22, A Million

Idioma disponible: inglés

The master of fuzzy folk and melancholy country, Justin Vernon showed his genius when For Emma, Forever Ago, his first album produced under the Bon Iver moniker, came out in 2008. This ghostly, entirely mad and haunting folk masterpiece was dreamt up after he isolated himself in the depths of winter for three months in a Wisconsin cabin! The harmonic cathedrals, the mystery of the organ possessed by true grace: everything was miraculous. But Vernon quickly shook off his folk convictions to try out a range of electronic experiences. These changes were apparent on Bon Iver’s second album, simply called Bon Iver, which contained nods to minimalists Steve Reich and Philip Glass and tracks on which the intriguing bearded artist thought himself more a Brian Eno than a Brian Wilson... Five years after this eponymous record, and having worked through some surprising and fascinating collaborations (James Blake, Kanye West, Travis Scott and St Vincent), the updated Mr Bon Iver is re-emerging with 22, A Million. It is this  third album which finally brings together all his experience right from the start. And whether the result is a folktronica carbon copy or not, Justin Vernon succeeds more than ever in merging the worlds of folk and electronic music without either of the two sides managing to tug too hard in their own direction. As for the singing, his falsetto is still just as affecting even when manipulated and tinkered with. And when he uses openly abrasive sounding tones and elements more from soul, the result is impressively dreamy. Like a melancholy, meditative symphony at the heart of an immense cathedral. To add to this fascinating mystery, Justin Vernon has enjoyed giving his ten new compositions unpronounceable (or almost unpronounceable) titles. An experience unlike any other. © MD/Qobuz