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Aretha Franklin|Love All The Hurt Away

Love All The Hurt Away

Aretha Franklin

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After making the leap to Arista Records at the dawn of the '80s, Aretha Franklin united with legendary producer/arranger Arif Mardin for LOVE ALL THE HURT AWAY. The result was a star-studded affair that found Lady Soul combining slick '80s R&B with more of an adult contemporary sound. Her cover of Sam & Dave's "Hold On I'm Comin'" updates this classic with background vocals by the Sweet Inspirations and Darlene Love as a mechanized horn section blares away. Likewise for Jagger/Richard's "You Can't Always Get What You Want," where a choir led by the legendary Reverend James Cleveland helps make this a bouncy and surreal remake.

When Franklin slows the tempo down, her impressive pipes remind us why she is the Queen Of Soul. George Benson's honey-sweet singing makes an effective foil during his duet on the title track and on "It's My Turn," Franklin's vocals cascade over a bed of lighter-than-air strings before some trademark call-and-response with her background vocalists. Equally impressive are the Franklin-penned "Whole Lot Of Me" and "Kind Of Man" which close out the album on a winning note.

© TiVo

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Love All The Hurt Away

Aretha Franklin

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1
Love All the Hurt Away
00:04:10

Aretha Franklin, Associated Performer, Main Artist - George Benson, Associated Performer, Main Artist - Aretha Franklin & George Benson, Associated Performer - Sam Dess, Composer, Lyricist - Arif Mardin, Producer

(P) 1981 Arista Records LLC

2
Hold On I'm Comin'
00:05:14

Aretha Franklin, Associated Performer, Main Artist - Isaac Hayes, Lyricist - David Porter, Lyricist - Arif Mardin, Producer

(P) 1981 Arista Records LLC

3
Living In The Streets
00:03:53

Aretha Franklin, Associated Performer, Main Artist - George Benson, Associated Performer, Main Artist - Aretha Franklin & George Benson, Associated Performer - Arif Mardin, Producer - Rod Temperton, Composer

(P) 1981 Arista Records LLC

4
There's a Star for Everyone
00:04:27

Aretha Franklin, Associated Performer, Main Artist - Arif Mardin, Producer - Allee Willis, Composer, Lyricist - Don Yowell, Composer, Lyricist - David Lasley, Composer, Lyricist

(P) 1981 Arista Records LLC

5
You Can't Always Get What You Want
00:05:17

Aretha Franklin, Associated Performer, Main Artist - Arif Mardin, Producer - Mick Jagger, Composer, Lyricist - Keith Richards, Composer, Lyricist

(P) 1981 Arista Records LLC

6
It's My Turn
00:05:30

Aretha Franklin, Associated Performer, Main Artist - Michael Masser, Composer - Carole Bayer Sager, Lyricist - Arif Mardin, Producer

(P) 1981 Arista Records LLC

7
Truth and Honesty
00:04:16

Aretha Franklin, Associated Performer, Main Artist - Arif Mardin, Producer - Burt Bacharach, Composer, Lyricist - Carole Bayer Sager, Composer, Lyricist

(P) 1981 Arista Records LLC

8
Search On
00:04:48

Aretha Franklin, Associated Performer, Main Artist - Arif Mardin, Producer - Chuck Jackson, Composer, Lyricist - Nick Johnsen, Composer, Lyricist

(P) 1981 Arista Records LLC

9
Whole Lot of Me
00:03:23

Aretha Franklin, Associated Performer, Composer, Lyricist, Main Artist - Arif Mardin, Producer

(P) 1981 Arista Records LLC

10
Kind of Man
00:04:19

Aretha Franklin, Associated Performer, Composer, Lyricist, Main Artist - Arif Mardin, Producer

(P) 1981 Arista Records LLC

Presentación del Álbum

After making the leap to Arista Records at the dawn of the '80s, Aretha Franklin united with legendary producer/arranger Arif Mardin for LOVE ALL THE HURT AWAY. The result was a star-studded affair that found Lady Soul combining slick '80s R&B with more of an adult contemporary sound. Her cover of Sam & Dave's "Hold On I'm Comin'" updates this classic with background vocals by the Sweet Inspirations and Darlene Love as a mechanized horn section blares away. Likewise for Jagger/Richard's "You Can't Always Get What You Want," where a choir led by the legendary Reverend James Cleveland helps make this a bouncy and surreal remake.

When Franklin slows the tempo down, her impressive pipes remind us why she is the Queen Of Soul. George Benson's honey-sweet singing makes an effective foil during his duet on the title track and on "It's My Turn," Franklin's vocals cascade over a bed of lighter-than-air strings before some trademark call-and-response with her background vocalists. Equally impressive are the Franklin-penned "Whole Lot Of Me" and "Kind Of Man" which close out the album on a winning note.

© TiVo

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