Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Adding a bit of Procol Harum's sound to the mix is exactly what the doctor ordered for this superior second outing from the decision by Jack Bruce and Leslie West to merge their talents. "Shifting Sands" and the Peter Brown co-written "November Song" are amazing expressions for these artists, who break out of what people expected from them to create something important. Bruce does his best Neil Young in this "Helpless" takeoff, and West's guitar adds the bite that was not part of Buffalo Springfield, but the album jacket is just plain terrible, like the Guess Who's Road Food taken to an extreme. Had this album found its way into the sublime cover to their first effort, Why Dontcha, they might've been taken more seriously by the critical elite of the day. The underground comic art by Joe Petagno is not the beautiful stuff he has produced since, and is not the eye-catching Robert Crumb work that made Big Brother's Cheap Thrills so inviting. Perhaps you can't tell a book by its cover, but that's what marketing departments are for, and the debacle that is the packaging on Whatever Turns You On disguises the on-target music finally starting to jell. "Rock & Roll Machine" is West finding a groove and, yes, Mountain keyboard player Steve Knight could have improved this very good song and brought it to another level. Andy Johns' production is a bit smoother, but he still lacks the finesse of a Denny Cordell or a George Martin. There's none of the sparkle that the Beatles' "Revolution" contained, an element that made hard rock radio-friendly. Jack Bruce, on the other hand, is delivering solid album tracks -- the Brown/Bruce/West/Laing composition "Scotch Crotch" could've fit nicely on Disraeli Gears or Wheels of Fire, but not as one of those discs' 45 RPMs. And that's the same problem faced by the Why Dontcha album -- great musicians jamming out, but failing to find their way around the maze, failing to write a "Can't Find My Way Home" or a "Tales of Brave Ulysses." "Slow Blues" is a fluid West/Bruce vocal combo with piano and slide guitar -- superb fun for these guys, but not expanding beyond what they've given in the past. And while this album may be superior to the first, there's also a complacency, and maybe a feeling by the band that the world owed these journeymen something. For fans, it is a nice addition to the collection and great to listen to for a change of pace. For their careers, it sounds like men with a lot to give treading water. The nature of the record industry -- executives wanting three million units out of the box and artists wanting to record on their own terms -- wasn't the environment to allow a West, Bruce & Laing five or six more discs to catch a wave. It's too bad, because there was something there.
© Joe Viglione /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
Leslie West, Composer, Lyricist - Corky Laing, Composer, Lyricist - Pete Brown, Composer, Lyricist - Jack Bruce, Composer, Lyricist - Andrew Johns, Producer - West, Bruce & Laing, MainArtist, AssociatedPerformer
(P) Originally released 1973. All rights reserved by Sony Music Entertainment
Leslie West, Composer, Lyricist - Corky Laing, Composer, Lyricist - Jack Bruce, Composer, Lyricist - Andrew Johns, Producer - West, Bruce & Laing, MainArtist, AssociatedPerformer
(P) Originally released 1973. All rights reserved by Sony Music Entertainment
Leslie West, Composer, Lyricist - Corky Laing, Composer, Lyricist - Jack Bruce, Composer, Lyricist - Andrew Johns, Producer - West, Bruce & Laing, MainArtist, AssociatedPerformer
(P) Originally released 1973. All rights reserved by Sony Music Entertainment
Leslie West, Composer, Lyricist - Corky Laing, Composer, Lyricist - Pete Brown, Composer, Lyricist - Jack Bruce, Composer, Lyricist - Andrew Johns, Producer - West, Bruce & Laing, MainArtist, AssociatedPerformer
(P) Originally released 1973. All rights reserved by Sony Music Entertainment
Leslie West, Composer, Lyricist - Corky Laing, Composer, Lyricist - Jack Bruce, Composer, Lyricist - Andrew Johns, Producer - West, Bruce & Laing, MainArtist, AssociatedPerformer
(P) Originally released 1973. All rights reserved by Sony Music Entertainment
