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Thomas Dausgaard|Langgaard: Symphonies Nos. 2 and 3 (Rued Langgaard)

Langgaard: Symphonies Nos. 2 and 3 (Rued Langgaard)

Rued Langgaard

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From his youthful Second and Third symphonies, it is possible to discern only a few of the artistic fingerprints of the mature Danish post-Romantic composer Rued Langgaard. One hears his love of nature, his love of life, and, in his expansive developments and extended climaxes, his love of his own compositional technique. One hears his energy, his exuberance, and his artless purloining other composers' styles, to wit, Strauss and Scriabin with a dash of Mahler in the Second, the "Awakening of Spring," and Schumann with a drop of Liszt in the Third, "The Flush of Youth," a high-flown romantic piano concerto in all but name. Though his later symphonies ventured further into harmonic dissonance, melodic violence, and formal incoherence, Langgaard's Second and Third prove to be easily accessible and guilelessly attractive works in these superbly played performances with Thomas Dausgaard leading the Danish National Symphony Orchestra, plus soprano soloist Inger Dam-Jensen in the Second and pianist Per Salo in the Third. Although dedicated fans of Scandinavian symphonies may already have Ilya Stupel and the Artur Rubinstein Philharmonic's recording of these two works, this disc features the world-premiere recording of the original version of the Second that adds about 10 minutes to its length, if not much to its formal coherence. Furthermore, the sound of these 2006 Dacapo recordings is much smoother, rounder, and deeper than the sound of the 1992 Danacord recordings.
© TiVo

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Langgaard: Symphonies Nos. 2 and 3 (Rued Langgaard)

Thomas Dausgaard

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1
Allegro con anima – Lento – Con moto – Tempo primo – Maestoso festivo alla Marcia
Thomas Dausgaard
00:16:53

Orchestre National Symphonique de Danemark & Chœur - Thomas Dausgaard, direction

2
Lento religioso quasi adagio
Danish National Choir
00:11:10

Orchestre National Symphonique de Danemark & Chœur - Thomas Dausgaard, direction

3
Molto con moto
Danish National Choir
00:09:32

Inger Dam Jensen, soprano - Orchestre National Symphonique de Danemark & Chœur - Thomas Dausgaard, direction

4
Poco animato festivo – Lento (Cadence) – Animato festivo (Tempo primo)
Thomas Dausgaard
00:11:43

Per Salo, piano - Orchestre National Symphonique de Danemark & Chœur - Thomas Dausgaard, direction

5
Grave mastoso – Lento misterioso
Danish National Symphony Orchestra
00:06:08

Per Salo, piano - Orchestre National Symphonique de Danemark & Chœur - Thomas Dausgaard, direction

6
Allegro ma non troppo – Più lento – Vivace
Thomas Dausgaard
00:10:15

Per Salo, piano - Orchestre National Symphonique de Danemark & Chœur - Thomas Dausgaard, direction

Presentación del Álbum

From his youthful Second and Third symphonies, it is possible to discern only a few of the artistic fingerprints of the mature Danish post-Romantic composer Rued Langgaard. One hears his love of nature, his love of life, and, in his expansive developments and extended climaxes, his love of his own compositional technique. One hears his energy, his exuberance, and his artless purloining other composers' styles, to wit, Strauss and Scriabin with a dash of Mahler in the Second, the "Awakening of Spring," and Schumann with a drop of Liszt in the Third, "The Flush of Youth," a high-flown romantic piano concerto in all but name. Though his later symphonies ventured further into harmonic dissonance, melodic violence, and formal incoherence, Langgaard's Second and Third prove to be easily accessible and guilelessly attractive works in these superbly played performances with Thomas Dausgaard leading the Danish National Symphony Orchestra, plus soprano soloist Inger Dam-Jensen in the Second and pianist Per Salo in the Third. Although dedicated fans of Scandinavian symphonies may already have Ilya Stupel and the Artur Rubinstein Philharmonic's recording of these two works, this disc features the world-premiere recording of the original version of the Second that adds about 10 minutes to its length, if not much to its formal coherence. Furthermore, the sound of these 2006 Dacapo recordings is much smoother, rounder, and deeper than the sound of the 1992 Danacord recordings.
© TiVo

Detalles de la grabación original : 65:44 - DDD - Enregistré à la salle de concert de la Radio en juin 2006 - Notes en anglais & danois

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