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Silesian Quartet|Bacewicz: Two Piano Quintets, Quartet for Four Violins & Quartet for Four Cellos

Bacewicz: Two Piano Quintets, Quartet for Four Violins & Quartet for Four Cellos

Silesian Quartet, Polish Cello Quartet, Wojciech Switala, Krzysztof Lasoń, Małgorzata Wasiucionek

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The Polish composer Grazyna Bacewicz wrote a good deal of chamber music; attractively shaped for the instruments (Bacewicz was a violinist herself), it has grown in popularity. The two piano quintets and two unorthodox quartets heard here -- one for four violins, one for four cellos -- have not been so widely heard, but they're well worth your time, as are the performances here by the Silesian Quartet "and friends" are ideal. Chandos' engineering work at the Karol Szymanowski Academy of Music concert hall in Katowice catches all the considerable detail from the players. What you have here is really a pair of recordings that are both the same and different: The two piano quintets were recorded in 2010, and the two string quartets in 2017 (at the same location). Each half of the program consists of a work from the post-World War II period, when Bacewicz was fusing a Bartókian folkloric style with a degree of experimentation, and one from the 1960s, when Khrushchev's liberalization reached Poland and Bacewicz became familiar with the music of Western experimenters. Perhaps the highlight is the Quartet for four cellos of 1963, where the cellos create dissonant, wall-like clusters of sound, but all four works are idiomatic pieces that deserve a permanent place in the chamber repertory. With this release, maybe that's just what they'll get.

© TiVo

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Bacewicz: Two Piano Quintets, Quartet for Four Violins & Quartet for Four Cellos

Silesian Quartet

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Piano Quintet No. 1 (Grazyna Bacewicz)

1
I. Moderato molto espressivo
Silesian Quartet
00:07:07

Grazyna Bacewicz, Composer - Wojciech Switala, Piano, MainArtist - Silesian String Quartet, MainArtist, MusicalEnsemble - Silesian Quartet, MainArtist, ChamberMusicEnsemble

2018 Chandos Records 2018 Chandos Records

2
II. Presto
Silesian Quartet
00:04:14

Grazyna Bacewicz, Composer - Wojciech Switala, Piano, MainArtist - Silesian String Quartet, MainArtist, MusicalEnsemble - Silesian Quartet, MainArtist, ChamberMusicEnsemble

2018 Chandos Records 2018 Chandos Records

3
III. Grave
Silesian Quartet
00:06:36

Grazyna Bacewicz, Composer - Wojciech Switala, Piano, MainArtist - Silesian String Quartet, MainArtist, MusicalEnsemble - Silesian Quartet, MainArtist, ChamberMusicEnsemble

2018 Chandos Records 2018 Chandos Records

4
IV. Con passione
Silesian Quartet
00:05:14

Grazyna Bacewicz, Composer - Wojciech Switala, Piano, MainArtist - Silesian String Quartet, MainArtist, MusicalEnsemble - Silesian Quartet, MainArtist, ChamberMusicEnsemble

2018 Chandos Records 2018 Chandos Records

PIano Quintet No. 2 (Grazyna Bacewicz)

5
I. Moderato
Silesian Quartet
00:06:39

Grazyna Bacewicz, Composer - Wojciech Switala, Piano, MainArtist - Silesian String Quartet, MainArtist, MusicalEnsemble - Silesian Quartet, MainArtist, ChamberMusicEnsemble

2018 Chandos Records 2018 Chandos Records

6
II. Larghetto
Silesian Quartet
00:06:00

Grazyna Bacewicz, Composer - Wojciech Switala, Piano, MainArtist - Silesian String Quartet, MainArtist, MusicalEnsemble - Silesian Quartet, MainArtist, ChamberMusicEnsemble

2018 Chandos Records 2018 Chandos Records

7
III. Allegro giocoso
Silesian Quartet
00:05:05

Grazyna Bacewicz, Composer - Wojciech Switala, Piano, MainArtist - Silesian String Quartet, MainArtist, MusicalEnsemble - Silesian Quartet, MainArtist, ChamberMusicEnsemble

2018 Chandos Records 2018 Chandos Records

Quartet for 4 Violins (Grazyna Bacewicz)

8
I. Allegretto
Szymon Krzeszowiec
00:03:49

Arkadiusz Kubica, Violin, MainArtist - Grazyna Bacewicz, Composer - Szymon Krzeszowiec, Violin, MainArtist - Krzysztof Lasoń, Violin, MainArtist - Małgorzata Wasiucionek, Violin, MainArtist

2018 Chandos Records 2018 Chandos Records

9
II. Andante tranquillo
Szymon Krzeszowiec
00:03:45

Arkadiusz Kubica, Violin, MainArtist - Grazyna Bacewicz, Composer - Szymon Krzeszowiec, Violin, MainArtist - Krzysztof Lasoń, Violin, MainArtist - Małgorzata Wasiucionek, Violin, MainArtist

2018 Chandos Records 2018 Chandos Records

10
III. Molto allegro
Szymon Krzeszowiec
00:02:28

Arkadiusz Kubica, Violin, MainArtist - Grazyna Bacewicz, Composer - Szymon Krzeszowiec, Violin, MainArtist - Krzysztof Lasoń, Violin, MainArtist - Małgorzata Wasiucionek, Violin, MainArtist

2018 Chandos Records 2018 Chandos Records

Quartet for 4 Cellos (Grazyna Bacewicz)

11
I. Narrazione. Dotted crotchet = 42
Polish Cello Quartet
00:06:44

Grazyna Bacewicz, Composer - Polish Cello Quartet, MainArtist, ChamberMusicEnsemble

2018 Chandos Records 2018 Chandos Records

12
II. Riflessioni. Crotchet = 50
Polish Cello Quartet
00:05:43

Grazyna Bacewicz, Composer - Polish Cello Quartet, MainArtist, ChamberMusicEnsemble

2018 Chandos Records 2018 Chandos Records

Presentación del Álbum

The Polish composer Grazyna Bacewicz wrote a good deal of chamber music; attractively shaped for the instruments (Bacewicz was a violinist herself), it has grown in popularity. The two piano quintets and two unorthodox quartets heard here -- one for four violins, one for four cellos -- have not been so widely heard, but they're well worth your time, as are the performances here by the Silesian Quartet "and friends" are ideal. Chandos' engineering work at the Karol Szymanowski Academy of Music concert hall in Katowice catches all the considerable detail from the players. What you have here is really a pair of recordings that are both the same and different: The two piano quintets were recorded in 2010, and the two string quartets in 2017 (at the same location). Each half of the program consists of a work from the post-World War II period, when Bacewicz was fusing a Bartókian folkloric style with a degree of experimentation, and one from the 1960s, when Khrushchev's liberalization reached Poland and Bacewicz became familiar with the music of Western experimenters. Perhaps the highlight is the Quartet for four cellos of 1963, where the cellos create dissonant, wall-like clusters of sound, but all four works are idiomatic pieces that deserve a permanent place in the chamber repertory. With this release, maybe that's just what they'll get.

© TiVo

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