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Roland Pöntinen|Busoni : Piano Works

Busoni : Piano Works

Roland Pontinen, piano

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Idioma disponible: inglés

It's odd that Mozart is given priority in the subtitle of this CPO release, "Hommages à Mozart, Bach & Chopin": Mozart is involved only in the four-minute Giga, Bolero, e Variazione (nach Mozart) aus: An die Jugend, K. 254, and that's not one of the more impressive works on the album. Instead it is Bach who is, as usual with Busoni, the primary inspiration. Swedish pianist Roland Pöntinen, a specialist in rarities of the post-Romantic era, has a rather relaxed, discursive style. Some listeners approach Busoni in search of pianistic thrills, and if you're among that group, you can probably find more muscular versions of the centerpiece work here, the mighty transcription of the Chaconne from Bach's Partita for solo violin in D minor, BWV 1004. But there is plenty here to interest the true Busoni lover. The 10 Variations on a Prelude by Chopin, BW 213a, is a fine example of Busoni's wild chromaticism. The Drei Albumblätter (Three Album Pages), BV 289, are in a Lisztian mold, and the Bach chorale arrangements (tracks 2-6) show Busoni working out individual details of his unique neo-Baroque style. The sound quality from Southwest German Radio is an unusually good match for Pöntinen's quiet, clear style. Recommended for good post-Romantic collections.
© TiVo

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Busoni : Piano Works

Roland Pöntinen

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Violin Partita No. 2 in D minor, BWV 1004: V. Chaconne (arr. F. Busoni for piano)

1
V. Chaconne (Arr. F. Busoni for piano)
00:14:26

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

Das Orgel-Büchlein (Ferruccio Busoni)

2
No. 3, Nun komm' der Heiden Heiland, BWV 659
00:05:06

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

3
No. 2, Wachet auf, ruft uns die Stimme, BWV 645
00:03:32

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

4
No. 5, Ich ruf' zu dir, Herr, BWV 639
00:03:07

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

5
No. 8, In dir ist Freude, BWV 615
00:02:19

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

6
No. 9, Jesus Christus, unser Heiland, BWV 665
00:05:31

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

An die Jugend (Ferruccio Busoni)

7
III. Giga, Bolero e variazioneBolero
00:04:01

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

3 Albumblatter (Ferruccio Busoni)

8
No. 1, An Herrn Albert Biolley
00:02:54

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

9
No. 2, An Francesco Ticciati
00:01:57

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

10
No. 3, In der Art eines Choralvorspiels
00:04:52

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

10 Variations on Chopin's C minor Prelude (revised 1922 version of Op. 22) (Ferruccio Busoni)

11
10 Variations on Chopin's C Minor Prelude (Revised 1922 Version of Op. 22)
00:13:17

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

Fantasia nach J.S. Bach (Ferruccio Busoni)

12
Fantasia nach J.S. Bach
00:12:22

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

Nuit de Noel (Ferruccio Busoni)

13
Nuit de Noel
00:04:33

Roland Pontinen, piano

(C) 2012 CPO (P) 2012 CPO

Presentación del Álbum

It's odd that Mozart is given priority in the subtitle of this CPO release, "Hommages à Mozart, Bach & Chopin": Mozart is involved only in the four-minute Giga, Bolero, e Variazione (nach Mozart) aus: An die Jugend, K. 254, and that's not one of the more impressive works on the album. Instead it is Bach who is, as usual with Busoni, the primary inspiration. Swedish pianist Roland Pöntinen, a specialist in rarities of the post-Romantic era, has a rather relaxed, discursive style. Some listeners approach Busoni in search of pianistic thrills, and if you're among that group, you can probably find more muscular versions of the centerpiece work here, the mighty transcription of the Chaconne from Bach's Partita for solo violin in D minor, BWV 1004. But there is plenty here to interest the true Busoni lover. The 10 Variations on a Prelude by Chopin, BW 213a, is a fine example of Busoni's wild chromaticism. The Drei Albumblätter (Three Album Pages), BV 289, are in a Lisztian mold, and the Bach chorale arrangements (tracks 2-6) show Busoni working out individual details of his unique neo-Baroque style. The sound quality from Southwest German Radio is an unusually good match for Pöntinen's quiet, clear style. Recommended for good post-Romantic collections.
© TiVo

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