Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
The surprising thing is not that these recordings from the '30s sound so clean and clear. Mark Obert-Thorn has been digitally remastering and restoring ancient recordings with the skill of an engineer and the love of an enthusiast for decades and the extremely high quality of his work is well-known. No, the surprising thing about these recordings from the '30s is how contemporary the performances sound. Felix Weingartner may have been born while Wagner was still composing Tristan, but his style of conducting is anything but nineteenth century German Romantic. In Weingartner's Beethoven, the music is lucid and direct with none of the interpretative flourishes that the nineteenth century was heir to. In Weingartner's June 1939 recording of the Piano Concerto in C minor, Op. 37, the music is dramatically powerful in the outer Allegros and deeply expressive in the central Largo, but the long line and the tight structure of the work is never bent or broken by tempo rubato or portamento. In Weingartner's October 1937 recording of the "Triple" Concerto in C major, Op. 56, the music is lyrically sustained and profoundly playful, but the work's wit and whimsy are never distorted and degraded by accelerando or ritardando. Although French pianist Marguerite Long and the Paris Conservatory Orchestra might at first seem odd partners for Weingartner in the C minor concerto, Long's playing is astonishingly idiomatic and astoundingly virtuosic, and the Paris Orchestra's playing is amazingly Germanic, which, in this repertoire, is a compliment. And while the three soloists for Weingartner in the concerto C major might not be often remembered today, the Vienna Philharmonic was then as it is now and always shall be the best Beethoven orchestra in the world.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde USD 4,19/mes
Piano Concerto No. 3 in C minor, Op. 37 (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - Orchestre De La Société Des Concerts Du Conservatoire, Orchestra - Marguerite Long, Artist, MainArtist - Felix Weingartner, Conductor
(C) 2004 Naxos (P) 2004 Naxos
Ludwig van Beethoven, Composer - Orchestre De La Société Des Concerts Du Conservatoire, Orchestra - Marguerite Long, Artist, MainArtist - Felix Weingartner, Conductor
(C) 2004 Naxos (P) 2004 Naxos
Ludwig van Beethoven, Composer - Orchestre De La Société Des Concerts Du Conservatoire, Orchestra - Marguerite Long, Artist, MainArtist - Felix Weingartner, Conductor
(C) 2004 Naxos (P) 2004 Naxos
Triple Concerto for Violin, Cello & Piano in C Major, Op. 56 (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - Vienna Philharmonic, Orchestra - Felix Weingartner, Conductor - Stefan Auber, Artist, MainArtist - Ricardo Odnoposoff, Artist - Angélica Morales von Sauer, Artist
(C) 2004 Naxos (P) 2004 Naxos
Ludwig van Beethoven, Composer - Vienna Philharmonic, Orchestra - Felix Weingartner, Conductor - Stefan Auber, Artist, MainArtist - Ricardo Odnoposoff, Artist - Angélica Morales von Sauer, Artist
(C) 2004 Naxos (P) 2004 Naxos
Ludwig van Beethoven, Composer - Vienna Philharmonic, Orchestra - Felix Weingartner, Conductor - Stefan Auber, Artist, MainArtist - Ricardo Odnoposoff, Artist - Angélica Morales von Sauer, Artist
(C) 2004 Naxos (P) 2004 Naxos
Presentación del Álbum
The surprising thing is not that these recordings from the '30s sound so clean and clear. Mark Obert-Thorn has been digitally remastering and restoring ancient recordings with the skill of an engineer and the love of an enthusiast for decades and the extremely high quality of his work is well-known. No, the surprising thing about these recordings from the '30s is how contemporary the performances sound. Felix Weingartner may have been born while Wagner was still composing Tristan, but his style of conducting is anything but nineteenth century German Romantic. In Weingartner's Beethoven, the music is lucid and direct with none of the interpretative flourishes that the nineteenth century was heir to. In Weingartner's June 1939 recording of the Piano Concerto in C minor, Op. 37, the music is dramatically powerful in the outer Allegros and deeply expressive in the central Largo, but the long line and the tight structure of the work is never bent or broken by tempo rubato or portamento. In Weingartner's October 1937 recording of the "Triple" Concerto in C major, Op. 56, the music is lyrically sustained and profoundly playful, but the work's wit and whimsy are never distorted and degraded by accelerando or ritardando. Although French pianist Marguerite Long and the Paris Conservatory Orchestra might at first seem odd partners for Weingartner in the C minor concerto, Long's playing is astonishingly idiomatic and astoundingly virtuosic, and the Paris Orchestra's playing is amazingly Germanic, which, in this repertoire, is a compliment. And while the three soloists for Weingartner in the concerto C major might not be often remembered today, the Vienna Philharmonic was then as it is now and always shall be the best Beethoven orchestra in the world.
© TiVo
Acerca del álbum
- 1 disco(s) - 6 pista(s)
- Duración total: 01:08:29
- 1 Libreto digital
- Artistas principales: Félix Weingartner
- Compositor: Ludwig van Beethoven
- Sello: Naxos
- Género Clásica
- Colección: Naxos Historical
(C) 2004 Naxos (P) 2004 Naxos
Mejorar la información del álbum