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András Schiff|Beethoven: The Piano Sonatas, Volume VII (Live)

Beethoven: The Piano Sonatas, Volume VII (Live)

András Schiff

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Earlier volumes in András Schiff's cycle of Beethoven's complete piano sonatas had their virtues: impeccable articulation, lucid textures, and balanced interpretations chief among them. But those virtues began to seem more and more like vices as the series went along. In this penultimate volume containing the first three of the six late sonatas, Schiff sounds technically flawless but detached, texturally lucid but uninvolved, and interpretatively balanced but uncommitted. In the two-movement E minor Sonata, Op. 90, one wants dark melancholy in the opening movement and blessed consolation in the closing movement, but Schiff's E minor sounds merely listless in the opening movement and restless in the closing movement. In the A major Sonata, Op. 101, one wants a combination of heartwarming lyricism and whimsy, but Schiff delivers merely wan charm and dry wit. And in the enormous "Hammerklavier" Sonata, Op. 106, one wants a sense of the technically and interpretively impossible overcome through the full dedication of the pianist's heart, mind, and muscle, but while Schiff's technique is beyond reproach, his playing is so objectively balanced that his interpretation seems to miss the piece's point. Schiff's attempts to grow beyond his initial reputation as a Mozart and Schubert player are admirable, but Beethoven, or at least late Beethoven, does not appear to be a natural fit for his talents. ECM's digital sound is clear, yet evocative.

© TiVo

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Beethoven: The Piano Sonatas, Volume VII (Live)

András Schiff

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Piano Sonata No. 27 In E Minor, Op. 90 (Ludwig van Beethoven)

1
Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck (Live At Tonhalle Zürich / 2006)
00:05:30

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
Nicht zu geschwind und sehr singbar vorgetragen (Live At Tonhalle Zürich / 2006)
00:07:59

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Piano Sonata No. 28 In A Major, Op. 101 (Ludwig van Beethoven)

3
Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo (Live At Tonhalle Zürich / 2006)
00:03:53

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

4
Lebhaft, Marschmäßig. Vivace alla Marcia (Live At Tonhalle Zürich / 2006)
00:06:34

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
Langsam und sehnsuchtvoll. Adagio, ma non troppo, con affetto (Live At Tonhalle Zürich / 2006)
00:02:32

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

6
Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. Allegro (Live At Tonhalle Zürich / 2006)
00:07:44

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Piano Sonata No. 29 In B Flat Major, Op. 106 -"Hammerklavier" (Ludwig van Beethoven)

7
Allegro (Live At Tonhalle Zürich / 2006)
00:11:06

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

8
Scherzo. Assai vivace (Live At Tonhalle Zürich / 2006)
00:02:41

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

9
Adagio sostenuto (Live At Tonhalle Zürich / 2006)
00:15:29

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

10
Largo - Allegro risoluto (Live At Tonhalle Zürich / 2006)
00:12:50

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Presentación del Álbum

Earlier volumes in András Schiff's cycle of Beethoven's complete piano sonatas had their virtues: impeccable articulation, lucid textures, and balanced interpretations chief among them. But those virtues began to seem more and more like vices as the series went along. In this penultimate volume containing the first three of the six late sonatas, Schiff sounds technically flawless but detached, texturally lucid but uninvolved, and interpretatively balanced but uncommitted. In the two-movement E minor Sonata, Op. 90, one wants dark melancholy in the opening movement and blessed consolation in the closing movement, but Schiff's E minor sounds merely listless in the opening movement and restless in the closing movement. In the A major Sonata, Op. 101, one wants a combination of heartwarming lyricism and whimsy, but Schiff delivers merely wan charm and dry wit. And in the enormous "Hammerklavier" Sonata, Op. 106, one wants a sense of the technically and interpretively impossible overcome through the full dedication of the pianist's heart, mind, and muscle, but while Schiff's technique is beyond reproach, his playing is so objectively balanced that his interpretation seems to miss the piece's point. Schiff's attempts to grow beyond his initial reputation as a Mozart and Schubert player are admirable, but Beethoven, or at least late Beethoven, does not appear to be a natural fit for his talents. ECM's digital sound is clear, yet evocative.

© TiVo

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