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Anyone who loves Bruckner's music will want to hear this recording since it contains the Finale of his Symphony No. 9, the music which, according to Bruckner's musical executors, never existed except in the mind of the dying composer. But while that story fooled generations of conductors into performing a three-movement version of the Ninth, musicologists have long known that most of the Finale existed in score and sketch at Bruckner's death. But what the musicologists knew to be true has been almost completely ignored until this recording. Almost completely ignored because there have been three previous recordings of Ninth's Finale over the past 20 years and all of them are far more compelling than this one by Nikolaus Harnoncourt and the Vienna Philharmonic. For one thing, all the other recordings of the Finales have been completed with the bits that Bruckner didn't finish filled in, while Harnoncourt's recordings only have the bits that Bruckner finished and interpolates a lecture to describe what's missing. While this may be musicologically more accurate, in performance it is at best disruptive, at worst dull. For another thing, all the other Finales are performed with the overwhelming need to compel belief in the Finale while Harnoncourt himself seems unconvinced of its merits. But then, Harnoncourt's recording of the three completed movements are just as unconvincing. In Harnoncourt's performance, his opening movement alternates long stretches of quiet tedium with short bursts of loud bombast, his Scherzo alternates long stretches of loud hammering with short bursts of quiet inanity, and his Adagio alternates long stretches of loud, painfully dissonant music with shot bursts of louder, more painfully dissonant music. Harnoncourt's recording doesn't make a case for a four-movement Ninth; it doesn't even make a case for a three-movement Ninth.
© TiVo
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Wie ein Stein vom Mond - Gesprächskonzert: Sinfonie Nr. 9 d-moll WAB 109, Finale (unvollendet) - Dokumentation des Fragments (Hrsg. von John A. Phillips) (Various Composers)
Nikolaus Harnoncourt, Writer - Nikolaus Harnoncourt, Speaker - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Writer - Nikolaus Harnoncourt, Speaker - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Writer - Nikolaus Harnoncourt, Speaker - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Writer - Nikolaus Harnoncourt, Speaker - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Writer - Nikolaus Harnoncourt, Speaker - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Like A Stone From The Moon - A Colloquial Concert: Symphony No. 9 in D minor, WAB 109, Finale (unfinished) - Documentation of the Fragment (Various Composers)
Nikolaus Harnoncourt, Writer - Nikolaus Harnoncourt, Speaker - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Writer - Nikolaus Harnoncourt, Speaker - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Writer - Nikolaus Harnoncourt, Speaker - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Writer - Nikolaus Harnoncourt, Speaker - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Writer - Nikolaus Harnoncourt, Speaker - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
DISCO 2
Symphony No. 9 in D Minor, WAB 109 (Anton Bruckner)
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Nikolaus Harnoncourt, Conductor - Anton Bruckner, Composer - René Möller, 2nd Engineer - Michael Brammann, Recording Engineer - Friedemann Engelbrecht, Producer - Wiener Philharmoniker, Performer - Philipp Knop, Edited By
(P)2003 BMG Ariola Classics GmbH
Presentación del Álbum
Anyone who loves Bruckner's music will want to hear this recording since it contains the Finale of his Symphony No. 9, the music which, according to Bruckner's musical executors, never existed except in the mind of the dying composer. But while that story fooled generations of conductors into performing a three-movement version of the Ninth, musicologists have long known that most of the Finale existed in score and sketch at Bruckner's death. But what the musicologists knew to be true has been almost completely ignored until this recording. Almost completely ignored because there have been three previous recordings of Ninth's Finale over the past 20 years and all of them are far more compelling than this one by Nikolaus Harnoncourt and the Vienna Philharmonic. For one thing, all the other recordings of the Finales have been completed with the bits that Bruckner didn't finish filled in, while Harnoncourt's recordings only have the bits that Bruckner finished and interpolates a lecture to describe what's missing. While this may be musicologically more accurate, in performance it is at best disruptive, at worst dull. For another thing, all the other Finales are performed with the overwhelming need to compel belief in the Finale while Harnoncourt himself seems unconvinced of its merits. But then, Harnoncourt's recording of the three completed movements are just as unconvincing. In Harnoncourt's performance, his opening movement alternates long stretches of quiet tedium with short bursts of loud bombast, his Scherzo alternates long stretches of loud hammering with short bursts of quiet inanity, and his Adagio alternates long stretches of loud, painfully dissonant music with shot bursts of louder, more painfully dissonant music. Harnoncourt's recording doesn't make a case for a four-movement Ninth; it doesn't even make a case for a three-movement Ninth.
© TiVo
Acerca del álbum
- 2 disco(s) - 21 pista(s)
- Duración total: 02:10:19
- Artistas principales: Nikolaus Harnoncourt
- Compositor: Anton Bruckner
- Sello: RCA Red Seal
- Género Clásica
(P) 2003 BMG Ariola Classics GmbH
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