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Jean-Claude Pennetier|Fauré: Intégrale de l'œuvre pour piano, Vol. 1 (Ballade, Mazurka op.62, Quatre Valses-Caprices, Préludes Op.103 (Jean-Claude Pennetier)

Fauré: Intégrale de l'œuvre pour piano, Vol. 1 (Ballade, Mazurka op.62, Quatre Valses-Caprices, Préludes Op.103 (Jean-Claude Pennetier)

Jean-Claude Pennetier

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Though Fauré was assuredly his own man as a composer, in these performances of his piano music by Jean-Claude Pennetier, he is also surely the rightful heir of Chopin. The formal matter here is clearly Chopin's -- a ballade, a mazurka, four waltzes, and nine preludes -- and the stylistic manner is Chopin's as well -- the filigree and melody in the right hand and the left hand divided between counter-melody, chordal accompaniment and bass. This is meant as no slight to either Fauré or Pennetier. This is luscious music with toothsome melodies, succulent sonorities, and mouthwatering forms, and if these can be faulted for being too beautiful, it's a fault they should bear proudly. The performances are likewise exquisite. Pennetier has a fluent technique, a pearly tone, and an elegant way of phrasing a melody and shaping a form. But more than that, Pennetier has a real sympathy for Fauré's music and his interpretations are honest and heartfelt. Though the classic performances of these works are certainly worthy of admiration and love, Pennetier's are no less admirable and loveable and any listener interested in the composer or the period is urged to try this disc. Mirare's digital sound is clear, deep, and immediate.
© TiVo

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Fauré: Intégrale de l'œuvre pour piano, Vol. 1 (Ballade, Mazurka op.62, Quatre Valses-Caprices, Préludes Op.103 (Jean-Claude Pennetier)

Jean-Claude Pennetier

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1
Ballade, Op. 19
00:14:30

Jean-Claude Pennetier, piano

2
Mazurka, Op. 32
00:05:46

Jean-Claude Pennetier, piano

3
Quatre Valses, Caprices: No. 1, Op. 30
00:07:16

Jean-Claude Pennetier, piano

4
Quatre Valses, Caprices: No. 2, Op. 38
00:07:36

Jean-Claude Pennetier, piano

5
Quatre Valses, Caprices: No. 3, Op. 59
00:07:31

Jean-Claude Pennetier, piano

6
Quatre Valses, Caprices: No. 4, Op. 62
00:07:29

Jean-Claude Pennetier, piano

7
No. 1 En Ré Bémol Majeur
00:04:40

Jean-Claude Pennetier, piano

8
No. 2 En Ut Dièse Mineur
00:02:22

Jean-Claude Pennetier, piano

9
No. 3 En Sol Mineur
00:04:33

Jean-Claude Pennetier, piano

10
No. 4 En Fa Majeur
00:02:17

Jean-Claude Pennetier, piano

11
No. 5 En Ré Mineur
00:02:41

Jean-Claude Pennetier, piano

12
No. 6 En Mi Bémol Mineur
00:02:20

Jean-Claude Pennetier, piano

13
No. 7 En La Majeur
00:03:31

Jean-Claude Pennetier, piano

14
No. 8 En Ut Mineur
00:01:14

Jean-Claude Pennetier, piano

15
No. 9 En Mi Mineur
00:02:57

Jean-Claude Pennetier, piano

Presentación del Álbum

Though Fauré was assuredly his own man as a composer, in these performances of his piano music by Jean-Claude Pennetier, he is also surely the rightful heir of Chopin. The formal matter here is clearly Chopin's -- a ballade, a mazurka, four waltzes, and nine preludes -- and the stylistic manner is Chopin's as well -- the filigree and melody in the right hand and the left hand divided between counter-melody, chordal accompaniment and bass. This is meant as no slight to either Fauré or Pennetier. This is luscious music with toothsome melodies, succulent sonorities, and mouthwatering forms, and if these can be faulted for being too beautiful, it's a fault they should bear proudly. The performances are likewise exquisite. Pennetier has a fluent technique, a pearly tone, and an elegant way of phrasing a melody and shaping a form. But more than that, Pennetier has a real sympathy for Fauré's music and his interpretations are honest and heartfelt. Though the classic performances of these works are certainly worthy of admiration and love, Pennetier's are no less admirable and loveable and any listener interested in the composer or the period is urged to try this disc. Mirare's digital sound is clear, deep, and immediate.
© TiVo

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