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Alison Krauss|Live (Live From The Louisville Palace, Kentucky / 2002)

Live (Live From The Louisville Palace, Kentucky / 2002)

Alison Krauss & Union Station

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Given Alison Krauss' tremendous popularity and her status as the first female bluegrass singer to cross over into genuine pop marketability, and given the fact that her guitarist, Dan Tyminski, is the voice behind "Man of Constant Sorrow" (or at least the version that served as an idée fixe in the blockbuster movie O Brother, Where Art Thou?), a live album was inevitable. That it should be a two-disc set can simply be chalked up to good luck. Unless you're a bluegrass purist, that is, looking for music that preserves the traditional Appalachian sounds of Ralph Stanley and Bill Monroe. Listeners of that mindset will be bitterly disappointed by the presence of modern singer/songwriter fare ("Lucky One," "Let Me Touch You for a While"), by the drums on "Oh, Atlanta," and, most of all, by those dreadful call-and-response vocals on the chorus of "Man of Constant Sorrow" (which, you can hear them sniff, Tyminski takes at about twice the appropriate speed). All of this would explain why bluegrass purists are no fun to be around and, one suspects, don't have very much fun in private either. The simple fact is that every time Krauss opens her mouth to sing, angels stop what they're doing and take notes. There may be no musical pleasure quite as pure and sweet as listening to Krauss sing "Baby, Now That I've Found You" or "When You Say Nothing at All." And when she starts in on the impossibly beautiful gospel tune "Down to the River to Pray," the effect is almost disturbingly moving. Which brings listeners to the problem with this album, which is the amount of time it spends on stuff other than Alison Krauss singing great songs. The instrumental bits, the Jerry Douglas showcases, and Tyminski's requisite rendition of "Man of Constant Sorrow" are all fine, but they end up feeling like filler. Still, this album can be solidly recommended to modern bluegrass fans in general and to Krauss' many fans in particular.
© Rick Anderson /TiVo

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Live (Live From The Louisville Palace, Kentucky / 2002)

Alison Krauss

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1
Let Me Touch You For Awhile (Live)
00:03:45

Alison Krauss & Union Station, MainArtist - Robert Lee Castleman, ComposerLyricist

℗ 2003 Rounder Records Corp.

2
Choctaw Hayride (Live)
00:03:25

Alison Krauss & Union Station, MainArtist - Jerry Douglas, ComposerLyricist

℗ 2003 Rounder Records Corp.

3
The Lucky One (Live)
00:03:41

Alison Krauss & Union Station, MainArtist - Robert Lee Castleman, ComposerLyricist

℗ 2003 Rounder Records Corp.

4
Baby, Now That I've Found You (Live)
00:05:03

Alison Krauss & Union Station, MainArtist - Tony Macaulay, ComposerLyricist - John Macleod, ComposerLyricist

℗ 2003 Rounder Records Corp.

5
Bright Sunny South (Live)
00:03:07

Alison Krauss & Union Station, MainArtist - Traditional, ComposerLyricist

℗ 2003 Rounder Records Corp.

6
Every Time You Say Goodbye (Live)
00:03:05

Alison Krauss & Union Station, MainArtist - John Pennell, ComposerLyricist

℗ 2003 Rounder Records Corp.

7
Tiny Broken Heart (Live)
00:03:08

Charles Louvin, ComposerLyricist - Alison Krauss & Union Station, MainArtist - Ira Louvin, ComposerLyricist - Eddie Hill, ComposerLyricist

℗ 2003 Rounder Records Corp.

8
Cluck Old Hen (Live)
00:02:47

Alison Krauss & Union Station, MainArtist - Traditional, ComposerLyricist

℗ 2003 Rounder Records Corp.

9
Stay (Live)
00:03:16

Alison Krauss & Union Station, MainArtist - LARRY BYROM, ComposerLyricist - Allyson Taylor, ComposerLyricist

℗ 2003 Rounder Records Corp.

10
Broadway (Live)
00:03:57

Alison Krauss & Union Station, MainArtist - Sidney Cox, ComposerLyricist - Suzanne Cox, ComposerLyricist

℗ 2003 Rounder Records Corp.

11
Ghost In This House (Live)
00:04:29

Alison Krauss & Union Station, MainArtist - HUGH PRESTWOOD, ComposerLyricist

℗ 2003 Rounder Records Corp.

12
Forget About It (Live)
00:03:18

Alison Krauss & Union Station, MainArtist - Robert Lee Castleman, ComposerLyricist

℗ 2003 Rounder Records Corp.

13
Faraway Land (Live)
00:03:19

Alison Krauss & Union Station, MainArtist - RON BLOCK, ComposerLyricist

℗ 2003 Rounder Records Corp.

