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Keiko Matsui

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This pop-jazz recording by Japanese pianist/keyboardist Keiko Matsui is actually better than many comparable contemporary jazz recordings. The melodies are catchy and charming but rather low-key, most of the pieces are quite atmospheric ("1942, From Russia" sounds like a piece from a Hollywood epic), and several unusual moods (for pop-jazz, that is) are explored. Matsui's piano playing is interesting and adds further substance to the music. The other musicians include various session players (Michael Landau, Lenny Castro, Eric Marienthal) and a few guests like Keiko's husband, shakuhachi player Kazu Matsui (who also produced), and singer Philip Bailey (who appears on one of the two vocal tracks).

© Christian Genzel /TiVo

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1
Bronze Casting
00:04:48
2
Moroccan Ashers
00:04:32
3
Doll
00:04:37
4
Water Lily
00:05:07
5
Voice Of The Heart
00:04:30
6
1942, From Russia
00:03:07
7
Postponed Summer
00:04:37
8
Eye Of The Moon
00:04:51
9
Funny Things
00:03:59
10
Sympathy
00:04:50
11
Water Lily (Piano Version)
00:02:20
12
Doll (Piano Version)
00:01:56
13
Morning Walk (PIano Version)
00:04:19

Presentación del Álbum

This pop-jazz recording by Japanese pianist/keyboardist Keiko Matsui is actually better than many comparable contemporary jazz recordings. The melodies are catchy and charming but rather low-key, most of the pieces are quite atmospheric ("1942, From Russia" sounds like a piece from a Hollywood epic), and several unusual moods (for pop-jazz, that is) are explored. Matsui's piano playing is interesting and adds further substance to the music. The other musicians include various session players (Michael Landau, Lenny Castro, Eric Marienthal) and a few guests like Keiko's husband, shakuhachi player Kazu Matsui (who also produced), and singer Philip Bailey (who appears on one of the two vocal tracks).

© Christian Genzel /TiVo

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