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Akademie für Alte Musik Berlin|Beethoven: Symphonies Nos. 4 & 8 - Méhul: Symphony No. 1 - Cherubini: Lodoïska Overture

Beethoven: Symphonies Nos. 4 & 8 - Méhul: Symphony No. 1 - Cherubini: Lodoïska Overture

Akademie für Alte Musik Berlin, Bernhard Forck

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Less acclaimed than  Beethoven's "odd" symphonies, Symphony No. 4, Op. 60 and Symphony No. 8, Op. 93 are nonetheless uniquely fascinating, perhaps because their musical purpose is more difficult to decipher. The pianissimo introduction to Symphony No. 4 leads us through a winding labyrinth, and it takes a while to grasp its meaning. Symphony No. 8 is more brilliant and majestic and further reinforces this feeling of contrast, particularly in transitional passages between different sections of the orchestra.


These two symphonies are performed here by the formidable Akademie für Alte Musik Berlin under the direction of Bernhard Forck, who is always on top form. The ensemble, which has been loyal to the harmonia mundi label since 1994, delivers a clear and careful interpretation, meticulously respecting the driving forces behind the score. Arguably, it’s a shame that the momentum of the piece has been so prudently managed, though this is preferable to any sort of narcissistic outburst – its polar opposite.


These two symphonies are presented in a double album that also includes Luigi Cherubini's Lodoïska Overture and Etienne Méhul's Symphony No. 1 in G minor. An informed choice, since Cherubini's work (composed in 1791) contains many characteristics that would be later used by Beethoven after his move to Vienna the following year. Méhul's Symphony seems to be more of a reaction to Beethoven's writing, with many critics having viewed it as a response to the Fifth Symphony. This album boasts a careful, highly readable performance, though it could perhaps do with just a little more body and boldness. © Pierre Lamy/Qobuz

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Beethoven: Symphonies Nos. 4 & 8 - Méhul: Symphony No. 1 - Cherubini: Lodoïska Overture

Akademie für Alte Musik Berlin

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1
Lodoïska: Overture. Adagio - Allegro vivace - Moderato - Allegro vivace
00:09:27

Luigi Cherubini, Composer - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

Symphony No. 4 In B-flat Major, Op. 60 (Ludwig van Beethoven)

2
I. Adagio - Allegro vivace
00:10:24

Ludwig van Beethoven, Composer - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

3
II. Adagio
00:08:35

Ludwig van Beethoven, Composer - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

4
III. Allegro molto e vivace - Trio. Un poco meno allegro
00:05:32

Ludwig van Beethoven, Composer - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

5
IV. Allegro ma non troppo
00:06:56

Ludwig van Beethoven, Composer - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

DISCO 2

Symphony No. 1 in G minor (Etienne-Nicolas Mehul)

1
I. Allegro
00:06:55

Akademie für Alte Musik Berlin, Orchestra, MainArtist - Etienne Nicolas Méhul, Composer - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

2
II. Andante
00:07:59

Akademie für Alte Musik Berlin, Orchestra, MainArtist - Etienne Nicolas Méhul, Composer - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

3
III. Menuet. Allegro - Trio
00:03:23

Akademie für Alte Musik Berlin, Orchestra, MainArtist - Etienne Nicolas Méhul, Composer - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

4
IV. Finale. Allegro agitato
00:06:14

Akademie für Alte Musik Berlin, Orchestra, MainArtist - Etienne Nicolas Méhul, Composer - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

Symphony No. 8 in F major, Op. 93 (Ludwig van Beethoven)

5
I. Allegro vivace e con brio
00:08:34

Ludwig van Beethoven, Composer - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

6
II. Allegretto scherzando
00:04:03

Ludwig van Beethoven, Composer - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

7
III. Tempo di Menuetto
00:05:21

Ludwig van Beethoven, Composer - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

8
IV. Allegro vivace
00:07:17

Ludwig van Beethoven, Composer - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi

Presentación del Álbum

Less acclaimed than  Beethoven's "odd" symphonies, Symphony No. 4, Op. 60 and Symphony No. 8, Op. 93 are nonetheless uniquely fascinating, perhaps because their musical purpose is more difficult to decipher. The pianissimo introduction to Symphony No. 4 leads us through a winding labyrinth, and it takes a while to grasp its meaning. Symphony No. 8 is more brilliant and majestic and further reinforces this feeling of contrast, particularly in transitional passages between different sections of the orchestra.


These two symphonies are performed here by the formidable Akademie für Alte Musik Berlin under the direction of Bernhard Forck, who is always on top form. The ensemble, which has been loyal to the harmonia mundi label since 1994, delivers a clear and careful interpretation, meticulously respecting the driving forces behind the score. Arguably, it’s a shame that the momentum of the piece has been so prudently managed, though this is preferable to any sort of narcissistic outburst – its polar opposite.


These two symphonies are presented in a double album that also includes Luigi Cherubini's Lodoïska Overture and Etienne Méhul's Symphony No. 1 in G minor. An informed choice, since Cherubini's work (composed in 1791) contains many characteristics that would be later used by Beethoven after his move to Vienna the following year. Méhul's Symphony seems to be more of a reaction to Beethoven's writing, with many critics having viewed it as a response to the Fifth Symphony. This album boasts a careful, highly readable performance, though it could perhaps do with just a little more body and boldness. © Pierre Lamy/Qobuz

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