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Neil Diamond|Up On The Roof: Songs From The Brill Building

Up On The Roof: Songs From The Brill Building

Neil Diamond

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This is Diamond's equivalent of, say, one of Barbra Streisand's Broadway albums. Come to think of it, it's Broadway that Diamond is returning to as well; specifically, the corner of 49th Street, where he and many others turned out songs for music publishers. Some of these songs were written there; most were only in the spirit of that modern Tin Pan Alley. Handling the work of his then-rivals, such as "Spanish Harlem," "A Groovy Kind of Love," and "River Deep -- Mountain High," Diamond adopts his usual hammy style (he always sounds like he thinks he's a much better singer than he is). Peter Asher patented a neo-'60s production style in crafting oldies for Linda Ronstadt in the '70s, and he does the same thing here, which is only to say that the album is not as overproduced as some of Diamond's recent albums, not that Asher's versions are any competition to Phil Spector's originals. Actually, this record sounds exactly like you would expect it to: just call to mind a familiar song like "Will You Love Me Tomorrow" and imagine what it would sound like if Neil Diamond sang it. While this is clearly a holding action from the point of view of Diamond's recording career, fans can decide for themselves whether it's valid and, perhaps more problematic, necessary. You pays your money...

© William Ruhlmann /TiVo

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Up On The Roof: Songs From The Brill Building

Neil Diamond

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1
You've Lost That Lovin' Feelin'
00:04:31

David Campbell, String Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Barry Mann, ComposerLyricist - Neil Diamond, MainArtist - Cynthia Weil, ComposerLyricist - PHIL SPECTOR, ComposerLyricist - Frank Wolf, Producer - Dolly Parton, FeaturedArtist - Bernie Becker, Engineer, StudioPersonnel - The Neil Diamond Band, Rhythm Arranger, AssociatedPerformer

℗ 1993 Neil Diamond

2
Up On The Roof
00:03:30

David Campbell, String Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Carole King, ComposerLyricist - Gerry Goffin, ComposerLyricist - Neil Diamond, MainArtist - Frank Wolf, Producer - Bernie Becker, Engineer, StudioPersonnel

℗ 1993 Neil Diamond

3
Love Potion Number Nine
00:03:05

David Campbell, String Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Jerry Leiber, ComposerLyricist - Mike Stoller, ComposerLyricist - Neil Diamond, MainArtist - Frank Wolf, Producer - Bernie Becker, Engineer, StudioPersonnel - The Neil Diamond Band, Rhythm Arranger, AssociatedPerformer

℗ 1993 Neil Diamond

4
Will You Love Me Tomorrow
00:03:29

David Campbell, String Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Carole King, Composer - Gerry Goffin, Composer - Neil Diamond, MainArtist - Frank Wolf, Producer - Bernie Becker, Engineer, StudioPersonnel - The Neil Diamond Band, Rhythm Arranger, AssociatedPerformer

℗ 1993 Neil Diamond

5
Don't Be Cruel
00:03:46

David Campbell, Horn Arranger, AssociatedPerformer - Peter Asher, Vocal Arranger, Rhythm Arranger, AssociatedPerformer - Neil Diamond, MainArtist - Elvis Presley, ComposerLyricist - Frank Wolf, Producer - Otis Blackwell, ComposerLyricist - Bernie Becker, Engineer, StudioPersonnel - The Neil Diamond Band, Rhythm Arranger, AssociatedPerformer

℗ 1993 Neil Diamond

6
Do Wah Diddy Diddy
00:02:56

Peter Asher, Recording Arranger, AssociatedPerformer - Neil Diamond, MainArtist - Jeff Barry, ComposerLyricist - Ellie Greenwich, ComposerLyricist - Frank Wolf, Producer - Mary's Danish, Recording Arranger, FeaturedArtist, AssociatedPerformer - Bernie Becker, Engineer, StudioPersonnel

℗ 1993 Neil Diamond

7
I (Who Have Nothing)
00:04:05

Alan Lindgren, Recording Arranger, AssociatedPerformer - David Campbell, Recording Arranger, AssociatedPerformer - Carlo Donida Labati, ComposerLyricist - Jerry Leiber, ComposerLyricist - Mike Stoller, ComposerLyricist - Neil Diamond, MainArtist - Frank Wolf, Producer - Giulio Rapetti, ComposerLyricist - Bernie Becker, Engineer, StudioPersonnel

℗ 1993 Neil Diamond

8
Do You Know The Way To San Jose?
00:03:04

David Campbell, String Arranger, Rhythm Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Burt Bacharach, ComposerLyricist - Hal David, ComposerLyricist - Neil Diamond, MainArtist - Frank Wolf, Producer - Bernie Becker, Engineer, StudioPersonnel

