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Tomas Andersson Wij|Vi är värda så mycket mer

Vi är värda så mycket mer

Tomas Andersson Wij

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A little more electric than the last album, Ett Slag För Dig, Vi Är Värda Så Mycket Mer shows more or less the same strengths and weaknesses. The lyrics are still brilliant, with "De Gröna Vagnarna" and the title track resembling the best tracks on the preceding album. Maybe the stories are a bit more abstract this time, making them somewhat less moving, but they are still more convincing than most pop lyrics and do contain an existential concern rarely heard. It can also be argued that the singing is somewhat strained and that Andersson Wij puts on a tragic mask even when the lyrics don't call for it, but these are minor remarks. A bigger problem is found in the musical backing. The last album suffered from a somewhat dated production, and if the production is more modern this time, it is still mostly like a layer of paint over '80s singer/songwriter rock, with Ulf Lundell as a likely main influence. That is not bad in itself, but mid-tempo guitar rock can be very uninspiring if it lacks a big amount of energy, and at times on this album it does. Andersson Wij does manage the hard task of writing melancholy and nostalgic lyrics without almost ever becoming sappy, but only in a few songs is he able to give them the musical coating they deserve. When he does, it is mainly in the more acoustic numbers, which hints at the production as a bigger problem than Andersson Wij's musical skills.

© Lars Lovén /TiVo

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Vi är värda så mycket mer

Tomas Andersson Wij

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1
Klockan ringer
00:04:38

Tomas Andersson Wij, Composer, Vocals, MainArtist

© 2002 Warner Music Sweden AB ℗ 2002 Warner Music Sweden

2
Slå!
00:02:59

Tomas Andersson Wij, Composer, Vocals, MainArtist

© 2002 Warner Music Sweden AB ℗ 2002 Metronome Records AB

3
Ett helvete i taget
00:03:46

Tomas Andersson Wij, Composer, Vocals, MainArtist

© 2002 Warner Music Sweden AB ℗ 2002 Warner Music Sweden

4
Vissa dagar
00:02:43

Tomas Andersson Wij, Vocals, Writer, MainArtist

© 2002 Warner Music Sweden AB ℗ 2002 Warner Music Sweden AB

5
De gröna vagnarna
00:06:08

Tomas Andersson Wij, Composer, Vocals, MainArtist

© 2002 Warner Music Sweden AB ℗ 2002 Warner Music Sweden

6
Jag börjar minnas mig
00:03:15

Tomas Andersson Wij, Vocals, MainArtist - Staffan Andersson, Arranger - Tomas Anderson Wij, Writer

© 2002 Warner Music Sweden AB ℗ 2002 Metronome Records AB

7
Längst in i juli
00:03:48

Andreas Mattsson, Writer - Tomas Andersson Wij, Composer, Vocals, MainArtist

© 2002 Warner Music Sweden AB ℗ 2002 Warner Music Sweden

8
Enklare än så
00:03:06

Tomas Andersson Wij, Composer, Vocals, MainArtist

© 2002 Warner Music Sweden AB ℗ 2002 Warner Music Sweden

9
Bli min vän
00:02:41

Tomas Andersson Wij, Composer, Vocals, MainArtist

© 2002 Warner Music Sweden AB ℗ 2002 Warner Music Sweden

10
Snart är vi framme
00:05:32

Andreas Mattsson, Composer - Tomas Andersson Wij, Vocals, Writer, MainArtist

© 2002 Warner Music Sweden AB ℗ 2002 Metronome Records AB

11
Vi är värda så mycket mer
00:04:01

Tomas Andersson Wij, Composer, Vocals, MainArtist

© 2002 Warner Music Sweden AB ℗ 2002 Warner Music Sweden

Album review

A little more electric than the last album, Ett Slag För Dig, Vi Är Värda Så Mycket Mer shows more or less the same strengths and weaknesses. The lyrics are still brilliant, with "De Gröna Vagnarna" and the title track resembling the best tracks on the preceding album. Maybe the stories are a bit more abstract this time, making them somewhat less moving, but they are still more convincing than most pop lyrics and do contain an existential concern rarely heard. It can also be argued that the singing is somewhat strained and that Andersson Wij puts on a tragic mask even when the lyrics don't call for it, but these are minor remarks. A bigger problem is found in the musical backing. The last album suffered from a somewhat dated production, and if the production is more modern this time, it is still mostly like a layer of paint over '80s singer/songwriter rock, with Ulf Lundell as a likely main influence. That is not bad in itself, but mid-tempo guitar rock can be very uninspiring if it lacks a big amount of energy, and at times on this album it does. Andersson Wij does manage the hard task of writing melancholy and nostalgic lyrics without almost ever becoming sappy, but only in a few songs is he able to give them the musical coating they deserve. When he does, it is mainly in the more acoustic numbers, which hints at the production as a bigger problem than Andersson Wij's musical skills.

© Lars Lovén /TiVo

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