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The Boys Next Door|Door, Door

Door, Door

The Boys Next Door

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If one compares Door, Door to later albums made by these soon-to-be-infamous Aussies -- albums released under the Birthday Party moniker -- it sounds fairly tame and relatively straightforward. But that's not to say there's anything wrong with it. In fact, it's a frantic, edgy, and surprisingly catchy piece of post-punk mayhem; just don't expect anything as original or downright disturbing as "Big-Jesus-Trash-Can" or "Zoo-Music Girl." The album starts out in high gear with "The Nightwatchman," replete with ringing guitar figures, a boppy punk-pop chorus (yes, those are "ooh-ooh-ooh-oohs" you're hearing), and dirty sax lines. Sax pops up on "Brave Exhibitions" as well, providing a meaty partner to the lead guitar on circular, descending scales that bring some weirdness to a straight-up rocker. Things begin to get slightly more strange and troubled as the record plays on: "The Voice" and "Somebody's Watching" are filled with a paranoid mania and creepy, memorable musical phrases that make them two of Door, Door's highlights. (The lead guitar parts in the latter song make it seem as if Rowland Howard spent time listening to Television at the wrong speed.) And "Roman Roman" is a frenzied schoolyard chant that hints at some of the anarchic pandemonium the group could create on-stage. It's impressive how, even at this early stage, Nick Cave was a confident and unique singer, perfectly aware of the strengths and limitations of his voice; although he's not much for range, he knows how to come across in a scary and theatrical manner that perfectly complements the music. Nowhere is this more apparent than on the band's closing, mournful ballad, "Shivers," an unashamedly melodramatic example of post-adolescent anguish.

© Will Lerner /TiVo

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Door, Door

The Boys Next Door

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1
The Nightwatchman
00:02:06

Nick Cave, Composer - Mick Harvey, Composer - The Boys Next Door, MainArtist

© 1979 Mushroom Records Pty Limited ℗ 1978 The copyright in this sound recording is owned by Mushroom Records under exclusive licence to Mute Records Ltd

2
Brave Exhibitions
00:02:26

Nick Cave, Composer - The Boys Next Door, MainArtist

© 1979 Mushroom Records Pty Limited ℗ 1978 The copyright in this sound recording is owned by Mushroom Records under exclusive licence to Mute Records Ltd

3
Friends Of My World
00:02:46

Nick Cave, Composer - The Boys Next Door, MainArtist

© 1979 Mushroom Records Pty Limited ℗ 1978 The copyright in this sound recording is owned by Mushroom Records under exclusive licence to Mute Records Ltd

4
The Voice
00:03:55

Nick Cave, Composer - The Boys Next Door, MainArtist

© 1979 Mushroom Records Pty Limited ℗ 1978 The copyright in this sound recording is owned by Mushroom Records under exclusive licence to Mute Records Ltd

5
Roman Roman
00:01:34

Nick Cave, Composer - The Boys Next Door, MainArtist

© 1979 Mushroom Records Pty Limited ℗ 1978 The copyright in this sound recording is owned by Mushroom Records under exclusive licence to Mute Records Ltd

6
Somebody's Watching
00:02:38

Nick Cave, Composer - The Boys Next Door, MainArtist

© 1979 Mushroom Records Pty Limited ℗ 1978 The copyright in this sound recording is owned by Mushroom Records under exclusive licence to Mute Records Ltd

7
After A Fashion
00:04:35

Howard, Composer - The Boys Next Door, MainArtist

© 1979 Mushroom Records Pty Limited ℗ 1978 The copyright in this sound recording is owned by Mushroom Records under exclusive licence to Mute Records Ltd

8
Dive Position
00:02:46

Nick Cave, Composer - The Boys Next Door, MainArtist

© 1979 Mushroom Records Pty Limited ℗ 1978 The copyright in this sound recording is owned by Mushroom Records under exclusive licence to Mute Records Ltd

9
I Mistake Myself
00:04:30

Howard, Composer - The Boys Next Door, MainArtist

© 1979 Mushroom Records Pty Limited ℗ 1978 The copyright in this sound recording is owned by Mushroom Records under exclusive licence to Mute Records Ltd

10
Shivers
00:04:33

Howard, Composer - The Boys Next Door, MainArtist

© 1979 Mushroom Records Pty Limited ℗ 1978 The copyright in this sound recording is owned by Mushroom Records under exclusive licence to Mute Records Ltd

Presentación del Álbum

If one compares Door, Door to later albums made by these soon-to-be-infamous Aussies -- albums released under the Birthday Party moniker -- it sounds fairly tame and relatively straightforward. But that's not to say there's anything wrong with it. In fact, it's a frantic, edgy, and surprisingly catchy piece of post-punk mayhem; just don't expect anything as original or downright disturbing as "Big-Jesus-Trash-Can" or "Zoo-Music Girl." The album starts out in high gear with "The Nightwatchman," replete with ringing guitar figures, a boppy punk-pop chorus (yes, those are "ooh-ooh-ooh-oohs" you're hearing), and dirty sax lines. Sax pops up on "Brave Exhibitions" as well, providing a meaty partner to the lead guitar on circular, descending scales that bring some weirdness to a straight-up rocker. Things begin to get slightly more strange and troubled as the record plays on: "The Voice" and "Somebody's Watching" are filled with a paranoid mania and creepy, memorable musical phrases that make them two of Door, Door's highlights. (The lead guitar parts in the latter song make it seem as if Rowland Howard spent time listening to Television at the wrong speed.) And "Roman Roman" is a frenzied schoolyard chant that hints at some of the anarchic pandemonium the group could create on-stage. It's impressive how, even at this early stage, Nick Cave was a confident and unique singer, perfectly aware of the strengths and limitations of his voice; although he's not much for range, he knows how to come across in a scary and theatrical manner that perfectly complements the music. Nowhere is this more apparent than on the band's closing, mournful ballad, "Shivers," an unashamedly melodramatic example of post-adolescent anguish.

© Will Lerner /TiVo

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