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Chris Thile|How To Grow A Woman From The Ground

How To Grow A Woman From The Ground

Chris Thile

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Looking at Chris Thile's recent projects, both the 2004 solo album Deceiver and his recent effort with Nickel Creek, 2005's Why Should the Fire Die?, a listener might experience both trepidation and excitement at the release of his new solo album, How to Grow a Woman from the Ground. This guy's got talent to burn, and in a field -- bluegrass and acoustic music -- that's known for its conservatism, he gleans fresh perspectives from breaking the rules. But Deceiver revealed a talent unraveling in so many different directions that the album finally lacked an identifiable center. Musically, How to Grow a Woman from the Ground is much more organic and cohesive than the eclectic sprawl of Deceiver, relying on acoustic instruments and the talents of guitarist Chris Eldridge, bassist Greg Garrison, banjoist Noam Pikelny, and fiddler Gabe Witcher to hold the sound together. The songs and instrumental selections are also quite strong, though Thile remains eclectic, drawing equally from traditional bluegrass, progressive acoustic, and singer/songwriter traditions. There is a great deal of distance between his cover of Jimmie Rodgers' "Brakeman's Blues" and the surreal lyrics of the title cut, but, thanks to the track sequencing, the album flows well. While both the instrumental pieces and Thile's confessionals are enjoyable, How to Grow a Woman from the Ground's highlights arise from fantastic covers of Jack White's "Dead Leaves and the Dirty Ground" and the traditional "If the Sea Was Whiskey." The surreal lyrics of the title track, written by Tom Brosseau, are accompanied by an equally evocative melody, though the subject matter will probably strike progressive-minded listeners as troubling. How to Grow a Woman from the Ground may not qualify as the most enlightened title of the year, but it does reveal the growth of an adventurous talent.

© Ronnie D. Lankford, Jr. /TiVo

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How To Grow A Woman From The Ground

Chris Thile

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1
Watch 'At Breakdown
00:04:14

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

2
Dead Leaves And The Dirty Ground
00:03:07

Chris Thile, MainArtist - Jack White, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

3
Stay Away
00:03:55

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

4
O Santo De Polvora
00:02:37

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

5
Wayside (Back In Time)
00:02:45

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

6
You're An Angel, And I'm Gonna Cry
00:02:57

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

7
How To Grow A Woman From The Ground
00:05:08

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

8
The Beekeeper
00:04:06

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

9
Brakeman's Blues
00:03:42

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

10
If The Sea Was Whiskey
00:02:43

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

11
Cazadero
00:03:34

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

12
Heart In A Cage Explicit
00:04:23

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

13
I'm Yours If You Want Me
00:03:49

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

14
The Eleventh Reel
00:03:28

Chris Thile, MainArtist - Unknown, Composer

(C) 2006 Sugar Hill Records, A Welk Music Group Company ℗ 2006 Sugar Hill Records, A Welk Music Group Company

Presentación del Álbum

Looking at Chris Thile's recent projects, both the 2004 solo album Deceiver and his recent effort with Nickel Creek, 2005's Why Should the Fire Die?, a listener might experience both trepidation and excitement at the release of his new solo album, How to Grow a Woman from the Ground. This guy's got talent to burn, and in a field -- bluegrass and acoustic music -- that's known for its conservatism, he gleans fresh perspectives from breaking the rules. But Deceiver revealed a talent unraveling in so many different directions that the album finally lacked an identifiable center. Musically, How to Grow a Woman from the Ground is much more organic and cohesive than the eclectic sprawl of Deceiver, relying on acoustic instruments and the talents of guitarist Chris Eldridge, bassist Greg Garrison, banjoist Noam Pikelny, and fiddler Gabe Witcher to hold the sound together. The songs and instrumental selections are also quite strong, though Thile remains eclectic, drawing equally from traditional bluegrass, progressive acoustic, and singer/songwriter traditions. There is a great deal of distance between his cover of Jimmie Rodgers' "Brakeman's Blues" and the surreal lyrics of the title cut, but, thanks to the track sequencing, the album flows well. While both the instrumental pieces and Thile's confessionals are enjoyable, How to Grow a Woman from the Ground's highlights arise from fantastic covers of Jack White's "Dead Leaves and the Dirty Ground" and the traditional "If the Sea Was Whiskey." The surreal lyrics of the title track, written by Tom Brosseau, are accompanied by an equally evocative melody, though the subject matter will probably strike progressive-minded listeners as troubling. How to Grow a Woman from the Ground may not qualify as the most enlightened title of the year, but it does reveal the growth of an adventurous talent.

© Ronnie D. Lankford, Jr. /TiVo

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