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Elbow|build a rocket boys!

build a rocket boys!

Elbow

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Build a Rocket Boys! is Elbow’s first release since winning the Mercury Prize with The Seldom Seen Kid. Following that multi-platinum behemoth is no easy task, particularly for a 20-year-old band whose modest, “aw shucks” demeanor makes Chris Martin seem like a braggart. On these 11 tracks, though, Elbow continues its ascent from cult band to stadium filler, skirting all but the outermost orbits of mainstream pop while focusing on innovative, lushly textured songwriting. Elbow has rarely sounded like anyone else, yet Build a Rocket Boys! draws enough parallels to hitmakers to make it relevant in 2011, finding some sort of left-field compromise between Snow Patrol’s arena anthems and Sigur Rós’ sonic exploration. At the center of the creative storm is Guy Garvey, who sings about the mundane in a way that elevates it to stadium grandeur. The lyrics are specific -- Garvey croons about childhood plans, middle-aged reality, and everyday people who aspire to something greater -- but the music is imaginative and open-ended, with guitars that fade into the ether and arrangements that include vintage organs, electronics, orchestral percussion, harmonies, and the echoing ambience of the recording studio itself. On “High Ideals,” the band locks into a globetrotting trip-hop groove, flirting with a Middle Eastern scale before cooling things off with mariachi horns. A gospel choir makes its way into the next song, “The River,” but the song's thick vocal harmonies are used sparingly, serving as a minimalist backdrop rather than a chest-swelling climax. Build a Rocket Boys! knows when to push forward and when to pull back, and its songs find the accessibility in out-of-the-box thinking without alienating either side of Elbow’s audience: the longtime fans who worry about losing their band to the mainstream, and the recent converts who climbed aboard after The Seldom Seen Kid's success.

© Andrew Leahey /TiVo

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build a rocket boys!

Elbow

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1
the birds (Album Version)
00:08:03

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, String Arranger, Vocals, Vocal Arranger, Recording Arranger, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Margit Van Der Zwan, Cello, AssociatedPerformer - Adrianne Wininsky, Cello, AssociatedPerformer

℗ 2011 Polydor Ltd. (UK)

2
lippy kids (Album Version)
00:06:06

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer - Guy Garvey, Composer, Author, String Arranger, Vocals, Vocal Arranger, Recording Arranger, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Joe Duddell, Vocal Arranger, AssociatedPerformer - Danny Evans, Engineer, StudioPersonnel - Hallé Youth Choir, Additional Vocals, AssociatedPerformer - Gregory Batsleer, Vocal Arranger, AssociatedPerformer

℗ 2011 Polydor Ltd. (UK)

3
with love (Album Version)
00:04:12

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, String Arranger, Vocals, Vocal Arranger, Recording Arranger, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Joe Duddell, Vocal Arranger, AssociatedPerformer - Danny Evans, Engineer, StudioPersonnel - Hallé Youth Choir, Additional Vocals, AssociatedPerformer - Gregory Batsleer, Vocal Arranger, AssociatedPerformer

℗ 2011 Polydor Ltd. (UK)

4
neat little rows (Album Version)
00:05:39

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2011 Polydor Ltd. (UK)

5
jesus is a rochdale girl (Album Version)
00:03:18

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2011 Polydor Ltd. (UK)

6
the night will always win (Album Version)
00:04:24

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer - Guy Garvey, Composer, Author, Vocals, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel

℗ 2011 Polydor Ltd. (UK)

7
high ideals (Album Version)
00:05:39

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, String Arranger, Vocals, Vocal Arranger, Recording Arranger, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Stella Page, Viola, Violin, AssociatedPerformer - Margit Van Der Zwan, Cello, AssociatedPerformer - Bob Marsh, Flugelhorn, Trumpet, AssociatedPerformer

℗ 2011 Polydor Ltd. (UK)

8
the river (Album Version)
00:02:51

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer - Elbow, MainArtist - Richard Jupp, Composer - Guy Garvey, Composer, Author, String Arranger, Vocals, Vocal Arranger, Recording Arranger, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Joe Duddell, Vocal Arranger, AssociatedPerformer - Danny Evans, Engineer, StudioPersonnel - Hallé Youth Choir, Additional Vocals, AssociatedPerformer - Gregory Batsleer, Vocal Arranger, AssociatedPerformer

