Categorías:
Carrito 0

Servicio no disponible por el momento

Sylvain Cambreling|BRUCKNER, A.: Symphony No. 4, "Romantic" (South West German Radio Symphony, Cambreling) (Anton Bruckner)

BRUCKNER, A.: Symphony No. 4, "Romantic" (South West German Radio Symphony, Cambreling) (Anton Bruckner)

Anton Bruckner

Disponible en
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Idioma disponible: inglés

Don't expect anything surprising or controversial in Sylvain Cambreling's 2003 performance of Anton Bruckner's Symphony No. 4 in E flat major, "Romantic," with the SWR Sinfonieorchester Baden-Baden und Freiburg, because it's about as straightforward as any recording of this work has ever been. Cambreling uses the 1886 version, edited by Leopold Nowak, which is one of the most frequently performed and recorded, and he thereby avoids the issues of performing Bruckner's original version, which has been a preferred choice for many contemporary maestros or of recording any discredited edition. In his conducting, Cambreling is pretty much four-square and steady on the beat, allowing only the mildest touches of rubato at the endings of lyrical passages. As far as his interpretation goes, Cambreling tends to follow traditional tempos and pacing, and only accedes to modern trends in taking the Andante quasi Allegretto at a brisker clip than conductors of previous decades did. All in all, there is little new here that can't be found on many other recordings, and that is perhaps a good thing, especially in a Bruckner recording, where issues of multiple versions, revisions, editions, and interpretations have left many listeners -- and more than a few experts -- bewildered. One may actually want Cambreling's version for its predictability and regularity; certainly, having this clean-sounding recording, with all its fine detail and wonderful resonance, is a viable option, especially for beginners who know no other renditions or releases. So what seems like a routine recording may in fact be quite desirable, and the only point against Cambreling's performance would be its redundancy in a large collection of similar recordings of this work.
© TiVo

Más información

BRUCKNER, A.: Symphony No. 4, "Romantic" (South West German Radio Symphony, Cambreling) (Anton Bruckner)

Sylvain Cambreling

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde USD 4,19/mes

1
I. Bewegt, nicht zu schnell
00:16:48

Sylvain Cambreling, Conductor - Sylvain Cambreling, Conductor

2
II. Andante quasi allegretto
00:14:21

Sylvain Cambreling, Conductor - Sylvain Cambreling, Conductor

3
III. Scherzo: Bewegt
00:11:39

Sylvain Cambreling, Conductor - Sylvain Cambreling, Conductor

4
IV. Finale: Bewegt, doch nicht zu schnell
00:19:24

Sylvain Cambreling, Conductor - Sylvain Cambreling, Conductor

Presentación del Álbum

Don't expect anything surprising or controversial in Sylvain Cambreling's 2003 performance of Anton Bruckner's Symphony No. 4 in E flat major, "Romantic," with the SWR Sinfonieorchester Baden-Baden und Freiburg, because it's about as straightforward as any recording of this work has ever been. Cambreling uses the 1886 version, edited by Leopold Nowak, which is one of the most frequently performed and recorded, and he thereby avoids the issues of performing Bruckner's original version, which has been a preferred choice for many contemporary maestros or of recording any discredited edition. In his conducting, Cambreling is pretty much four-square and steady on the beat, allowing only the mildest touches of rubato at the endings of lyrical passages. As far as his interpretation goes, Cambreling tends to follow traditional tempos and pacing, and only accedes to modern trends in taking the Andante quasi Allegretto at a brisker clip than conductors of previous decades did. All in all, there is little new here that can't be found on many other recordings, and that is perhaps a good thing, especially in a Bruckner recording, where issues of multiple versions, revisions, editions, and interpretations have left many listeners -- and more than a few experts -- bewildered. One may actually want Cambreling's version for its predictability and regularity; certainly, having this clean-sounding recording, with all its fine detail and wonderful resonance, is a viable option, especially for beginners who know no other renditions or releases. So what seems like a routine recording may in fact be quite desirable, and the only point against Cambreling's performance would be its redundancy in a large collection of similar recordings of this work.
© TiVo

Acerca del álbum

Mejorar la información del álbum
Más en Qobuz
Por Sylvain Cambreling

Debussy: Le martyre de Saint Sébastien, L. 124

Sylvain Cambreling

Les Ballets Russes

Sylvain Cambreling

Les Ballets Russes Sylvain Cambreling

Lachenmann: Das Mädchen mit den Schwefelhölzern

Sylvain Cambreling

Sylvain Cambreling Conducts

Sylvain Cambreling

Sylvain Cambreling Conducts Sylvain Cambreling

Janáček: Sinfonietta, JW VI/18

Sylvain Cambreling

Playlists

Quizás también le guste...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

The Vienna Recital

Yuja Wang

The Vienna Recital Yuja Wang

Carl Philipp Emanuel Bach

Keith Jarrett

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi