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Idioma disponible: inglés
Jennie Tourel was a coloratura mezzo-soprano, whose voice was brilliant and agile in the upper register, deeply expressive in the middle range, and with a darkly somber sheen in the lower. Those of us who heard Jennie Tourel's recital at Alice Tully Hall on the night of April 19, 1970, had the privilege of listening to a great artist function at the peak of her powers. Here was an artistry that blended the ripeness of maturity with complete projection of the singer's vision and perfect control of the singer's technique. [...] To those who did not hear the concert this album brings all the excitement of that memorable event, presenting a program that runs the gamut of Tourel's art and exhibits the various facets of her musical personality. The first four numbers, by Stradella, Monsigny and Beethoven, illustrate an approach to the classical repertory marked by a noble simplicity. In these songs Tourel uses the voice as if she were playing an instrument. The phrases are molded with an almost sculptural clarity ; the musical line is sustained with a breadth that reveals both inner structure and meaning. With Debussy's Trois Chansons de Bilitis we are reminded anew that the French literature has always been a Tourel speciality. In these enchanting pieces she captures all the subtle allure of "this great painter of dreams", as Romain Rolland called him.
Liszt has been unjustly neglected by singers. The inclusion on this program of four of his finest songs is a welcome step toward a rivival of interest in his vocal works. Tourel sings them with an elegance — and understatement — that does full justice to their romantic quality. The Russian repertory occupies a central place in her art. The songs of Glinka, Tchaikovsky and Dargomijsky show her in a domain in which she has no peer. The final number on the program, Massenet's popular Elegy, is followed by five favorite encores that will be familiar to all who have attended Tourel's concerts. [...] — Joseph Machlis (1973)
Note from the Producer
This recital was recorded during performance, and, by the almost complete absence of audience or hall noises, is another tribute to Jennie Tourel's artistry. The audience was spellbound. The applause is as it occured. Everything has been maintained so as to keep the illusion, for the listener, of being present at this most memorable recital.
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Per Pietà (from "Il Floridoro") (Alessandro Stradella)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Alessandro Stradella, Composer
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
La Sagesse est un trésor (from "Rose et Colas") (Pierre Alexandre Monsigny)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Pierre-Alexandre Monsigny, Composer - Michel-Jean Sedaine, Librettist
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
An die Hoffnung, Op. 94 (Ludwig van Beethoven)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Ludwig van Beethoven, Composer - Christoph August Tiedge, Poet (from "Urania")
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Ich liebe dich, WoO 123 (Ludwig van Beethoven)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Ludwig van Beethoven, Composer - Karl Friedrich Wilhelm Herrosee, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Trois Chansons de Bilitis (Claude Debussy)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Claude Debussy, Composer - Pierre Louÿs, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Claude Debussy, Composer - Pierre Louÿs, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Claude Debussy, Composer - Pierre Louÿs, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Mignon's Lied (Franz Liszt)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Franz Liszt, Composer - Johann Wolfgang von Goethe, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Vergiftet sind meine Lieder, S. 289 (Franz Liszt)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Franz Liszt, Composer - Heinrich Heine, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Über allen Gipfeln is Ruh', S. 306 (Franz Liszt)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Franz Liszt, Composer - Johann Wolfgang von Goethe, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Comment, disaient-ils, S. 276
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Franz Liszt, Conductor - Victor Hugo, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
DISCO 2
Doubt (Mikhail Glinka)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Gary Karr, Double bass - Mikhail Glinka, Composer - Nestor Kukolnik, Lyricist
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Vain Temptation (Mikhail Glinka)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Gary Karr, Double bass - Mikhail Glinka, Composer - Evgeny Baratynsky, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
6 Romances for voice & piano, Op. 6 (Pyotr Illitch Tchaïkovski)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Gary Karr, Double bass - Peter Ilyich Tchaikovsky, Composer - Johann Wolfgang von Goethe, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Romance (Roussalka Dargomijsky)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Gary Karr, Double bass - Roussalka Dargomijsky, Composer & Librettist
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Élégie (Jules Massenet)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Gary Karr, Double bass - Jules Massenet, Composer - Louis Gallet, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Nuits d'été, Op. 7 (Hector Berlioz)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Gary Karr, Double bass - Hector Berlioz, Composer - Théophile Gautier, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Laughing Song (Jacques Offenbach)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Gary Karr, Double bass - Jacques Offenbach, Composer
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Si mes vers avaient des ailes (Renaldo Hahn)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Gary Karr, Double bass - Renaldo Hahn, Composer - Victor Hugo, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
O, quand je dors (Franz Liszt)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Gary Karr, Double bass - Franz Liszt, Composer - Victor Hugo, Poet
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Barbe-Bleue (Jacques Offenbach)
Jennie Tourel, Mezzo-Soprano - James Levine, Piano - Gary Karr, Double bass - Jacques Offenbach, Composer
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
Presentación del Álbum
Jennie Tourel was a coloratura mezzo-soprano, whose voice was brilliant and agile in the upper register, deeply expressive in the middle range, and with a darkly somber sheen in the lower. Those of us who heard Jennie Tourel's recital at Alice Tully Hall on the night of April 19, 1970, had the privilege of listening to a great artist function at the peak of her powers. Here was an artistry that blended the ripeness of maturity with complete projection of the singer's vision and perfect control of the singer's technique. [...] To those who did not hear the concert this album brings all the excitement of that memorable event, presenting a program that runs the gamut of Tourel's art and exhibits the various facets of her musical personality. The first four numbers, by Stradella, Monsigny and Beethoven, illustrate an approach to the classical repertory marked by a noble simplicity. In these songs Tourel uses the voice as if she were playing an instrument. The phrases are molded with an almost sculptural clarity ; the musical line is sustained with a breadth that reveals both inner structure and meaning. With Debussy's Trois Chansons de Bilitis we are reminded anew that the French literature has always been a Tourel speciality. In these enchanting pieces she captures all the subtle allure of "this great painter of dreams", as Romain Rolland called him.
Liszt has been unjustly neglected by singers. The inclusion on this program of four of his finest songs is a welcome step toward a rivival of interest in his vocal works. Tourel sings them with an elegance — and understatement — that does full justice to their romantic quality. The Russian repertory occupies a central place in her art. The songs of Glinka, Tchaikovsky and Dargomijsky show her in a domain in which she has no peer. The final number on the program, Massenet's popular Elegy, is followed by five favorite encores that will be familiar to all who have attended Tourel's concerts. [...] — Joseph Machlis (1973)
Note from the Producer
This recital was recorded during performance, and, by the almost complete absence of audience or hall noises, is another tribute to Jennie Tourel's artistry. The audience was spellbound. The applause is as it occured. Everything has been maintained so as to keep the illusion, for the listener, of being present at this most memorable recital.
Detalles de la grabación original : Recorded live at Alice Tully Hall, New York, April 19, 1970
Acerca del álbum
- 2 disco(s) - 21 pista(s)
- Duración total: 01:17:30
- Artistas principales: Jennie Tourel
- Compositor: Various Composers
- Sello: Phoenix USA
- Género Clásica
(C) 1995 KEM Enterprises, Inc. (P) 1995 KEM Enterprises, Inc.
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