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Symphonieorchester Des Bayerischen Rundfunks|Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral"

Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral"

Bernard Haitink, Bavarian Radio Symphony Orchestra

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Over the course of his 65-year conducting career, Bernard Haitink has recorded Ludwig van Beethoven's Symphony No. 9 in D minor, "Choral" on several occasions, and this solid performance with the Bavarian Radio Symphony Orchestra joins the admirable recordings he has made with the London Philharmonic Orchestra, the Royal Concertgebouw Orchestra, and the London Symphony Orchestra. Of these, the LSO's 2006 release offers the best sound quality, with direct stream digital reproduction that captures everything in the score, and it is recommended for audiophiles who require its transparency and spacious audio reproduction. For most listeners' purposes, though, Haitink has recorded a similar interpretation with the Bavarian Radio Symphony Orchestra and Chorus, and despite the absence of multichannel technology, this release has decent sound that most listeners will find satisfactory and a highly detailed performance that is quite comparable to the others. Haitink's great virtue is consistency, and this regularity over multiple recordings throughout his career has made him one of the most dependable conductors of standard symphonic repertoire. Add to this the exceptional quartet of soprano Sally Matthews, alto Gerhild Romberger, tenor Mark Padmore, and bass Gerald Finley, and the robust singing from the Bavarian Radio Chorus, and the total effect of the symphony, particularly the "Ode to Joy," is impressive and thrilling.

© TiVo

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Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral"

Symphonieorchester Des Bayerischen Rundfunks

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Symphony No. 9 in D Minor, Op. 125 "Choral" (Ludwig van Beethoven)

1
I. Allegro ma non troppo, un poco maestoso
Symphonieorchester Des Bayerischen Rundfunks
00:17:19

Ludwig van Beethoven, Composer - Bernard Haitink, Conductor - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2019 BR-Klassik (P) 2019 BR-Klassik

2
II. Scherzo. Molto vivace - Presto
Symphonieorchester Des Bayerischen Rundfunks
00:15:32

Ludwig van Beethoven, Composer - Bernard Haitink, Conductor - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2019 BR-Klassik (P) 2019 BR-Klassik

3
III. Adagio molto e cantabile
Symphonieorchester Des Bayerischen Rundfunks
00:13:17

Ludwig van Beethoven, Composer - Bernard Haitink, Conductor - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2019 BR-Klassik (P) 2019 BR-Klassik

4
IV. Finale. Presto - Allegro assai
Sally Matthews
00:25:47

Ludwig van Beethoven, Composer - Bernard Haitink, Conductor - Chor des Bayerischen Rundfunks, Choir - Gerald Finley, Artist - Bavarian Radio Symphony Orchestra, Orchestra - Mark Padmore, Artist - Sally Matthews, Artist, MainArtist - Gerhild Romberger, Artist

(C) 2019 BR-Klassik (P) 2019 BR-Klassik

Presentación del Álbum

Over the course of his 65-year conducting career, Bernard Haitink has recorded Ludwig van Beethoven's Symphony No. 9 in D minor, "Choral" on several occasions, and this solid performance with the Bavarian Radio Symphony Orchestra joins the admirable recordings he has made with the London Philharmonic Orchestra, the Royal Concertgebouw Orchestra, and the London Symphony Orchestra. Of these, the LSO's 2006 release offers the best sound quality, with direct stream digital reproduction that captures everything in the score, and it is recommended for audiophiles who require its transparency and spacious audio reproduction. For most listeners' purposes, though, Haitink has recorded a similar interpretation with the Bavarian Radio Symphony Orchestra and Chorus, and despite the absence of multichannel technology, this release has decent sound that most listeners will find satisfactory and a highly detailed performance that is quite comparable to the others. Haitink's great virtue is consistency, and this regularity over multiple recordings throughout his career has made him one of the most dependable conductors of standard symphonic repertoire. Add to this the exceptional quartet of soprano Sally Matthews, alto Gerhild Romberger, tenor Mark Padmore, and bass Gerald Finley, and the robust singing from the Bavarian Radio Chorus, and the total effect of the symphony, particularly the "Ode to Joy," is impressive and thrilling.

© TiVo

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