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Christian Tetzlaff|Dvořák: Violin Concerto in A Minor & Romance in F Minor - Suk: Fantasy in G Minor, Op. 24

Dvořák: Violin Concerto in A Minor & Romance in F Minor - Suk: Fantasy in G Minor, Op. 24

Christian Tetzlaff, Helsinki Philharmonic Orchestra, John Storgårds

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This performance of the fiery Fantasy in G minor for violin and orchestra, Op. 24, of Josef Suk, with violinist Christan Tetzlaff catching the full impact of the irregular form with its dramatic opening giving out into a set of variations, is impressive. And Tetzlaff delivers pure warm melody in the popular Romance in F minor, Op. 11, of Dvorák. But the real reason to acquire this beautifully recorded Ondine release is the performance of the Dvorák Violin Concerto in A minor, Op. 53, a work of which there are plenty of recordings, but that has always played second fiddle (if you will) to the Brahms concerto. Tetzlaff and the Helsinki Philharmonic under John Storgårds create a distinctive and absorbing version that can stand with the great Czech recordings of the work. Sample anywhere, but especially the slow movement, where Tetzlaff's precise yet rich sound, reminiscent for those of a certain age of Henryk Szeryng, forms a striking contrast with Storgårds' glassy Nordic strings. In both outer movements as well, Tetzlaff delivers a warm yet controlled performance that is made to stand out sharply. Ondine's Super Audio sound, captured at the Helsinki Music Centre, is another major attraction for a recording that's destined to become part of the core Dvorák repertory.
© TiVo

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Dvořák: Violin Concerto in A Minor & Romance in F Minor - Suk: Fantasy in G Minor, Op. 24

Christian Tetzlaff

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Fantasy in G Minor, Op. 24 (Josef Suk)

1
Fantasy in G Minor, Op. 24
00:23:16

Helsinki Philharmonic Orchestra, Orchestra, MainArtist - Josef Suk, Composer - Christian Tetzlaff, Artist, MainArtist - John Storgårds, Conductor, MainArtist

(C) 2016 Ondine (P) 2016 Ondine

Violin Concerto in A Minor, Op. 53, B. 108 (Antonín Dvořák)

2
I. Allegro ma non troppo
00:10:36

Helsinki Philharmonic Orchestra, Orchestra, MainArtist - Antonín Dvorák, Composer - Christian Tetzlaff, Artist, MainArtist - John Storgårds, Conductor, MainArtist

(C) 2016 Ondine (P) 2016 Ondine

3
II. Adagio ma non troppo
00:09:48

Helsinki Philharmonic Orchestra, Orchestra, MainArtist - Antonín Dvorák, Composer - Christian Tetzlaff, Artist, MainArtist - John Storgårds, Conductor, MainArtist

(C) 2016 Ondine (P) 2016 Ondine

4
III. Finale. Allegro giocoso ma non troppo
00:09:56

Helsinki Philharmonic Orchestra, Orchestra, MainArtist - Antonín Dvorák, Composer - Christian Tetzlaff, Artist, MainArtist - John Storgårds, Conductor, MainArtist

(C) 2016 Ondine (P) 2016 Ondine

Romance in F Minor, Op. 11, B. 39 (Antonín Dvořák)

5
Romance in F Minor, Op. 11, B. 39
00:12:27

Helsinki Philharmonic Orchestra, Orchestra, MainArtist - Antonín Dvorák, Composer - Christian Tetzlaff, Artist, MainArtist - John Storgårds, Conductor, MainArtist

(C) 2016 Ondine (P) 2016 Ondine

Presentación del Álbum

This performance of the fiery Fantasy in G minor for violin and orchestra, Op. 24, of Josef Suk, with violinist Christan Tetzlaff catching the full impact of the irregular form with its dramatic opening giving out into a set of variations, is impressive. And Tetzlaff delivers pure warm melody in the popular Romance in F minor, Op. 11, of Dvorák. But the real reason to acquire this beautifully recorded Ondine release is the performance of the Dvorák Violin Concerto in A minor, Op. 53, a work of which there are plenty of recordings, but that has always played second fiddle (if you will) to the Brahms concerto. Tetzlaff and the Helsinki Philharmonic under John Storgårds create a distinctive and absorbing version that can stand with the great Czech recordings of the work. Sample anywhere, but especially the slow movement, where Tetzlaff's precise yet rich sound, reminiscent for those of a certain age of Henryk Szeryng, forms a striking contrast with Storgårds' glassy Nordic strings. In both outer movements as well, Tetzlaff delivers a warm yet controlled performance that is made to stand out sharply. Ondine's Super Audio sound, captured at the Helsinki Music Centre, is another major attraction for a recording that's destined to become part of the core Dvorák repertory.
© TiVo

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