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Elvin Jones|Coalition

Coalition

Elvin Jones

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Drummer Elvin Jones' Blue Note sessions have long been underrated, partly because the label itself was declining during the era and also partly due to the rise of the avant-garde and fusion, which overshadowed Jones' passionate and advanced hard bop. In 1970, Elvin's band consisted of George Coleman and Frank Foster on tenors (Foster also plays bass clarinet on one number), bassist Wilbur Little, Candido on conga, and the drummer/leader. This was a particularly creative and often intense ensemble, attached to the hard bop tradition but always looking forward. On four group originals (including Coleman's "5/4 Thing") and "Yesterdays," the quintet generates a lot of heat, with the contrast between the tones of Coleman and Foster making this album (not yet reissued on CD) of particular interest.

© Scott Yanow /TiVo

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Coalition

Elvin Jones

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1
Shinjitu
00:07:37

Francis Wolff, Producer - Elvin Jones, MainArtist - Keiko Jones, Composer

℗ 1970 Blue Note Records

2
Yesterdays (Extended Version)
00:10:56

Jerome Kern, Composer - Otto Harbach, Composer - Francis Wolff, Producer - Elvin Jones, MainArtist

℗ 1970 Blue Note Records

3
5/4 Thing
00:05:24

Francis Wolff, Producer - George Coleman, Composer - Elvin Jones, MainArtist

℗ 1970 Blue Note Records

4
Ural Stradania
00:08:28

Francis Wolff, Producer - Elvin Jones, MainArtist - Frank Foster, Composer

℗ 1970 Blue Note Records

5
Simone
00:06:29

Francis Wolff, Producer - Elvin Jones, MainArtist - Frank Foster, Composer

℗ 1970 Blue Note Records

Presentación del Álbum

Drummer Elvin Jones' Blue Note sessions have long been underrated, partly because the label itself was declining during the era and also partly due to the rise of the avant-garde and fusion, which overshadowed Jones' passionate and advanced hard bop. In 1970, Elvin's band consisted of George Coleman and Frank Foster on tenors (Foster also plays bass clarinet on one number), bassist Wilbur Little, Candido on conga, and the drummer/leader. This was a particularly creative and often intense ensemble, attached to the hard bop tradition but always looking forward. On four group originals (including Coleman's "5/4 Thing") and "Yesterdays," the quintet generates a lot of heat, with the contrast between the tones of Coleman and Foster making this album (not yet reissued on CD) of particular interest.

© Scott Yanow /TiVo

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