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Electronic|Electronic

Electronic

Electronic

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Both more and less than what a partnership of Sumner and Marr would promise, Electronic's debut has weathered time much better than might have been thought upon its release, but ultimately only half works. When it does, though, it's fantastic, sometimes shifting from okay to fantastic within the same song. Opening number "Idiot Country" is a bit like that -- the beginning sounds a little too rushed, Marr's heavy wah-wah riff OK enough but Sumner's semi-rap/semi-sung vocals a bit ham-handed. By the time the full combination of gentle keyboards, crisp rhythms, and the gentle, reflective chorus comes to bear, though, everything feels just great. Perhaps understandably Electronic leans much more toward New Order than the Smiths -- Marr had already proven his desire to work in dance-crossover since his previous band's breakup, while Sumner's immediately recognizable, melancholic vocals call to mind New Order's rich history. With synth bass and Rolands standing in for Peter Hook's own unique way around the low end, though, Electronic stands out more on its own. Marr's guitar work throughout tends towards the subtle via soft, brisk strums or the occasional repeated key riff; as he's credited for keyboards as well, it's likely much of his work ended up creating the pleasant synth melodies. There's nothing bad per se on Electronic, merely mediocre or a touch forced time to time -- "Gangster," for instance, has a great, cinematic tension undercut by Sumner's attempt at social relevance. The three singles from the album remain the highlights: the delicate, acoustic guitar-led slow groove of "Get the Message," "Feel Every Beat" and its appropriately slamming rhythms, and, in America, the group's brilliant debut effort "Getting Away with It." Neil Tennant of the Pet Shop Boys, who memorably guested on that last number, brings bandmate Chris Lowe along to help on his excellent, sly duet with Sumner -- "Patience of a Saint," another standout.

© Ned Raggett /TiVo

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1
Idiot Country
00:05:02

Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, Performance, MainArtist

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

2
Reality
00:05:39

Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, Performance, MainArtist

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

3
Tighten Up
00:04:38

Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, Performance, MainArtist - Donald Johnson, Additional Drums, Additional Percussion

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

4
The Patience of a Saint
00:04:11

David Palmer, Additional Drums - Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, MainArtist - NEIL TENNANT, Composer, Vocals, Writer - Chris Lowe, Composer, Keyboards, Writer - Denise Palmer, Vocals

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

5
Getting Away with It
00:05:14

David Palmer, Additional Drums - Johnny Marr, Composer, Producer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer - Electronic, MainArtist - NEIL TENNANT, Composer, Vocals - Denise Palmer, Vocals

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

6
Gangster
00:05:26

Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, Performance, MainArtist

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

7
Soviet
00:02:00

Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, Performance, MainArtist - Donald Johnson, Additional Drums, Additional Percussion

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

8
Get the Message
00:05:20

Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, Performance, MainArtist - Denise Palmer, Vocals

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

9
Try All You Want
00:05:37

Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, Performance, MainArtist

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

10
Some Distant Memory
00:04:10

Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, Performance, MainArtist - Helen powell, Oboe

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

11
Feel Every Beat
00:05:07

David Palmer, Additional Drums - Johnny Marr, Composer, Producer, Writer - Owen Morris, Engineer - Andrew Robinson, Additional Programmer - BERNARD SUMNER, Composer, Producer, Writer - Electronic, Performance, MainArtist - Donald Johnson, Additional Drums, Additional Percussion

© 1991 Warner Records Inc. for World ex Europe and Clear Productions Ltd under exclusive to Parlophone Records Ltd for Europe ℗ 1991 Warner Records Inc.

Presentación del Álbum

Both more and less than what a partnership of Sumner and Marr would promise, Electronic's debut has weathered time much better than might have been thought upon its release, but ultimately only half works. When it does, though, it's fantastic, sometimes shifting from okay to fantastic within the same song. Opening number "Idiot Country" is a bit like that -- the beginning sounds a little too rushed, Marr's heavy wah-wah riff OK enough but Sumner's semi-rap/semi-sung vocals a bit ham-handed. By the time the full combination of gentle keyboards, crisp rhythms, and the gentle, reflective chorus comes to bear, though, everything feels just great. Perhaps understandably Electronic leans much more toward New Order than the Smiths -- Marr had already proven his desire to work in dance-crossover since his previous band's breakup, while Sumner's immediately recognizable, melancholic vocals call to mind New Order's rich history. With synth bass and Rolands standing in for Peter Hook's own unique way around the low end, though, Electronic stands out more on its own. Marr's guitar work throughout tends towards the subtle via soft, brisk strums or the occasional repeated key riff; as he's credited for keyboards as well, it's likely much of his work ended up creating the pleasant synth melodies. There's nothing bad per se on Electronic, merely mediocre or a touch forced time to time -- "Gangster," for instance, has a great, cinematic tension undercut by Sumner's attempt at social relevance. The three singles from the album remain the highlights: the delicate, acoustic guitar-led slow groove of "Get the Message," "Feel Every Beat" and its appropriately slamming rhythms, and, in America, the group's brilliant debut effort "Getting Away with It." Neil Tennant of the Pet Shop Boys, who memorably guested on that last number, brings bandmate Chris Lowe along to help on his excellent, sly duet with Sumner -- "Patience of a Saint," another standout.

© Ned Raggett /TiVo

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