Leslie West, Composer, Lyricist - Corky Laing, Composer, Lyricist - Pete Brown, Composer, Lyricist - Jack Bruce, Composer, Lyricist - Andrew Johns, Producer - West, Bruce & Laing, MainArtist, AssociatedPerformer
(P) Originally released 1973. All rights reserved by Sony Music Entertainment
Leslie West, Composer, Lyricist - Corky Laing, Composer, Lyricist - Jack Bruce, Composer, Lyricist - Andrew Johns, Producer - West, Bruce & Laing, MainArtist, AssociatedPerformer
(P) Originally released 1973. All rights reserved by Sony Music Entertainment
Leslie West, Composer, Lyricist - Corky Laing, Composer, Lyricist - Jack Bruce, Composer, Lyricist - Andrew Johns, Producer - West, Bruce & Laing, MainArtist, AssociatedPerformer
(P) Originally released 1973. All rights reserved by Sony Music Entertainment
Leslie West, Composer, Lyricist - Corky Laing, Composer, Lyricist - Pete Brown, Composer, Lyricist - Jack Bruce, Composer, Lyricist - Andrew Johns, Producer - West, Bruce & Laing, MainArtist, AssociatedPerformer
(P) Originally released 1973. All rights reserved by Sony Music Entertainment
Album review
Adding a bit of Procol Harum's sound to the mix is exactly what the doctor ordered for this superior second outing from the decision by Jack Bruce and Leslie West to merge their talents. "Shifting Sands" and the Peter Brown co-written "November Song" are amazing expressions for these artists, who break out of what people expected from them to create something important. Bruce does his best Neil Young in this "Helpless" takeoff, and West's guitar adds the bite that was not part of Buffalo Springfield, but the album jacket is just plain terrible, like the Guess Who's Road Food taken to an extreme. Had this album found its way into the sublime cover to their first effort, Why Dontcha, they might've been taken more seriously by the critical elite of the day. The underground comic art by Joe Petagno is not the beautiful stuff he has produced since, and is not the eye-catching Robert Crumb work that made Big Brother's Cheap Thrills so inviting. Perhaps you can't tell a book by its cover, but that's what marketing departments are for, and the debacle that is the packaging on Whatever Turns You On disguises the on-target music finally starting to jell. "Rock & Roll Machine" is West finding a groove and, yes, Mountain keyboard player Steve Knight could have improved this very good song and brought it to another level. Andy Johns' production is a bit smoother, but he still lacks the finesse of a Denny Cordell or a George Martin. There's none of the sparkle that the Beatles' "Revolution" contained, an element that made hard rock radio-friendly. Jack Bruce, on the other hand, is delivering solid album tracks -- the Brown/Bruce/West/Laing composition "Scotch Crotch" could've fit nicely on Disraeli Gears or Wheels of Fire, but not as one of those discs' 45 RPMs. And that's the same problem faced by the Why Dontcha album -- great musicians jamming out, but failing to find their way around the maze, failing to write a "Can't Find My Way Home" or a "Tales of Brave Ulysses." "Slow Blues" is a fluid West/Bruce vocal combo with piano and slide guitar -- superb fun for these guys, but not expanding beyond what they've given in the past. And while this album may be superior to the first, there's also a complacency, and maybe a feeling by the band that the world owed these journeymen something. For fans, it is a nice addition to the collection and great to listen to for a change of pace. For their careers, it sounds like men with a lot to give treading water. The nature of the record industry -- executives wanting three million units out of the box and artists wanting to record on their own terms -- wasn't the environment to allow a West, Bruce & Laing five or six more discs to catch a wave. It's too bad, because there was something there.
© Joe Viglione /TiVo
About the album
- 1 disc(s) - 9 track(s)
- Total length: 00:36:55
- Main artists: West, Bruce & Laing
- Composer: Various Composers
- Label: Windfall
- Genre: Pop/Rock Rock
(P) Originally released 1973. All rights reserved by Sony Music Entertainment
Improve album informationWhy buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.