Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Jimmy Giuffre's 1962 recording for Columbia with his trio is one of the most revolutionary recordings to come out of the 1960s. While Coltrane and Coleman and Taylor were trying to tear music down from the inside out to discover what it really counted for, Giuffre was quietly creating his own microtonal revolution that was being overlooked by other avant-gardists in jazz. On Free Fall, Giuffre, pianist Paul Bley, and bassist Steve Swallow embarked on a voyage even farther-reaching than their previous two Verve albums, Fusion and Thesis (both recorded in 1961), in their search of pointillistic harmony, open-toned playing, and the power of the nuanced phrase to open new vistas for solo or group improvisation. The original album is comprised of five clarinet solos, two duets for clarinet and bass, and three trio pieces. The CD reissue adds five more clarinet solos to the bank and makes it a stunning view of Giuffre as a master of the idiom of not only jazz free improvisation but also a fine interpreter of the musical languages being discussed by classical composers Darius Milhaud, Stravinsky, Messiaen, and even Morton Feldman and Earle Brown. All of Giuffre's clarinet studies -- particularly "Man Alone," "Yggdrasill," and "Present Motion" -- are studies in tonal coloration, where phraseology opens onto second and third tonal ideas being layered atop one another to de-emphasize one or the other. Of the group interactions, "Threewe" and "Spasmodic" offer the view of intertwining chromatic pointillism as it shapes itself linguistically between one instrument and the next without concern for a dominant harmony, rhythm, or melody. Indeed, Free Fall was such radical music, no one, literally no one, was ready for it and the group disbanded shortly thereafter on a night when they made only 35 cents apiece for a set. Reissued in 1999, Free Fall predates all of the European microtonal studies and is indeed an inspiration to all who have embraced it.
© Thom Jurek /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde USD 4,19/mes
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Composer - Jimmy Giuffre, Performer - Steve Swallow, Bass - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer - Paul Bley, Piano
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Steve Swallow, Bass - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Composer - Jimmy Giuffre, Performer - Steve Swallow, Bass - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer - Paul Bley, Piano
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Steve Swallow, Bass - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Composer - Jimmy Giuffre, Performer - Steve Swallow, Bass - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer - Paul Bley, Piano
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Composer - Jimmy Giuffre, Performer - Steve Swallow, Bass - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer - Paul Bley, Piano
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Fred Plaut, Recording Engineer - Jimmy Giuffe, Clarinet - Teo Macero, Producer - Jimmy Giuffre, Performer - Jimmy Giuffre, Composer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Recorded 1963 Sony Music Entertainment Inc.
Presentación del Álbum
Jimmy Giuffre's 1962 recording for Columbia with his trio is one of the most revolutionary recordings to come out of the 1960s. While Coltrane and Coleman and Taylor were trying to tear music down from the inside out to discover what it really counted for, Giuffre was quietly creating his own microtonal revolution that was being overlooked by other avant-gardists in jazz. On Free Fall, Giuffre, pianist Paul Bley, and bassist Steve Swallow embarked on a voyage even farther-reaching than their previous two Verve albums, Fusion and Thesis (both recorded in 1961), in their search of pointillistic harmony, open-toned playing, and the power of the nuanced phrase to open new vistas for solo or group improvisation. The original album is comprised of five clarinet solos, two duets for clarinet and bass, and three trio pieces. The CD reissue adds five more clarinet solos to the bank and makes it a stunning view of Giuffre as a master of the idiom of not only jazz free improvisation but also a fine interpreter of the musical languages being discussed by classical composers Darius Milhaud, Stravinsky, Messiaen, and even Morton Feldman and Earle Brown. All of Giuffre's clarinet studies -- particularly "Man Alone," "Yggdrasill," and "Present Motion" -- are studies in tonal coloration, where phraseology opens onto second and third tonal ideas being layered atop one another to de-emphasize one or the other. Of the group interactions, "Threewe" and "Spasmodic" offer the view of intertwining chromatic pointillism as it shapes itself linguistically between one instrument and the next without concern for a dominant harmony, rhythm, or melody. Indeed, Free Fall was such radical music, no one, literally no one, was ready for it and the group disbanded shortly thereafter on a night when they made only 35 cents apiece for a set. Reissued in 1999, Free Fall predates all of the European microtonal studies and is indeed an inspiration to all who have embraced it.
© Thom Jurek /TiVo
Acerca del álbum
- 1 disco(s) - 16 pista(s)
- Duración total: 00:56:48
- Artistas principales: Jimmy Giuffre
- Compositor: Jimmy Giuffre
- Sello: Columbia - Legacy
- Género Jazz
Originally Recorded 1963, Originally Released 1963 Sony Music Entertainment Inc.
Mejorar la información del álbum