:23

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

13
Act I: Nur mutig mein Herze (No. 7 Aria)
Nikolaus Harnoncourt
00:04:29

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Florian Boesch, Baritone - Wolfgang Amadeus Mozart, Composer - Johann Schachtner, Librettist - Concentus Musicus Wien, Associated Performer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

14
Act I: Zaide ist jetzt wieder dazugekommen (Zwischentext)
Tobias Moretti
00:00:42

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

15
Act I: O selige Wonne (No. 8 Terzetto)
Nikolaus Harnoncourt
00:06:10

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Wolfgang Amadeus Mozart, Composer - Diana Damrau, Soprano - Johann Schachtner, Librettist - Michael Schade, Tenor - Florian Boesch, Baritone - Concentus Musicus Wien, Associated Performer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

DISCO 2

1
Act II: Und wie's der Teufel halt so will (Zwischentext)
Tobias Moretti
00:01:52

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

2
Act II: Zaide entflohen (No. 9 Melologo ed Aria)
Nikolaus Harnoncourt
00:07:58

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Wolfgang Amadeus Mozart, Composer - Johann Schachtner, Librettist - Rudolf Schasching, Tenor - Concentus Musicus Wien, Associated Performer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

3
Act II: Natürlich ist auch Soliman, wie alle Reichen (Zwischentext)
Tobias Moretti
00:01:14

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

4
Act II: Wer hungrig bei der Tafel sitzt (No. 10 Aria)
Nikolaus Harnoncourt
00:03:43

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Anton Scharinger - Wolfgang Amadeus Mozart, Composer - Concentus Musicus Wien, Associated Performer - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

5
Act II: Für Soliman ist der Fall klar (Zwischentext)
Tobias Moretti
00:00:52

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

6
Act II: Ich bin so bös als gut (No. 11 Aria)
Nikolaus Harnoncourt
00:05:43

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Rudolf Schasching, Tenor - Wolfgang Amadeus Mozart, Composer - Concentus Musicus Wien, Associated Performer - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

7
Act II: Jetzt wird es für Zaide eng (Zwischentext)
Tobias Moretti
00:00:55

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

8
Act II: Treulos schluchzet Philomene (No. 12 Aria)
Nikolaus Harnoncourt
00:07:03

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Diana Damrau, Soprano - Wolfgang Amadeus Mozart, Composer - Concentus Musicus Wien, Associated Performer - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

9
Act II: Jetzt dreht sich's um: Zaide weint, schluchzt, klagt (Zwischentext)
Tobias Moretti
00:01:04

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

10
Act II: Tiger! Wetze nur die Klauen (No. 13 Aria)
Nikolaus Harnoncourt
00:04:37

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Diana Damrau, Soprano - Wolfgang Amadeus Mozart, Composer - Concentus Musicus Wien, Associated Performer - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

11
Act II: Allazim stößt ins gleiche Horn (Zwischentext)
Tobias Moretti
00:00:38

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

12
Act II: Ihr Mächtigen seht ungerührt (No. 14 Aria)
Nikolaus Harnoncourt
00:04:31

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Florian Boesch, Baritone - Wolfgang Amadeus Mozart, Composer - Concentus Musicus Wien, Associated Performer - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

13
Act II: Das letzte Quartett! (Zwischentext)
Tobias Moretti
00:01:10

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

14
Act II: Freundin stille deine Tränen (No. 15 Quartetto)
Nikolaus Harnoncourt
00:07:07

Nikolaus Harnoncourt, Conductor, Main Artist, Conductor - Michael Schade, Tenor - Wolfgang Amadeus Mozart, Composer - Florian Boesch, Baritone - Johann Schachtner, Librettist - Rudolf Schasching, Tenor - Diana Damrau, Soprano - Concentus Musicus Wien, Associated Performer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

15
Act II: Und hier, am tiefsten Punkte des Konflikts (Schluss)
Tobias Moretti
00:03:19

Tobias Moretti, Main Artist, Speaker, Speaker - Johann Schachtner, Librettist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Presentación del Álbum

It's not like there hadn't been performances and recordings of the music of Zaide, Mozart's first Turkish singspiel, before. Although the work was left unfinished and unperformed in the composer's lifetime, its music has been accepted into the canon as a sort of trial run for The Abduction from the Seraglio from the following year. But performances of the complete Zaide music in context of its singspiel had always been considered essentially impossible since the spoken dialogue along with all traces of the plot were long since lost. Orchestral cellist turned early music conductor turned greatest living Austrian conductor Nikolaus Harnoncourt, having recorded nearly every other sung stage work of Mozart's over the years, turned in the composer's 250th anniversary year of 2006 to the unfinished Zaide. Outfitted with a new "topical" plot and dialogue, the work proves less a lighthearted entrainment and more a heavy-handed parody -- or perhaps it's just the conductor and the narrator. While the singers from soprano Diana Damrau through tenor Michael Schade to bass Anton Scharinger are more or less convincing in their roles, Harnoncourt seems to aim below Mozart's usual celestial level to the more mundane and Zaide's music seems more crude and even vulgar than Mozart's standard graceful and elegant style. Similarly, while Tobias Moretti's delivery is more or less straightforward with little of the dramatic enthusiasm that so often mars the performances of actors in singspiels, the story he spins is so unlike Mozart's music that it creates an insuperable gap between the words and the music, a gap that is as fatal to the success of this performance as Harnoncourt's direction. Deutsche Harmonia Mundi's sound is crisp, clean, and realistic, sometimes, as in the first moments after the overture, disconcertingly so.

© TiVo

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