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Joan Baez|Diamonds & Rust

Diamonds & Rust

Joan Baez

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With the Vietnam War winding down, Joan Baez, who had devoted one side of her last album to her trip to Hanoi, delivered the kind of commercial album A&M Records must have wanted when it signed her three years earlier. But she did it on her own terms, putting together a session band of contemporary jazz veterans like Larry Carlton, Wilton Felder, and Joe Sample, and mixing a wise selection from the work of current singer-songwriters like Jackson Browne and John Prine with pop covers of Stevie Wonder and the Allman Brothers Band, and an unusually high complement of her own writing. A&M, no doubt recalling the success of her cover of the Band's "The Night They Drove Old Dixie Down," released her version of the Allmans' "Blue Sky" as a single, and it got halfway up the charts. But the real hit was the title track, a self-penned masterpiece on the singer's favorite subject, her relationship with Bob Dylan. Outdoing the current crop of confessional singer/songwriters at soul baring, Baez sang to Dylan, reminiscing about her '60s love affair with him intensely, affectionately, and unsentimentally. It was her finest moment as a songwriter and one of her finest performances, period, and when A&M finally released it on 45, it made the Top 40, propelling the album to gold status. But those who bought the disc for "Diamonds & Rust" also got to hear "Winds of the Old Days," in which Baez forgave Dylan for abandoning the protest movement, as well as the jazzy "Children and All That Jazz," a delightful song about motherhood, and the wordless vocals of "Dida," a duet with Joni Mitchell accompanied by Mitchell's backup band, Tom Scott and the L.A. Express. The cover songs were typically accomplished, making this the strongest album of Baez's post-folk career.

© William Ruhlmann /TiVo

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Diamonds & Rust

Joan Baez

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1
Diamonds And Rust
00:04:45

David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Bernard Gelb, Producer, Executive Producer

℗ 1975 UMG Recordings, Inc.

2
Fountain Of Sorrow
00:04:29

Jackson Browne, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Bernard Gelb, Producer, Executive Producer

℗ 1975 UMG Recordings, Inc.

3
Never Dreamed You'd Leave In Summer
00:02:44

Syreeta Wright, ComposerLyricist - Stevie Wonder, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Bernard Gelb, Producer, Executive Producer

℗ 1975 UMG Recordings, Inc.

4
Children And All That Jazz
00:03:07

David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Bernard Gelb, Producer, Executive Producer

℗ 1975 UMG Recordings, Inc.

5
Simple Twist Of Fate
00:04:44

Bob Dylan, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Bernard Gelb, Producer, Executive Producer

℗ 1975 UMG Recordings, Inc.

6
Blue Sky
00:02:44

David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Richard Betts, ComposerLyricist - Bernard Gelb, Producer, Executive Producer

℗ 1975 UMG Recordings, Inc.

7
Hello In There
00:03:03

John Prine, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Bernard Gelb, Producer, Executive Producer

℗ 1975 UMG Recordings, Inc.

8
Jesse
00:04:27

Janis Ian, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Bernard Gelb, Producer, Executive Producer

℗ 1975 UMG Recordings, Inc.

9
Winds Of The Old Days
00:03:54

David Kershenbaum, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist - Bernard Gelb, Producer, Executive Producer

℗ 1975 UMG Recordings, Inc.

10
Dida
00:03:25

Joni Mitchell, FeaturedArtist - David Kershenbaum, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist - Bernard Gelb, Producer, Executive Producer

℗ 1975 UMG Recordings, Inc.

11
I Dream Of Jeannie / Danny Boy (Medley)
00:04:10

Stephen Collins Foster, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Arranger, Work Arranger, MainArtist - Fred E. Weatherly, ComposerLyricist - Bernard Gelb, Producer

℗ 1975 UMG Recordings, Inc.

Presentación del Álbum

With the Vietnam War winding down, Joan Baez, who had devoted one side of her last album to her trip to Hanoi, delivered the kind of commercial album A&M Records must have wanted when it signed her three years earlier. But she did it on her own terms, putting together a session band of contemporary jazz veterans like Larry Carlton, Wilton Felder, and Joe Sample, and mixing a wise selection from the work of current singer-songwriters like Jackson Browne and John Prine with pop covers of Stevie Wonder and the Allman Brothers Band, and an unusually high complement of her own writing. A&M, no doubt recalling the success of her cover of the Band's "The Night They Drove Old Dixie Down," released her version of the Allmans' "Blue Sky" as a single, and it got halfway up the charts. But the real hit was the title track, a self-penned masterpiece on the singer's favorite subject, her relationship with Bob Dylan. Outdoing the current crop of confessional singer/songwriters at soul baring, Baez sang to Dylan, reminiscing about her '60s love affair with him intensely, affectionately, and unsentimentally. It was her finest moment as a songwriter and one of her finest performances, period, and when A&M finally released it on 45, it made the Top 40, propelling the album to gold status. But those who bought the disc for "Diamonds & Rust" also got to hear "Winds of the Old Days," in which Baez forgave Dylan for abandoning the protest movement, as well as the jazzy "Children and All That Jazz," a delightful song about motherhood, and the wordless vocals of "Dida," a duet with Joni Mitchell accompanied by Mitchell's backup band, Tom Scott and the L.A. Express. The cover songs were typically accomplished, making this the strongest album of Baez's post-folk career.

© William Ruhlmann /TiVo

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