℗ 1993 Neil Diamond

9
Don't Make Me Over
00:03:38

David Campbell, Recording Arranger, AssociatedPerformer - Burt Bacharach, ComposerLyricist - Hal David, ComposerLyricist - Neil Diamond, MainArtist - Frank Wolf, Producer - Bernie Becker, Engineer, StudioPersonnel

℗ 1993 Neil Diamond

10
River Deep - Mountain High
00:03:58

David Campbell, String Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Neil Diamond, MainArtist - PHIL SPECTOR, ComposerLyricist - Jeff Barry, ComposerLyricist - Ellie Greenwich, ComposerLyricist - Frank Wolf, Producer - Bernie Becker, Engineer, StudioPersonnel - The Neil Diamond Band, Rhythm Arranger, AssociatedPerformer

℗ 1993 Neil Diamond

11
A Groovy Kind Of Love
00:02:52

David Campbell, String Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Neil Diamond, MainArtist - Carole Bayer Sager, Author - Frank Wolf, Producer - Toni Wine, Author - Bernie Becker, Engineer, StudioPersonnel - The Neil Diamond Band, Rhythm Arranger, AssociatedPerformer

℗ 1993 Neil Diamond

12
Spanish Harlem
00:03:43

David Campbell, String Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Jerry Leiber, ComposerLyricist - Neil Diamond, MainArtist - PHIL SPECTOR, ComposerLyricist - Frank Wolf, Producer - Bernie Becker, Engineer, StudioPersonnel

℗ 1993 Neil Diamond

13
Sweets For My Sweet
00:02:54

David Campbell, String Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Doc Pomus, ComposerLyricist - Mort Shuman, ComposerLyricist - Neil Diamond, MainArtist - Frank Wolf, Producer - Bernie Becker, Engineer, StudioPersonnel - The Neil Diamond Band, Rhythm Arranger, AssociatedPerformer

℗ 1993 Neil Diamond

14
Happy Birthday Sweet Sixteen
00:03:40

David Campbell, String Arranger, AssociatedPerformer - Neil Diamond, MainArtist - Howard Greenfield, ComposerLyricist - Frank Wolf, Producer - Neil Sedaka, ComposerLyricist - Bernie Becker, Engineer, StudioPersonnel - The Neil Diamond Band, Rhythm Arranger, AssociatedPerformer

℗ 1993 Neil Diamond

15
Ten Lonely Guys
00:04:17

Edward Snyder, ComposerLyricist - Richard Gottehrer, ComposerLyricist - JERRY GOLDSTEIN, ComposerLyricist - David Campbell, String Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Laurence Weiss, ComposerLyricist - Robert Feldman, ComposerLyricist - Neil Diamond, MainArtist, ComposerLyricist - Frank Wolf, Producer - Cliff Adams, ComposerLyricist - Wesley Farrell, ComposerLyricist - Stanley Kahan, ComposerLyricist - Bernie Becker, Engineer, StudioPersonnel - Lockie Jr Edwards, ComposerLyricist - Ten Lonely Guys, Rhythm Arranger, AssociatedPerformer

℗ 1993 Neil Diamond

16
Save The Last Dance For Me
00:02:29

David Campbell, String Arranger, AssociatedPerformer - Peter Asher, Rhythm Arranger, AssociatedPerformer - Doc Pomus, ComposerLyricist - Mort Shuman, ComposerLyricist - Neil Diamond, MainArtist - Frank Wolf, Producer - Bernie Becker, Engineer, StudioPersonnel - The Neil Diamond Band, Rhythm Arranger, AssociatedPerformer

℗ 1993 Neil Diamond

Album review

This is Diamond's equivalent of, say, one of Barbra Streisand's Broadway albums. Come to think of it, it's Broadway that Diamond is returning to as well; specifically, the corner of 49th Street, where he and many others turned out songs for music publishers. Some of these songs were written there; most were only in the spirit of that modern Tin Pan Alley. Handling the work of his then-rivals, such as "Spanish Harlem," "A Groovy Kind of Love," and "River Deep -- Mountain High," Diamond adopts his usual hammy style (he always sounds like he thinks he's a much better singer than he is). Peter Asher patented a neo-'60s production style in crafting oldies for Linda Ronstadt in the '70s, and he does the same thing here, which is only to say that the album is not as overproduced as some of Diamond's recent albums, not that Asher's versions are any competition to Phil Spector's originals. Actually, this record sounds exactly like you would expect it to: just call to mind a familiar song like "Will You Love Me Tomorrow" and imagine what it would sound like if Neil Diamond sang it. While this is clearly a holding action from the point of view of Diamond's recording career, fans can decide for themselves whether it's valid and, perhaps more problematic, necessary. You pays your money...

© William Ruhlmann /TiVo

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