Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Miles Davis' first studio session for Prestige Records took place on January 17, 1951, with a front line of Sonny Rollins on tenor and Bennie Green on trombone. Two years later, Davis made his second session of 1953 in the company of two tenor men deeply touched by the work of Lester Young and Charlie Parker: Al Cohn and Zoot Sims, two of Woody Herman's famous Four Brothers. These two sessions, featuring a pair of three-horn front lines, make up the music on Miles and Horns. The John Lewis opener "Morpheus" proceeds from where Birth of the Cool left off, with the horns harmonizing off a sustained bass vamp/cymbal roll, then introducing a Roy Haynes drum break with fleet lines that pave the way for boppish solos. Davis' own "Down" is an early snapshot of the trumpeter's pensive blues work, with some contrasting Rollins bluster. Other highlights are Lewis' spectral chordal prologue to "Blue Room" and his Basie-style intro to "Whispering," a song on which Davis' attack and tone really come together. "I Know" is a Rollins feature, with Davis on piano. The 1953 date is a delightful blowing session, with Kenny Clarke providing plenty of percussive salsa, and Al Cohn providing masterful charts. Cohn, Sims, and Davis team up to provide distinctive, rich harmonies on themes such as the slow, soulful "Tasty Pudding" and "For Adults Only," with their introspective features. "Willie the Wailer" borrows its intro from Benny Goodman's "Soft Winds" and provides Davis and Cohn with plenty of swing drive. The call and response of "Floppy" leads to powerful Davis-Clarke interplay, a taut John Lewis solo, and an anthemic Cohn-Sims exchanges.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde USD 4,19/mes
Miles Davis, MainArtist - Al Cohn, FeaturedArtist, ComposerLyricist - Zoot Sims, FeaturedArtist - John Lewis, FeaturedArtist
℗ 2016 Concord Music Group, Inc.
Miles Davis, MainArtist - Al Cohn, FeaturedArtist, ComposerLyricist - Zoot Sims, FeaturedArtist - John Lewis, FeaturedArtist
℗ 2016 Concord Music Group, Inc.
Miles Davis, MainArtist - Al Cohn, FeaturedArtist, ComposerLyricist - Zoot Sims, FeaturedArtist - John Lewis, FeaturedArtist
℗ 2016 Concord Music Group, Inc.
Miles Davis, MainArtist - Al Cohn, FeaturedArtist, ComposerLyricist - Zoot Sims, FeaturedArtist - John Lewis, FeaturedArtist
℗ 2016 Concord Music Group, Inc.
Miles Davis, MainArtist - John Lewis, FeaturedArtist, ComposerLyricist - Sonny Rollins, FeaturedArtist
℗ 2016 Concord Music Group, Inc.
Miles Davis, MainArtist, ComposerLyricist - John Lewis, FeaturedArtist - Sonny Rollins, FeaturedArtist
℗ 2016 Concord Music Group, Inc.
Richard Rodgers, Arranger, Work Arranger - Lorenz Hart, ComposerLyricist - Miles Davis, MainArtist - John Lewis, FeaturedArtist - Sonny Rollins, FeaturedArtist
℗ 2016 Concord Music Group, Inc.
Richard Rodgers, Arranger, Work Arranger - Lorenz Hart, ComposerLyricist - Miles Davis, MainArtist - John Lewis, FeaturedArtist - Sonny Rollins, FeaturedArtist
℗ 2016 Concord Music Group, Inc.
Richard Coburn, ComposerLyricist - Miles Davis, MainArtist - John Lewis, FeaturedArtist - Sonny Rollins, FeaturedArtist - John Schoenberger, ComposerLyricist
℗ 2016 Concord Music Group, Inc.
Presentación del Álbum
Miles Davis' first studio session for Prestige Records took place on January 17, 1951, with a front line of Sonny Rollins on tenor and Bennie Green on trombone. Two years later, Davis made his second session of 1953 in the company of two tenor men deeply touched by the work of Lester Young and Charlie Parker: Al Cohn and Zoot Sims, two of Woody Herman's famous Four Brothers. These two sessions, featuring a pair of three-horn front lines, make up the music on Miles and Horns. The John Lewis opener "Morpheus" proceeds from where Birth of the Cool left off, with the horns harmonizing off a sustained bass vamp/cymbal roll, then introducing a Roy Haynes drum break with fleet lines that pave the way for boppish solos. Davis' own "Down" is an early snapshot of the trumpeter's pensive blues work, with some contrasting Rollins bluster. Other highlights are Lewis' spectral chordal prologue to "Blue Room" and his Basie-style intro to "Whispering," a song on which Davis' attack and tone really come together. "I Know" is a Rollins feature, with Davis on piano. The 1953 date is a delightful blowing session, with Kenny Clarke providing plenty of percussive salsa, and Al Cohn providing masterful charts. Cohn, Sims, and Davis team up to provide distinctive, rich harmonies on themes such as the slow, soulful "Tasty Pudding" and "For Adults Only," with their introspective features. "Willie the Wailer" borrows its intro from Benny Goodman's "Soft Winds" and provides Davis and Cohn with plenty of swing drive. The call and response of "Floppy" leads to powerful Davis-Clarke interplay, a taut John Lewis solo, and an anthemic Cohn-Sims exchanges.
© TiVo
Acerca del álbum
- 1 disco(s) - 9 pista(s)
- Duración total: 00:33:37
- 1 Libreto digital
- Artistas principales: Miles Davis
- Compositor: Various Composers
- Sello: Prestige
- Género Jazz
© 2016 Concord Music Group, Inc. ℗ 2016 Concord Music Group, Inc.
Mejorar la información del álbum