℗ 2011 Polydor Ltd. (UK)

9
open arms (Album Version)
00:04:53

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, String Arranger, Vocals, Vocal Arranger, Recording Arranger, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Margit Van Der Zwan, Cello, AssociatedPerformer - Joe Duddell, Vocal Arranger, AssociatedPerformer - Danny Evans, Engineer, StudioPersonnel - Hallé Youth Choir, Additional Vocals, AssociatedPerformer - Adrianne Wininsky, Cello, AssociatedPerformer - Gregory Batsleer, Vocal Arranger, AssociatedPerformer

℗ 2011 Polydor Ltd. (UK)

10
the birds (reprise) (Album Version)
00:01:32

Craig Potter, Composer, Producer, Mixer, StudioPersonnel - Mark Potter, Composer - Pete Turner, Composer - Elbow, MainArtist - Richard Jupp, Composer - Guy Garvey, Composer, Author, String Arranger, Vocal Arranger, Recording Arranger, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Joe Duddell, Vocal Arranger, AssociatedPerformer - Danny Evans, Engineer, StudioPersonnel - Hallé Youth Choir, Additional Vocals, AssociatedPerformer - Gregory Batsleer, Vocal Arranger, AssociatedPerformer - John Moseley, Vocals, AssociatedPerformer

℗ 2011 Polydor Ltd. (UK)

11
dear friends (Album Version)
00:05:00

Craig Potter, Composer, Producer, Mixer, Keyboards, AssociatedPerformer, StudioPersonnel - Mark Potter, Composer, Guitar, AssociatedPerformer - Pete Turner, Composer, Bass Guitar, AssociatedPerformer - Elbow, MainArtist - Richard Jupp, Composer, Drums, AssociatedPerformer - Guy Garvey, Composer, Author, String Arranger, Vocals, Vocal Arranger, Recording Arranger, AssociatedPerformer - Tim Young, Mastering Engineer, StudioPersonnel - Joe Duddell, Vocal Arranger, AssociatedPerformer - Danny Evans, Engineer, StudioPersonnel - Hallé Youth Choir, Additional Vocals, AssociatedPerformer - Bob Marsh, Flugelhorn, Trumpet, AssociatedPerformer - Gregory Batsleer, Vocal Arranger, AssociatedPerformer

℗ 2011 Polydor Ltd. (UK)

Album review

Build a Rocket Boys! is Elbow’s first release since winning the Mercury Prize with The Seldom Seen Kid. Following that multi-platinum behemoth is no easy task, particularly for a 20-year-old band whose modest, “aw shucks” demeanor makes Chris Martin seem like a braggart. On these 11 tracks, though, Elbow continues its ascent from cult band to stadium filler, skirting all but the outermost orbits of mainstream pop while focusing on innovative, lushly textured songwriting. Elbow has rarely sounded like anyone else, yet Build a Rocket Boys! draws enough parallels to hitmakers to make it relevant in 2011, finding some sort of left-field compromise between Snow Patrol’s arena anthems and Sigur Rós’ sonic exploration. At the center of the creative storm is Guy Garvey, who sings about the mundane in a way that elevates it to stadium grandeur. The lyrics are specific -- Garvey croons about childhood plans, middle-aged reality, and everyday people who aspire to something greater -- but the music is imaginative and open-ended, with guitars that fade into the ether and arrangements that include vintage organs, electronics, orchestral percussion, harmonies, and the echoing ambience of the recording studio itself. On “High Ideals,” the band locks into a globetrotting trip-hop groove, flirting with a Middle Eastern scale before cooling things off with mariachi horns. A gospel choir makes its way into the next song, “The River,” but the song's thick vocal harmonies are used sparingly, serving as a minimalist backdrop rather than a chest-swelling climax. Build a Rocket Boys! knows when to push forward and when to pull back, and its songs find the accessibility in out-of-the-box thinking without alienating either side of Elbow’s audience: the longtime fans who worry about losing their band to the mainstream, and the recent converts who climbed aboard after The Seldom Seen Kid's success.

© Andrew Leahey /TiVo

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