DISCO 2

1
A Tribute To Peador O'Donnell / Monkey Let The Hogs Out (Live)
00:04:58

Alison Krauss & Union Station, MainArtist - Jerry Douglas, Composer, ComposerLyricist - Donal Lunny, ComposerLyricist

℗ 2003 Rounder Records Corp.

2
The Boy Who Wouldn't Hoe Corn (Live)
00:05:58

Alison Krauss & Union Station, MainArtist - Traditional, ComposerLyricist - Jerry Douglas, Arranger, Work Arranger - RON BLOCK, Arranger, Work Arranger - Alison Krauss, Arranger, Work Arranger - Dan Tyminski, Arranger, Work Arranger - Barry Bales, Arranger, Work Arranger - Patrick Brayer, Arranger, Work Arranger

℗ 2003 Rounder Records Corp.

3
Take Me For Longing (Live)
00:02:47

Alison Krauss & Union Station, MainArtist - Mark Simos, ComposerLyricist

℗ 2003 Rounder Records Corp.

4
I Am A Man Of Constant Sorrow (Live)
00:04:12

Alison Krauss & Union Station, MainArtist - Traditional, ComposerLyricist - Carter Stanley, Arranger, Work Arranger

℗ 2003 Rounder Records Corp.

5
Maybe (Live)
00:04:25

Alison Krauss & Union Station, MainArtist - GORDON KENNEDY, ComposerLyricist - Phil Madeira, ComposerLyricist

℗ 2003 Rounder Records Corp.

6
We Hide & Seek (Live)
00:05:41

Alison Krauss & Union Station, MainArtist - Jerry Douglas, ComposerLyricist

℗ 2003 Rounder Records Corp.

7
But You Know I Love You (Live)
00:03:39

Alison Krauss & Union Station, MainArtist - Mike Settle, ComposerLyricist

℗ 2003 Rounder Records Corp.

8
When You Say Nothing At All (Live)
00:04:21

Alison Krauss & Union Station, MainArtist - Don Schlitz, ComposerLyricist - PAUL OVERSTREET, ComposerLyricist

℗ 2003 Rounder Records Corp.

9
New Favorite (Live)
00:04:00

Alison Krauss & Union Station, MainArtist - Gillian Welch, ComposerLyricist - David Rawlings, ComposerLyricist

℗ 2003 Rounder Records Corp.

10
Oh, Atlanta (Live)
00:06:46

Alison Krauss & Union Station, MainArtist - Mick Ralphs, ComposerLyricist

℗ 2003 Rounder Records Corp.

11
Down To The River To Pray (Live)
00:02:09

Alison Krauss & Union Station, MainArtist - Traditional, ComposerLyricist

℗ 2003 Rounder Records Corp.

12
There Is A Reason (Live)
00:05:11

Alison Krauss & Union Station, MainArtist - RON BLOCK, ComposerLyricist

℗ 2003 Rounder Records Corp.

Presentación del Álbum

Given Alison Krauss' tremendous popularity and her status as the first female bluegrass singer to cross over into genuine pop marketability, and given the fact that her guitarist, Dan Tyminski, is the voice behind "Man of Constant Sorrow" (or at least the version that served as an idée fixe in the blockbuster movie O Brother, Where Art Thou?), a live album was inevitable. That it should be a two-disc set can simply be chalked up to good luck. Unless you're a bluegrass purist, that is, looking for music that preserves the traditional Appalachian sounds of Ralph Stanley and Bill Monroe. Listeners of that mindset will be bitterly disappointed by the presence of modern singer/songwriter fare ("Lucky One," "Let Me Touch You for a While"), by the drums on "Oh, Atlanta," and, most of all, by those dreadful call-and-response vocals on the chorus of "Man of Constant Sorrow" (which, you can hear them sniff, Tyminski takes at about twice the appropriate speed). All of this would explain why bluegrass purists are no fun to be around and, one suspects, don't have very much fun in private either. The simple fact is that every time Krauss opens her mouth to sing, angels stop what they're doing and take notes. There may be no musical pleasure quite as pure and sweet as listening to Krauss sing "Baby, Now That I've Found You" or "When You Say Nothing at All." And when she starts in on the impossibly beautiful gospel tune "Down to the River to Pray," the effect is almost disturbingly moving. Which brings listeners to the problem with this album, which is the amount of time it spends on stuff other than Alison Krauss singing great songs. The instrumental bits, the Jerry Douglas showcases, and Tyminski's requisite rendition of "Man of Constant Sorrow" are all fine, but they end up feeling like filler. Still, this album can be solidly recommended to modern bluegrass fans in general and to Krauss' many fans in particular.
© Rick Anderson /TiVo

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